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World Without End
Couverture de World Without End
World Without End
In 1989 Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. Critics were overwhelmed—"it will hold you, fascinate you, surround you" (Chicago Tribune)—and readers everywhere hoped for a sequel.
World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroad of new ideas— about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race—the Black Death.
Three years in the writing, and nearly eighteen years since its predecessor, World Without End breathes new life into the epic historical novel and once again shows that Ken Follett is a masterful author writing at the top of his craft.
In 1989 Ken Follett astonished the literary world with The Pillars of the Earth, a sweeping epic novel set in twelfth-century England centered on the building of a cathedral and many of the hundreds of lives it affected. Critics were overwhelmed—"it will hold you, fascinate you, surround you" (Chicago Tribune)—and readers everywhere hoped for a sequel.
World Without End takes place in the same town of Kingsbridge, two centuries after the townspeople finished building the exquisite Gothic cathedral that was at the heart of The Pillars of the Earth. The cathedral and the priory are again at the center of a web of love and hate, greed and pride, ambition and revenge, but this sequel stands on its own. This time the men and women of an extraordinary cast of characters find themselves at a crossroad of new ideas— about medicine, commerce, architecture, and justice. In a world where proponents of the old ways fiercely battle those with progressive minds, the intrigue and tension quickly reach a boiling point against the devastating backdrop of the greatest natural disaster ever to strike the human race—the Black Death.
Three years in the writing, and nearly eighteen years since its predecessor, World Without End breathes new life into the epic historical novel and once again shows that Ken Follett is a masterful author writing at the top of his craft.
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  • From the cover

    1

    Gwenda was eight years old, but she was not afraid of the dark.

    When she opened her eyes she could see nothing, but that was not what scared her. She knew where she was. She was lying on the floor in a bed of straw at Kingsbridge Priory, in the long stone building they called the hospital. Her mother lay next to her, and Gwenda could tell, by the warm milky smell, that Ma was feeding the new baby, who did not yet have a name. Beside Ma was Pa, and next to him Gwenda's older brother, Philemon, who was twelve.

    The hospital was crowded, and though she could not see the other families lying along the floor, squashed together like sheep in a pen, she could smell the rank odor of their warm bodies. When dawn broke it would be All Hallows, a Sunday this year and therefore an especially holy day. By the same token the night before was All Hallows Eve, a dangerous time when evil spirits roamed freely. Hundreds of people had come to Kingsbridge from the surrounding villages, as Gwenda's family had, to spend Halloween in the sanctified precincts of the priory, and to attend the All Hallows service at daybreak.

    Gwenda was wary of evil spirits, like every sensible person; but she was more scared of what she had to do during the service.

    She stared into the gloom, trying not to think about what frightened her. She knew that the wall opposite her had an arched window. There was no glass—only the most important buildings had glass windows—but a linen blind kept out the cold autumn air. However, she could not even see a faint patch of gray where the window should be. She was glad. She did not want the morning to come.

    She could see nothing, but there was plenty to listen to. The straw that covered the floor whispered constantly as people stirred and shifted in their sleep. A child cried out, as if woken by a dream, and was quickly silenced by a murmured endearment. Now and again someone spoke, uttering the half-formed words of sleep talk. Somewhere there was the sound of two people doing the thing parents did but never spoke of—the thing Gwenda called grunting because she had no other word for it.

    Too soon, there was a light. At the eastern end of the long room, behind the altar, a monk came through the door carrying a single candle. He put the candle down on the altar, lit a taper from it, and went around touching the flame to the wall lamps, his long shadow reaching up the wall each time like a reflection, his taper meeting the shadow taper at the wick of the lamp.

    The strengthening light illuminated on the floor rows of humped figures, wrapped in their drab cloaks or huddled up to their neighbors for warmth. Sick people occupied the cots near the altar, where they could get the maximum benefit from the holiness of the place. At the opposite end, a staircase led to the upper floor, where there were rooms for aristocratic visitors: the earl of Shiring was there now with some of his family.

    The monk leaned over Gwenda to light the lamp above her head. He caught her eye and smiled. She studied his face in the shifting light of the flame and recognized him as Brother Godwyn. He was young and handsome, and last night he had spoken kindly to Philemon.

    Beside Gwenda was another family from her village: Samuel, a prosperous peasant with a large landholding, and his wife and two sons, the youngest of whom, Wulfric, was an annoying six-year-old who thought that throwing acorns at girls and then running away was the funniest thing in the world.

    Gwenda's family was not prosperous. Her father had no land at all, and hired himself out as a laborer to anyone who would pay him. There was always work in the summer, but...

Au sujet de l’auteur-
  • Ken Follett is one of the world's most successful authors. More than 160 million copies of the 30 books he has written have been sold in over 80 countries and in 33 languages. Born on June 5, 1949, in Cardiff, Wales, the son of a tax inspector, Ken was educated at state schools and went on to graduate from University College, London, with an honors degree in philosophy. He was made a fellow of the college in 1995. Ken's project, the Century Trilogy, has sold 19.5 million copies worldwide. The three books tell the story of the twentieth century through five generations on three continents. Ken's first major success came with the publication of Eye of the Needle in 1978. A World War II thriller set in England, this book earned him the 1979 Edgar Award for Best Novel from the Mystery Writers of America. It remains one of his most popular books. Ken has been active in numerous literacy charities and was the president of Dyslexia Action for ten years. He was the chair of the National Year of Reading, a joint initiative between government and businesses. He is also active in many Stevenage charities and is the president of the Stevenage Community Trust. Ken also set up The Follett Trust, which awards single donations to the arts and in cases of social deprivation and education.
Critiques-
  • AudioFile Magazine John Lee gives a breathtaking performance of Follett's sequel to PILLARS OF THE EARTH. Two hundred years have passed, and fourteenth-century Kingsbridge is now a prosperous town, with its cathedral and priory still a central force. As the novel follows its four main characters from 1327 to 1361, medieval English life is slowly and thoroughly revealed. Lee gives stunning portraits of change-resistant churchmen, the hardships and superstitions of peasant life, the inequities of corrupt noblemen, and the grotesqueries of the Black Death. While creating wholly credible major and minor characters, Lee delivers Follett's intricate plots and subplots, making each detail fascinating, from medieval medicine and bridge-building to the surprisingly powerful role of women. Even after 36 CDs, listeners will be sorry to see this book end. S.J.H. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
  • Publisher's Weekly

    August 6, 2007
    Eighteen years after Pillars of the Earth
    weighed in with almost 1,000 pages of juicy historical fiction about the construction of a 12th-century cathedral in Kingsbridge, England, bestseller Follett returns to 14th-century Kingsbridge with an equally weighty tome that deftly braids the fate of several of the offspring of Pillars
    ' families with such momentous events of the era as the Black Death and the wars with France. Four children, who will become a peasant's wife, a knight, a builder and a nun, share a traumatic experience that will affect each of them differently as their lives play out from 1327 to 1361. Follett studs the narrative with gems of unexpected information such as the English nobility's multilingual training and the builder's technique for carrying heavy, awkward objects. While the novel lacks the thematic unity of Pillars
    , readers will be captivated by the four well-drawn central characters as they prove heroic, depraved, resourceful or mean. Fans of Follett's previous medieval epic will be well rewarded.

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