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Inheritors
Couverture de Inheritors
Inheritors
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Winner of the PEN/Open Book Award
Winner of The Story Prize Spotlight Award

A kaleidoscopic portrait of five generations scattered across Asia and the United States, Inheritors is a heartbreakingly beautiful and brutal exploration of a Japanese family fragmented by the Pacific side of World War II. A retired doctor is forced to confront the moral consequences of his wartime actions. His brother’s wife, compelled to speak of a fifty-year-old murder, reveals the shattering realities of life in Occupied Japan. Half a century later, her estranged American granddaughter winds her way back East, pursuing her absent father’s secrets. Decades into the future, two siblings face the consequences of their great-grandparents’ war as the world shimmers on the brink of an even more pervasive violence. Grappling with the legacies of loss, imperialism, and war, Inheritors offers an intricate tapestry of stories illuminating the complex ways in which we live, interpret, and pass on our tangled histories.
Winner of the PEN/Open Book Award
Winner of The Story Prize Spotlight Award

A kaleidoscopic portrait of five generations scattered across Asia and the United States, Inheritors is a heartbreakingly beautiful and brutal exploration of a Japanese family fragmented by the Pacific side of World War II. A retired doctor is forced to confront the moral consequences of his wartime actions. His brother’s wife, compelled to speak of a fifty-year-old murder, reveals the shattering realities of life in Occupied Japan. Half a century later, her estranged American granddaughter winds her way back East, pursuing her absent father’s secrets. Decades into the future, two siblings face the consequences of their great-grandparents’ war as the world shimmers on the brink of an even more pervasive violence. Grappling with the legacies of loss, imperialism, and war, Inheritors offers an intricate tapestry of stories illuminating the complex ways in which we live, interpret, and pass on our tangled histories.
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Extraits-
  • From the book

    Flight

    First it was the names that went. Names of her neighbors, names of her grandchildren. Sometimes the names of her two daughters, her only son.

     

    She knew their faces, of course. The daughter with the sharp eyes, always inspecting her, pressing her onward—always onward!—to the bathroom, the kitchen, anywhere that was away from the door, where she’d hesitated, no longer certain of her direction, or why.

     

    The other daughter was pale-faced and forgiving. When she wandered lost among the tomato vines in her yard, it was this daughter who clasped her hands firmly in hers.

     

    The son did not visit often. He called once a month. Who could blame him? His mother, who couldn’t be trusted with the baby. Who couldn’t be trusted with herself. Even as a boy he’d been prudent. Preserving himself against the world’s imperfections.

     

    Then, one day, the streets began to go. The stark, narrow one, shortcut to the schoolyard where her children used to wait, fidgeting and hungry, racing at the sight of her. Then the route to the drugstore; the turn to the post office; the short leafy distance to the bakery with shelves of cinnamon bread she liked, lightly buttered, on rainy afternoons.

     

    Her neighbors began finding her. Strolling up and down the road, peering into windows she recognized but could no longer place. Sometimes they found her at the bus stop considering the direction of her home, which was not on any bus route. Each time, the neighbors took her elbow—the younger ones kindly, the older ones angrily—all of them threatening to tell on her.

     

    But how could she stay home? The sky shimmering outside her window, the trees like shadow puppets dancing on the lawn, the promise of her tomatoes plumping in the yard Edward had cleared for her, years ago, when they were both still young and had half the mortgage to pay. She couldn’t help it, her body yearning for the weight of the globes, warm under cool running water. There was no room for her daughters’ warnings or her neighbors’ pity. Her feet simply took her there, down the steps into her bright garden.

     

     

     

    Her first tomato came to her in 1911, the year she turned thirteen, the year she first visited America. Small, yellow, pear-shaped: it was a gift from her father, plucked from the land that was to be her new summer home in California. The seeds were slimy, and the first time she bit the fruit, they splattered the soil, a dark phlegmy embarrassment. She hastily toed the spot, but her father, catching her, laughed. Watch out, everything root here.

     

    She ended up potting that patch of soil and placing the terra-cotta by her bedroom window in the farmhouse that now held her summer things. Like her new frock, uncomfortably buxom beside her yukata, which waved like a happy kite when the breeze blew in from the rice paddy that belonged to her father’s cousin Bob. Bob, like her father, was an agronomist. Once known as Mitsuru, he was a reckless fox of a man, his many pockets jingling with ideas too modern for their hometown in Niigata, a rice farming region on the west coast of Japan. Her father, though, could never resist their allure, and Mitsuru, knowing this, often entangled him in regrettable schemes.

     

    Bob left for California in 1906, and for over two years no one heard from him. But of course it was her father to whom Bob eventually wrote, telling him about the new strain of rice he was cultivating, sweet like home but suited to the California soil and climate. Her father leapt at the prospect....

