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Fragile Things
Couverture de Fragile Things
Fragile Things
Short Fictions and Wonders
Emprunter Emprunter

"A prodigiously imaginative collection."

—New York Times Book Review, Editor's Choice

"Dazzling tales from a master of the fantastic."
—Washington Post Book World

Fragile Things is a sterling collection of exceptional tales from Neil Gaiman, multiple award-winning (the Hugo, Bram Stoker, Newberry, and Eisner Awards, to name just a few), #1 New York Times bestselling author of The Graveyard Book, Anansi Boys, Coraline, and the groundbreaking Sandman graphic novel series. A uniquely imaginative creator of wonders whose unique storytelling genius has been acclaimed by a host of literary luminaries from Norman Mailer to Stephen King, Gaiman's astonishing powers are on glorious displays in Fragile Things. Enter and be amazed!

"A prodigiously imaginative collection."

—New York Times Book Review, Editor's Choice

"Dazzling tales from a master of the fantastic."
—Washington Post Book World

Fragile Things is a sterling collection of exceptional tales from Neil Gaiman, multiple award-winning (the Hugo, Bram Stoker, Newberry, and Eisner Awards, to name just a few), #1 New York Times bestselling author of The Graveyard Book, Anansi Boys, Coraline, and the groundbreaking Sandman graphic novel series. A uniquely imaginative creator of wonders whose unique storytelling genius has been acclaimed by a host of literary luminaries from Norman Mailer to Stephen King, Gaiman's astonishing powers are on glorious displays in Fragile Things. Enter and be amazed!

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Extraits-
  • Chapter One

    A Study in Emerald

    I. The New Friend

    Fresh from Their Stupendous European Tour, where they performed before several of the crowned heads of Europe, garnering their plaudits and praise with magnificent dramatic performances, combining both comedy and tragedy, the Strand Players wish to make it known that they shall be appearing at the Royal Court Theatre, Drury Lane, for a limited engagement in April, at which they will present My Look Alike Brother Tom!, The Littlest Violet Seller and The Great Old Ones Come (this last an Historical Epic of Pageantry and Delight); each an entire play in one act! Tickets are available now from the Box Office.

    It is the immensity, I believe. The hugeness of things below. The darkness of dreams.

    But I am woolgathering. Forgive me. I am not a literary man.

    I had been in need of lodgings. That was how I met him. I wanted someone to share the cost of rooms with me. We were introduced by a mutual acquaintance, in the chemical laboratories of St. Bart's. "You have been in Afghanistan, I perceive," that was what he said to me, and my mouth fell open and my eyes opened very wide.

    "Astonishing," I said.

    "Not really," said the stranger in the white lab coat, who was to become my friend. "From the way you hold your arm, I see you have been wounded, and in a particular way. You have a deep tan. You also have a military bearing, and there are few enough places in the Empire that a military man can be both tanned and, given the nature of the injury to your shoulder and the traditions of the Afghan cave folk, tortured."

    Put like that, of course, it was absurdly simple. But then, it always was. I had been tanned nut brown. And I had indeed, as he had observed, been tortured.

    The gods and men of Afghanistan were savages, unwilling to be ruled from Whitehall or from Berlin or even from Moscow, and unprepared to see reason. I had been sent into those hills, attached to the—th Regiment. As long as the fighting remained in the hills and mountains, we fought on an equal footing. When the skirmishes descended into the caves and the darkness then we found ourselves, as it were, out of our depth and in over our heads.

    I shall not forget the mirrored surface of the underground lake, nor the thing that emerged from the lake, its eyes opening and closing, and the singing whispers that accompanied it as it rose, wreathing their way about it like the buzzing of flies bigger than worlds.

    That I survived was a miracle, but survive I did, and I returned to England with my nerves in shreds and tatters. The place that leech like mouth had touched me was tattooed forever, frog white, into the skin of my now withered shoulder. I had once been a crack shot. Now I had nothing, save a fear of the world beneath the world akin to panic, which meant that I would gladly pay sixpence of my army pension for a Hansom cab rather than a penny to travel underground.

    Still, the fogs and darknesses of London comforted me, took me in. I had lost my first lodgings because I screamed in the night. I had been in Afghanistan; I was there no longer.

    "I scream in the night," I told him.

    "I have been told that I snore," he said. "Also I keep irregular hours, and I often use the mantelpiece for target practice. I will need the sitting room to meet clients. I am selfish, private, and easily bored. Will this be a problem?"

    I smiled, and I shook my head, and extended my hand. We shook on it.

    The rooms he had found for us, in Baker Street, were more than adequate for two bachelors. I bore in mind all my friend had said about his desire for privacy, and I forbore from asking what it was he did for a living.

