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"The perfect escape." —USA Today "Readers who loved Emily Henry's Book Lovers are sure to savor Nora Goes Off Script." —Shelf Awareness Named one of the Best Beach Reads of Summer 2022 by The Washington Post • USA Today • Cosmopolitan • Southern Living • Country Living • Business Insider • Buzzfeed • Book Riot • The Augusta Chronicle Nora’s life is about to get a rewrite… Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er do well husband Nora’s life will never be the same. The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He’ll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it’s the need in his eyes that makes her say yes. Seven days: it’s the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart. Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story—the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.
"The perfect escape." —USA Today "Readers who loved Emily Henry's Book Lovers are sure to savor Nora Goes Off Script." —Shelf Awareness Named one of the Best Beach Reads of Summer 2022 by The Washington Post • USA Today • Cosmopolitan • Southern Living • Country Living • Business Insider • Buzzfeed • Book Riot • The Augusta Chronicle Nora’s life is about to get a rewrite… Nora Hamilton knows the formula for love better than anyone. As a romance channel screenwriter, it’s her job. But when her too-good-to work husband leaves her and their two kids, Nora turns her marriage’s collapse into cash and writes the best script of her life. No one is more surprised than her when it’s picked up for the big screen and set to film on location at her 100-year-old-home. When former Sexiest Man Alive, Leo Vance, is cast as her ne’er do well husband Nora’s life will never be the same. The morning after shooting wraps and the crew leaves, Nora finds Leo on her porch with a half-empty bottle of tequila and a proposition. He’ll pay a thousand dollars a day to stay for a week. The extra seven grand would give Nora breathing room, but it’s the need in his eyes that makes her say yes. Seven days: it’s the blink of an eye or an eternity depending on how you look at it. Enough time to fall in love. Enough time to break your heart. Filled with warmth, wit, and wisdom, Nora Goes Off Script is the best kind of love story—the real kind where love is complicated by work, kids, and the emotional baggage that comes with life. For Nora and Leo, this kind of love is bigger than the big screen.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverChapter 1
Hollywood's coming today.
I'm not going to lose my house.
Those two thoughts surface in the same moment as the sun starts to brighten my room. I've been paid for my screenplay, and the bonus money for letting them film here will hit my bank account at noon. Good-bye unpaid real estate taxes. Good-bye credit card debt. And to think, Ben's saying good-bye to me has made it all possible. I don't know how this day could get any better. I hop out of bed, grab my heaviest morning sweater, and head downstairs. I pour my coffee and go out to the porch to watch the sunrise.
Whoever buys this house from me, I always think, will tear it down. It's over a hundred years old; everything's broken. There's a certain point in January when the wind blows right into the kitchen and we have to duct-tape a fleece blanket over the doorframe. The floorboards droop; there are only two bathrooms and they're both upstairs. Each bedroom has a closet designed to house six outfits, preferably for very small people. Ben had a list of house complaints he used to like to run through daily, and I could never shake the feeling that he was really complaining about me.
This house is a disaster, sure. But I fell in love with it when I first looked down the long windy path of the driveway. The magnolia trees that line either side touch in the middle, so that now, in April, you drive through a tunnel of pink flowers. When you emerge onto the main road it feels like you've been transported from one world to another, like a bride leaving the church. It feels like a treat going out for milk, and it feels like a treat coming home.
The house was built by a British doctor named George Faircloth who lived in Manhattan and came upstate to Laurel Ridge in the summer, which explains the complete lack of winterization. It was built to be enjoyed on a seventy-eight-degree day and primarily from the outside. I imagine his landscaping this property like a maestro, arranging the magnolias and the forsythia beneath them to announce the beginning of spring. After a long gray winter, these first pink and yellow blooms shout, "Something's happening!" By May they'll have gone green with the rest of the yard, a quiet before the peonies and hydrangea bloom.
I knew I'd do anything to live here when I saw the tea house in the back. It's a one-room structure the doctor had commissioned to honor the ritual of formal tea. Where the main house is flimsy white clapboard with peeling black shutters, the tea house is made of gray stone with a slate roof. It has a small working fireplace and oak-paneled walls. It's as if Dr. Faircloth reached over the pond and plucked it out of the English countryside. I distinctly remember hearing Ben use the word "shed" when we walked into it, and I ignored him the way you do when you're trying to stay married.
The first morning we woke up here, I got up at first light because we didn't have any curtains yet. I took my coffee to the front porch, and the sunrise was the surprise of my life. I'd never seen the house at six a.m. I didn't even know we were facing east. It was like a gift with purchase, a reward for loving this broken place.
I stand on the porch now, taking it in before the movie crew arrives. Pink ribbons, then orange creep up behind the wide-armed oak tree at the end of my lawn. The sun rises behind it differently every day. Some days it's a solid bar of sherbet that rolls up like movie credits and fills the sky. Some days the light dapples through the leaves in a muted gray. The oak won't have leaves for a few weeks, just tiny yellow and white blooms pollinating...
Au sujet de l’auteur-
Annabel Monaghan is the author of two Young Adult novels and Does This Volvo Make My Butt Look Big?, a selection of laugh-out-loud columns that appeared in the Huffington Post, The Week, and The Rye Record. Nora Goes Off Script is her adult debut novel. She lives in Rye, New York, with her family.
Critiques-
Starred review from April 25, 2022 In Monaghan’s irresistible adult fiction debut, (after the humor book Does This Volvo Make My Butt Look Big?) she introduces romance screenwriter Nora Hamilton, who pumps out happily-ever-after stories for cable television while cynically processing her divorce from Ben, who fell out of love with Nora and lost interest in having a family. After she veers from her previous script formula for one based on her ill-fated marriage, Hollywood comes calling. Enter Leo Vance, People magazine’s “Sexiest Man Alive,” cast as Nora’s ex. The production includes two days at Nora’s house, and when filming wraps, Leo offers to pay her $1,000 a day to stay for a week. There, he enjoys the real-world pleasures of grocery shopping, directing a children’s play, and eating average home-cooked meals. Arthur and Bernadette, Nora’s children, are equally smitten with Leo, and as the week goes on, his presence offers them a new sense of family. After Leo is called away for work, Nora must find a way to carry on and deal with her feelings about Ben, Leo, and the romance genre, now that she’s actually put her heart on the line. With pitch-perfect characters full of foibles and flaws, the work taps into genuine feelings as the characters fall in love. This is a winner. Agent: Marly Rusoff, Marly Rusoff Literary.
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Hillary Huber narrates a story of love, self-discovery, and forgiveness. Nora Hamilton is making ends meet, barely, as a TV screenwriter, when her luck starts to change for the better with the sale of a screenplay. Will these changes be permanent improvements, or are they simply too good to be true? Huber perfectly captures the wry and weary but cautiously hopeful outlook Nora has on life. As an almost 40-year-old divorced mother of two, Nora has been badly hurt, but Huber focuses on the unconditional love and support Nora gives her children--and slowly learns to give herself. This grace and love is also extended to the listener via Huber's empathetic and compassionate performance. K.M.P. © AudioFile 2022, Portland, Maine
