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“A fast-burning fuse of a book, every page bursting with revelatory detail.”—ERIK LARSON A sweeping account of the anarchists who terrorized the streets of New York and the detective duo who transformed policing to meet the threat—a tale of fanaticism, forensic science, and dynamite from the bestselling author of The Ghost Map Steven Johnson’s engrossing account of the epic struggle between the anarchist movement and the emerging surveillance state stretches around the world and between two centuries—from Alfred Nobel’s invention of dynamite and the assassination of Czar Alexander II to New York City in the shadow of World War I.
April 1914. The NYPD is still largely the corrupt, low-tech organization of the Tammany Hall era. To the extent the police are stopping crime—as opposed to committing it—their role has been almost entirely defined by physical force: the brawn of the cop on the beat keeping criminals at bay with nightsticks and fists. The solving of crimes is largely outside their purview.
The new commissioner, Arthur Woods, is determined to change that, but he cannot anticipate the maelstrom of violence that will soon test his science-based approach to policing. Within weeks of his tenure, New York City is engulfed in the most concentrated terrorism campaign in the nation’s history: a five-year period of relentless bombings, many of them perpetrated by the anarchist movement led by legendary radicals Alexander Berkman and Emma Goldman. Coming to Woods’s aide are Inspector Joseph Faurot, a science-first detective who works closely with him in reforming the police force, and Amadeo Polignani, the young Italian undercover detective who infiltrates the notorious Bresci Circle.
Johnson reveals a mostly forgotten period of political conviction, scientific discovery, assassination plots, bombings, undercover operations, and innovative sleuthing. The Infernal Machine is the complex pre-history of our current moment, when decentralized anarchist networks have once again taken to the streets to protest law enforcement abuses, right-wing militia groups have attacked government buildings, and surveillance is almost ubiquitous.
“A fast-burning fuse of a book, every page bursting with revelatory detail.”—ERIK LARSON A sweeping account of the anarchists who terrorized the streets of New York and the detective duo who transformed policing to meet the threat—a tale of fanaticism, forensic science, and dynamite from the bestselling author of The Ghost Map Steven Johnson’s engrossing account of the epic struggle between the anarchist movement and the emerging surveillance state stretches around the world and between two centuries—from Alfred Nobel’s invention of dynamite and the assassination of Czar Alexander II to New York City in the shadow of World War I.
April 1914. The NYPD is still largely the corrupt, low-tech organization of the Tammany Hall era. To the extent the police are stopping crime—as opposed to committing it—their role has been almost entirely defined by physical force: the brawn of the cop on the beat keeping criminals at bay with nightsticks and fists. The solving of crimes is largely outside their purview.
The new commissioner, Arthur Woods, is determined to change that, but he cannot anticipate the maelstrom of violence that will soon test his science-based approach to policing. Within weeks of his tenure, New York City is engulfed in the most concentrated terrorism campaign in the nation’s history: a five-year period of relentless bombings, many of them perpetrated by the anarchist movement led by legendary radicals Alexander Berkman and Emma Goldman. Coming to Woods’s aide are Inspector Joseph Faurot, a science-first detective who works closely with him in reforming the police force, and Amadeo Polignani, the young Italian undercover detective who infiltrates the notorious Bresci Circle.
Johnson reveals a mostly forgotten period of political conviction, scientific discovery, assassination plots, bombings, undercover operations, and innovative sleuthing. The Infernal Machine is the complex pre-history of our current moment, when decentralized anarchist networks have once again taken to the streets to protest law enforcement abuses, right-wing militia groups have attacked government buildings, and surveillance is almost ubiquitous.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverPreface
July 5, 1915 Police headquarters, Centre Street, Manhattan
The bombs came in all kinds of packages.
