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Lois Lowry’s Gathering Blue continues the quartet beginning with the quintessential dystopian novel, The Giver, followed by Messenger and Son. Kira, an orphan with a twisted leg, lives in a world where the weak are cast aside. She fears for her future until she is spared by the all-powerful Council of Guardians. Kira is a gifted weaver and is given a task that no other community member can do. While her talent keeps her alive and brings certain privileges, Kira soon realizes she is surrounded by many mysteries and secrets. No one must know of her plans to uncover the truth about her world and see what places exist beyond.
Lois Lowry’s Gathering Blue continues the quartet beginning with the quintessential dystopian novel, The Giver, followed by Messenger and Son. Kira, an orphan with a twisted leg, lives in a world where the weak are cast aside. She fears for her future until she is spared by the all-powerful Council of Guardians. Kira is a gifted weaver and is given a task that no other community member can do. While her talent keeps her alive and brings certain privileges, Kira soon realizes she is surrounded by many mysteries and secrets. No one must know of her plans to uncover the truth about her world and see what places exist beyond.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
There was no reply. She hadn't expected one. Her mother had been dead now for four days, and Kira could tell that the last of the spirit was drifting away.
"Mother." She said it again, quietly, to whatever was leaving. She thought that she could feel its leave taking, the way one could feel a small whisper of breeze at night.
Now she was all alone. Kira felt the aloneness, the uncertainty, and a great sadness.
This had been her mother, the warm and vital woman whose name had been Katrina. Then after the brief and unexpected sickness, it had become the body of Katrina, still containing the lingering spirit. After four sunsets and sunrises, the spirit, too, was gone. It was simply a body. Diggers would come and sprinkle a layer of soil over the flesh, but even so it would be eaten by the clawing, hungry creatures that came at night. Then the bones would scatter, rot, and crumble to become part of the earth.
Kira wiped briefly at her eyes, which had filled with tears. She had loved her mother, and would miss her terribly. But it was time for her to go. She wedged her walking stick in the soft ground, leaned on it, and pulled herself up.
She looked around uncertainly. She was young still, and had not experienced death before, not in the small two-person family that she and her mother had been. Of course she had seen others go through the rituals. She could see some of them in the vast foul smelling Field of Leaving, huddled beside the ones whose lingering spirits they tended. She knew that a woman named Helena was there, watching the spirit leave her infant, who had been born too soon. Helena had come to the Field only the day before. Infants did not require the four days of watching; the wisps of their spirits, barely arrived, drifted away quickly. So Helena would return to the village and her family soon.
As for Kira, she had no family, now. Nor any home. The cott she had shared with her mother had been burned. This was always done after sickness. The small structure, the only home Kira had ever known, was gone. She had seen the smoke in the distance as she sat with the body. As she watched the spirit of her mother drift away, she had seen the cindered fragments of her childhood life whirl into the sky as well.
She felt a small shudder of fear. Fear was always a part of life for the people. Because of fear, they made shelter and found food and grew things. For the same reason, weapons were stored, waiting. There was fear of cold, of sickness and hunger. There was fear of beasts.
And fear propelled her now as she stood, leaning on her stick. She looked down a last time at the lifeless body that had once contained her mother, and considered where to go.
Kira thought about rebuilding. If she could find help, though help was unlikely, it wouldn't take long to build a cott, especially not this time of year, summerstart, when tree limbs were supple and mud was thick and abundant beside the river. She had often watched others building, and Kira realized that she could probably construct some sort of shelter for herself. Its corners and chimney might not be straight. The roof would be difficult because her bad leg made it almost impossible for her to climb. But she would find a way. Somehow she would build a cott. Then she would find a way to make a life.
Her mother's brother had been near her in the Field for two days, not guarding Katrina, his sister, but sitting silently beside the body of his own woman, the short-tempered Solora, and that of their new infant who had been too young to have a name. They had nodded to each other, Kira and her mother's brother in...
Au sujet de l’auteur-
Lois Lowry is also known for her Anastasia books. She and illustrator Middy Thomas also collaborated on Gooney Bird Greene. The author lives in Cambridge, MA.
Critiques-
Left alone by her mother's sudden death in a savage future where life is ruled by fear and memory and humans feel powerless to affect their fate, Kira is a different breed, an artist who expresses her vision in colored thread on cloth. Such a gift, however, matters little to the general populace, scrabbling as they must to survive in a hostile physical world, particularly when the artist is imperfect, as Kira is, with her twisted leg and hobbled walk. Katherine Borowitz delivers an unimpassioned, measured reading, a superb match for the dispassionate tone of Lowry's novel. Her voice softens and glimmers with emotion only when the text rests solidly within Kira's thoughts, or when she remembers her dead mother's loving tones. The solemnity and mystery of the novel are frequently relieved, however, by the charming impulsivity and crude Fen dialect of the waif, Matt, which Borowitz flawlessly captures. T.B. Winner of AudioFile Earphones Award. (c) AudioFile 2001, Portland, Maine
September 25, 2000 After conjuring the pitfalls of a technologically advanced society in The Giver, Lowry looks toward a different type of future to create this dark, prophetic tale with a strong medieval flavor. Having suffered numerous unnamed disasters (aka, the Ruin), civilization has regressed to a primitive, technology-free state; an opening author's note describes a society in which "disorder, savagery, and self-interest" rule. Kira, a crippled young weaver, has been raised and taught her craft by her mother, after her father was allegedly killed by "beasts." When her mother dies, Kira fears that she will be cast out of the village. Instead, the society's Council of Guardians installs her as caretaker of the Singer's robe, a precious ceremonial garment depicting the history of the world and used at the annual Gathering. She moves to the Council Edifice, a gothic-style structure, one of the few to survive the Ruin. The edifice and other settings, such as the Fen--the village ghetto--and the small plot where Annabella (an elder weaver who mentors Kira after her mother's death) lives are especially well drawn, and the characterizations of Kira and the other artists who cohabit the stone residence are the novel's greatest strength. But the narrative hammers at the theme of the imprisoned artist. And readers may well predict where several important plot threads are headed (e.g., the role of Kira's Guardian, Jamison; her father's disappearance), while larger issues, such as the society's downfall, are left to readers' imaginations. Ages 10-up.
Kirkus Reviews, Starred
"Lowry returns to the metaphorical future world of her Newbery-winning The Giver to explore the notion of foul reality disguised as fair. . . . Readers will find plenty of material for thought and discussion here. . . . A top writer, in top form."
School Library Journal, Starred
"Lowry has once again created a fully realized world full of drama, suspense, and even humor. Readers won't forget these memorable characters or their struggles in an inhospitable world."
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Left alone by her mother's sudden death in a savage future where life is ruled by fear and memory and humans feel powerless to affect their fate, Kira is a different breed, an artist who expresses her vision in colored thread on cloth. Such a gift, however, matters little to the general populace, scrabbling as they must to survive in a hostile physical world, particularly when the artist is imperfect, as Kira is, with her twisted leg and hobbled walk. Katherine Borowitz delivers an unimpassioned, measured reading, a superb match for the dispassionate tone of Lowry's novel. Her voice softens and glimmers with emotion only when the text rests solidly within Kira's thoughts, or when she remembers her dead mother's loving tones. The solemnity and mystery of the novel are frequently relieved, however, by the charming impulsivity and crude Fen dialect of the waif, Matt, which Borowitz flawlessly captures. T.B. Winner of AudioFile Earphones Award. (c) AudioFile 2001, Portland, Maine