Au sujet de l’auteur-
  • Asako Serizawa was born in Japan and grew up in Singapore, Jakarta, and Tokyo. A recent fiction fellow at the Fine Arts Work Center in Provincetown, Massachusetts, she has received two O. Henry Prizes, a Pushcart Prize, and a Rona Jaffe Foundation Writers’ Award. She currently lives in Boston. Inheritors is her first book. www.asakoserizawa.com
Critiques-
  • Kirkus

    May 15, 2020
    The past spills out into history and encroaches on the future in Japanese-born, Boston-based writer Serizawa's first book of short stories. Two poles dominate Serizawa's short fiction: Japan and the U.S. (California in particular). One historical event looms over both: the war between Japan and the U.S. in the 1940s, an event that, she writes in an author's note, "didn't start and end with specific people and events; its roots reach back to values seeded long ago, and its sundering effects have hardly lost their spark and propulsion." Her characters aren't always sure what those values are. One woman, resolutely of the present moment in the era of "Neoliberal Self-Destruction," disappears at the end of a looping mystery, perhaps a member, perhaps the very embodiment, of a group called Bakteria, which "leaked a trove of undeclassified material related to a Japanese bacteriological warfare unit from the Second World War, whose crimes the U.S. government had notoriously helped cover up, shielding its members in exchange for their data harvested from human experimentation." Was her disappearance a prank, a kidnapping, a CIA plot, an act of terrorism? We're left to guess. In another story, some of the last pilots of the Imperial Army, knowing that they won't return, lift off into the sky to "meet several hundred enemy fighters," dutifully plunging like so many Icaruses into the ocean. A Japanese woman recalls the hoods that she and her neighbors wore to protect themselves from American firebombing: "they were just padded pieces of cloth, another thing our government cooked up. Still, we put them on, you know, half of us running around with our hoods on fire." Serizawa writes elegantly if matter-of-factly of the horrific and the nostalgic alike, as when one narrator recalls a childhood visit to her grandparents in Japan, learning an ancient ritual: "clapping her hands three times and pressing her palms together, eyes closed, a prayer for Fuji-san, his mountain god. Keeper of health." Cultures collide and sometimes meld in an assured debut.

    COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Publisher's Weekly

    Starred review from June 1, 2020
    Serizawa follows a winding maze through a Japanese family’s history in her dynamic debut collection. A family tree beginning with Masayuki (born in 1868) and continuing through to Mai (born in 2013) creates the work’s backbone, as Serizawa constructs a nonlinear narrative filled with abrupt turns, accidental betrayals, and supposed curses and myths. The opening story, “Flight” (covering 1911–1981), follows Masayuki’s daughter, Ayumi, as she loses some of her memories while others become more vivid. In the collection’s standout, “Train to Harbin,” Ayumi’s doctor brother contemplates his youthful nationalism in the years just after WWII and his role in the wartime occupation of China. In “Luna,” set in 1986, Ayumi’s Japanese-American grand-niece Luna learns her father, Masaaki, was adopted and is of Korean heritage (not Japanese, as he believed), leading her to recall her earliest memories of visiting Japan. In “Passing,” set in 2010, Luna returns to Japan to collect Masaaki’s possessions and ruminates not on “where he belonged” but “how he wanted to fit in.” The final two stories, “The Garden” and “Echolocation,” jump into the future to investigate the fallacies of perception and what cyber warfare might look like after Mai’s brother, Erin, develops a global VR climate simulator for predicting disaster. By showing Japan as both colonizer and colonized, Serizawa delivers an elegant, stimulating web of stories.

  • Booklist

    July 1, 2020
    In this stunning debut, O. Henry Prize-winning author Serizawa tells the stories of one Japanese family, spanning five generations during and after WWII. Luna is a six-year-old American girl visiting her paternal grandparents with her family in western Japan. During the trip, her parents' cultural differences, as well as their conflicting views of identity, become more apparent. In Japan after the war, Masaharu follows his wife to her place of work and is confronted by the sacrifices she makes in order to provide for their family. An elderly woman tries to tell her story as a former Japanese prostitute for white foreigners and American soldiers, but she finds the interviewer more interested in manipulating her story to fit her own agenda. Tanaka is a successful young soldier who makes the ultimate sacrifice for the Imperial Japan. With beautiful lyrical prose, Serizawa presents a powerful and heartbreaking look into the ways war, colonization, and loss affect not only the survivors, but the generations that inherit these stories.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

  • Library Journal

    September 1, 2020

    DEBUT "Later, Luna will learn words like 'biculturalism' and 'fracture' to explain the pain that will skim her heart whenever someone mentions something that reminds her of summer in Japan," and that pain quietly saturates this masterly debut collection from the O. Henry Prize-winning Serizawa. Though each is entirely distinctive, the stories are linked--partly by family connection, as indicated by a family tree in the opening pages, but more by issues of heritage, identity, and the burdens of the past. A Japanese woman who raised three biracial children in America post-World War II is glad to be losing her memories, while Luna's father abandons his American family after taking them to Japan to visit his ailing father, only to learn an unsettling truth about his origins. Other stories dwell pointedly on the tensions of the American Occupation. VERDICT A seamless collection illuminating cross-cultural consequences.

    Copyright 2020 Library Journal, LLC Used with permission.

  • The New York Times Book Review "Ambitious...Gripping...Serizawa's fiction is convincingly rooted in the intimate, yet still provocatively collective, quandaries of her characters."
  • Rivka Galchen, author of Little Labors "These stories by Asako Serizawa are tremendous, intimate, startling and essential; they show us how the past is so often the most powerful force in what we idly call the present."
  • Molly Antopol, author of The UnAmericans "An extraordinary book--beautifully crafted, emotionally resonant and profoundly moving. Asako Serizawa imbues her characters with so much depth and generosity that I felt as if I were reading about people I already knew and loved. An intensely powerful book by a writer with endless talent."
  • Ben Fountain, author of Billy Lynn's Long Halftime Walk "This splendid story collection is a sword through the heart. Asako Serizawa depicts with rare acuity and nuance several generations of one far-flung family as it's buffeted by the forces of war, migration, displacement, and that ultimate crucible, time. There are no easy answers or clean resolutions in Serizawa's stories, but what you will find is the genuine stuff of human experience, rendered with precision and honesty. Inheritors is debut fiction delivered with the verve of a master."
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