Au sujet de l’auteur-
  • Neil Gaiman is the New York Times bestselling and multi-award winning author and creator of many beloved books, graphic novels, short stories, film, television and theatre for all ages. He is the recipient of the Newbery and Carnegie Medals, and many Hugo, Nebula, World Fantasy, and Will Eisner Awards. Neil has adapted many of his works to television series, including Good Omens (co-written with Terry Pratchett) and The Sandman. He is a Goodwill Ambassador for the UN Refugee Agency UNHCR and Professor in the Arts at Bard College. For a lot more about his work, please visit: https://www.neilgaiman.com/

Critiques-
  • Publisher's Weekly

    October 1, 2006
    The 30 short stories and poems in this collection vary widely in theme and tone, from the dark, recursive "Other People" to the witty, R.A. Laffertyesque "Sunbird." Aside from one new tale, "How to Talk to Girls at Parties," all material has been previously published. Gaiman performs admirably as narrator for the most part, changing his style from story to story to better suit the tone of each. However, in the more experimental pieces in the collection, this practice backfires and may leave listeners reaching for the fast-forward button. The poems often work on paper, but when read aloud many feel like disjointed, nonsensical stories. Gaiman is at his best when narrating his more traditional tales, such as the sly and inventive Sherlock Holmes/H.P. Lovecraft pastiche "A Study in Emerald," and the noirish "Keepsakes and Treasures." There are enough terrific stories in the book to make it a must-have for Gaiman fans, but dedicated readers may want to choose the hardcopy edition instead, so as to more easily skip the dross. Simultaneous release with the William Morrow hardcover (Reviews, July 17).

  • Publisher's Weekly

    July 17, 2006
    Hot off the critical success of Anansi Boys
    , Gaiman offers this largely disappointing medley that feels like a collection of idea seeds that have yet to mature. Among the ground covered: an old woman eats her cat alive, slowly; two teenage boys fumble through a house party attended by preternaturally attractive aliens; a raven convinces a writer attempting realism to give way to fantastical inclinations. A few poems, heartfelt or playfully musical, pockmark the collection. At his best, Gaiman has a deft touch for surprise and inventiveness, and there are inspired moments, including one story that brings the months of the year to life and imagines them having a board meeting. (September is an "elegant creature of mock solicitude," while April is sensitive but cruel; they don't get along), but most of these stories rely too heavily on the stock-in-trade of horror, sci-fi and fantasy. Gaiman only once or twice gives himself the space necessary to lock the reader's attention.150,000 announced first printing.

  • Washington Post Book World

    "Dazzling tales from a master of the fantastic." — Washington Post Book World

    "The tales of Fragile Things are nibbles and bits of Gaiman's immensely satisfying inner landscape. They are fiercely playful and very grim, wisps of whimsy and wonder buoyed by the happy heart of a tragic poet." — USA Today

    "Neil Gaiman at his unique best is terrific . . . compelling and dreamy . . . Readers will be reminded most in these stories of that master craftsman yet to be superseded, Ray Bradbury." — Baltimore Sun

    "Think of it as a month with Scheharazade . . . No Gaiman fan can be without [Fragile Things] . . . If you've never encountered Gaiman's unique voice before, this volume is an excellent introduction, with easily digestible stories that can be devoured in one sitting. Still, you may find yourself gorging at this narrative feast, not stopping until you've read two or three or even half a dozen at a time." — St. Louis Post-Dispatch

    "Charming, at times creepy, and good fun. . . . Well-worth adding to any collection; highly recommended." — Library Journal

    "A prodigiously imaginative collection . . . The best of these clever fantasy metafictions explore the mysteries of artistic inspiration." — New York Times Book Review, Editor's Choice

    "Strange, or sweet, or eerie, or heartfelt stories . . . wonderfully peculiar . . . Gaiman relishes the sacred act of telling stories." — Entertainment Weekly

    "A powerful and oddly unified collection, a perfect introduction to Gaiman's work for new readers and a thrilling reminder to his long-time fans . . . [T]he shorter prose form allows Gaiman a greater freedom of whimsy and provocation than even his graphic work, with stunning results." — Toronto Star

    "Those with a taste for inventive idiosyncracy will find themselves fully rewarded." — San Francisco Chronicle Book Review

    "One delight after another." — Booklist (starred review)

    "Lush prose...and a winning faith in the enchantment of stories. Expect the unexpected. Then savor the chills." — Kirkus Reviews, starred review

    "FRAGILE THINGS is a delightful compendium...[Gaiman] is indeed a national treasure." — Washington Post Book World

    "Fiercely playful and very grim, wisps of whimsy and wonder buoyed by the happy heart of a tragic poet." — USA Today

    "Readers will be reminded most in these stories of that master craftsman...Ray Bradbury...Gothic tales of high caliber." — Baltimore Sun

    "A prodigiously imaginative collection...The best of these clever fantasy metafictions explore the mysteries of artistic inspiration." — New York Times Book Review

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