Often they arrived in tin cans, emptied of the olive oil or soap or preserves the cans had originally been manufactured to contain, now wedged tight with sticks of dynamite. Sometimes they were wrapped with an outer band of iron slugs, designed to maximize the destruction, conveyed to their target location in a satchel or suitcase, “accidentally” left behind in the courthouse, or the train station, or the cathedral. Many of those devices were time bombs running on clockwork mechanisms. The more inventive ones utilized a kind of hourglass device, releasing sulfuric acid into a piece of cork, the timing determined by chemistry, not mechanics: how long the acid took to eat its way through the cork, until it began dripping onto the blasting cap below. Many were swaddled in old newspaper pages. One of the most notorious bombing campaigns sent the devices through the mail, dressed up in department-store wrapping.
And sometimes the bomb was just a naked stick of dynamite, with a fuse simple enough to be lit with the strike of a match, ready to be flung into an unsuspecting crowd.
Many bombs were delivered anonymously. But others were accompanied by missives sent to a local paper, or left on a doorstep: threats, intimations of further violence, delusional rants, and more than a few manifestos. The smaller bombs—the ones detonated by a storefront, a few notches up from fireworks—were the mobster version of an “account overdue” mailing: the big stick of the extortion business. A few came from clinically insane individuals without a cause, propelled toward the terrible violence of dynamite by their own private demons. But most of the explosions that made the national news during those years were expressions, implicit or explicit, of a political worldview.
The political bombers were a diverse bunch: socialist agitators, Russian Nihilists, Irish republicans, German saboteurs. But of all the bomb throwers of the period, no group was more closely associated with the infernal machines—as the press came to call the bombs—than the anarchists. The forty-year period during which anarchism rose to prominence as one of the most important political worldviews in Europe and the United States—roughly from 1880 to 1920—happened to correspond precisely with the single most devastating stretch of political bombings in the history of the West. Indeed, the whole modern practice of terrorism—advancing a political agenda through acts of spectacular violence, often targeting civilians—began with the anarchists.
What was anarchism, really? Start with the word itself. Today the word anarchy almost exclusively carries negative connotations of chaos and disorder. But when the political movement first emerged in the middle of the nineteenth century, the word’s meaning was much more closely grounded in its etymological roots: an-, meaning no, and -archos, the Latin word for “ruler.” The anarchists believed that a world without rulers was possible. At times, they convinced themselves that such a society was inevitable; imminent, even.
The anarchists maintained that there was something fundamentally corrosive about organizing society around large, top-down organizations. Human beings, its advocates explained, oftentimes at gunpoint, had evolved in smaller, more egalitarian units, and some of the most exemplary communities of recent life—the guild-based free cities of Renaissance Europe, the farming communes of Asia,...
Critiques-
Starred review from April 29, 2024 Bomb-hurling anarchists square off against cops and their newfangled scientific sleuthing in this action-packed history. Bestseller Johnson (Enemy of All Mankind) surveys the American anarchist movement of the 1880s through the 1920s, which launched dozens of terrorist attacks. At the center of the narrative are Russian-Jewish immigrant radicals Alexander Berkman, who shot and stabbed steel magnate Henry Clay Frick in a failed 1892 assassination attempt, and Emma Goldman, Berkman’s sometime lover. Full of rousing speeches, feverish conspiracies, and tearful leave-takings, their soap opera–like story gives the book a romantic sheen. Johnson also explores innovations wrought by dynamite, which enabled New York to build subways and skyscrapers, but also furnished anarchists—and organized criminals—with cheap and easily hidden bombs. The book’s third strand recounts how the NYPD battled bombers with new techniques, including fingerprint identification, a bomb squad, and undercover investigations, one of which foiled a plot to blow up St. Patrick’s Cathedral. Johnson’s entertaining true crime picaresque coalesces around the resonant irony of anarchists who dreamed of a stateless society getting crushed by an ever more powerful surveillance state, embodied by the investigative filing system that future FBI director J. Edgar Hoover deployed to build a successful case to deport Berkman and Goldman in 1919. The result is a captivating saga of vehement political passions quelled by cold technocracy.
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