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A thrilling anthropological adventure story with a profound and tragic vision of what happens when cultures collide—from the bestselling author of National Book Award–nominated modern classic, A Little Life “Provokes discussions about science, morality and our obsession with youth.” —Chicago Tribune It is 1950 when Norton Perina, a young doctor, embarks on an expedition to a remote Micronesian island in search of a rumored lost tribe. There he encounters a strange group of forest dwellers who appear to have attained a form of immortality that preserves the body but not the mind. Perina uncovers their secret and returns with it to America, where he soon finds great success. But his discovery has come at a terrible cost, not only for the islanders, but for Perina himself. Look for Hanya Yanagihara’slatest bestselling novel, To Paradise.
A thrilling anthropological adventure story with a profound and tragic vision of what happens when cultures collide—from the bestselling author of National Book Award–nominated modern classic, A Little Life “Provokes discussions about science, morality and our obsession with youth.” —Chicago Tribune It is 1950 when Norton Perina, a young doctor, embarks on an expedition to a remote Micronesian island in search of a rumored lost tribe. There he encounters a strange group of forest dwellers who appear to have attained a form of immortality that preserves the body but not the mind. Perina uncovers their secret and returns with it to America, where he soon finds great success. But his discovery has come at a terrible cost, not only for the islanders, but for Perina himself. Look for Hanya Yanagihara’slatest bestselling novel, To Paradise.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
I.
I was born in 1924 near Lindon, Indiana, the sort of small, unremarkable rural town that some twenty years before my birth had begun to duplicate itself, quietly but insistently, across the Midwest. By which I mean that the town, as I remember it, was exceptional only for its very lack of distinguishing details. There were silos, and red barns (most of the residents were farmers), and general stores, and churches, and ministers and doctors and teachers and men and women and children: an outline for an American society, but one with no flourishes, no decoration, no accessories. There were a few drunks, and a resident madman, and dogs and cats, and a county fair that was held in tandem with Locust, an incorporated town a few miles to the west that no longer exists. The townspeople—there were eighteen hundred of us—were born, and went to school, and did chores, and became farmers, and married Lindonites, and began families of their own. When you saw someone in the street, you’d nod to him or, if you were a man, pull down the brim of your hat a bit. The seasons changed, the tobacco and corn grew and were harvested. That was Lindon.
There were four of us in the family: my father, my mother, and Owen and me. (1) We lived on a hundred acres of land, in a sagging house whose only notable characteristic was a massive, once-grand central staircase that long before had been transformed by generations of termites into a lacy ruin.
About a mile behind the house ran a curvy creek, too small and slow and behaviorally inconsistent to warrant a proper name. Every March and April, after the winter thaw, it would surpass its limitations and become a proper river, swollen and aggressive with gallons of melted snow and spring rain. During those months, the creek’s very nature changed. It became merciless and purposeful, and seized from its outgrown banks tiny, starry bloodroot blossoms and wild thyme by their roots and whisked them downstream, where they were abandoned in the thicket of a dam someone unknown had built long ago. Minnows, the creek’s year-round inhabitants, fought upstream and drowned. For that one season, the creek had a voice: an outraged roar of rushing water, of power, and that narrow tributary, normally so placid and characterless, became during those months something frightening and unpredictable, and we were warned to keep away.
But in the heat of the summer months, the creek—which didn’t originate at our property but rather at the Muellers’, who lived about five miles to the east—dried once again to a meek trickle, timorously creeping its way past our farm. The air above it would be noisy with clouds of buzzing mosquitoes and dragonflies, and leeches would suck along its soft silty bottom. We used to go fishing there, and swimming, and afterward would climb back up the low hill to our house, scratching at the mosquito welts on our arms and legs until they became furry with old skin and new blood.
My father never ventured down to the creek, but my mother used to like to sit on the grass and watch the water lick over her ankles. When we were very young, we would call out to her—Look at us!—and she would lift her head dreamily and wave, though she was just as likely to wave at us as she was to wave at, say, a nearby oak sapling. (Our mother’s sight was fine, but she often behaved as a blind person would; she moved through the world as a sleepwalker.) By the time Owen and I were seven or eight or so (at any rate, too young to have become disenchanted with her), she had become an object of at first pity and, soon after, of fun. We’d wave at her, sitting on the bank, her arms crossed under...
Au sujet de l’auteur-
Hanya Yanagihara lives in New York.
Critiques-
Starred review from July 29, 2013 Driven by Yanagihara's gorgeously complete imaginary ethnography on the one hand and, on the other, by her brilliantly detestable narrator, this debut novel is compelling on every levelâmorally, aesthetically, and narratively. Yanagihara balances pulpy adventure tale excitement with serious consideration in unraveling her fantastical premise: a scientist, Norton Perina, discovers an island whose inhabitants may somehow have achieved immortality. Perina sets out on an anthropological mission that became more significant than he could have imagined. His tale raises interesting, if somewhat obvious, ethical questions; what can be justified in the name of science? How far does cultural relativism go? Is immortality really desirable? The book doesn't end with his astounding discovery, though. It continues with seeming banality to recount the predictable progression of academic honors that followed it and the swift and destructive attempt to commercialize Perina's findings. The story of Perina as a man emerges with less show but just as much gruesome fascination as that of his discovery and its results. Evidence of his character worms its way through the book in petulant asides and elided virulence, at first seeming incidental to the plot and then reflecting its moral themes on a small scale. Without making him a simple villain, Yanagihara shows how Perina's extraordinary circumstances allow his smothered weaknesses to blossom horribly. In the end, he reveals the full extent of his loathsomeness explicitly, unashamedly, convinced of his immutable moral right.
Starred review from June 15, 2013 An instance of that rare subgenre of literature, the anthropological novel, in which Norton Perina, winner of the Nobel Prize in medicine, traces the early part of his life, when he helped both discover and destroy a lost tribe. Yanagihara does everything she can to establish verisimilitude in this novel, so much so that the reader will be Googling names of characters to see if they're "really real." The movement toward ultrarealism extends to footnotes and an appendix provided by Ronald Kubodera, whose friendship with Perina extends even into the sad period when the Nobel Prize winner was convicted of sexual abuse involving some of the tribal children he brought back with him. Kubodera provides a preface in which he vigorously defends Perina, and then the narrative is turned over to Perina's memoirs, which take us back to his Midwestern upbringing, his rivalry with his brother Owen, his graduation from Harvard Medical School and almost immediate hire by the anthropologist Paul Tallent. Along with his assistant Esme Duff, Paul takes Perina to U'ivu, a constellation of remote islands in the South Pacific. Perina becomes immediately fascinated with Ivu'ivu, an island that harbors a small tribe, a number of whom are well over 100 years old. Perina traces this longevity to the eating of an opa'ivu'eke, a sacred turtle whose meat is consumed in certain ritualistic practices. Determined to find out the secret of immortality, Perina brings back three Ivu'ivuian "dreamers" with him and smuggles an opa'ivu'eke into his lab at Stanford. Yanagihara presents a cautionary tale about what can happen when Western arrogance meets primeval culture.
COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.
August 1, 2013 Debut novelist Yanagihara tackles some ambitious and deeply vexing scientific and personal conundrums. By way of protagonist Dr. Norton Perina's memoir, the story unfolds of a lost tribe of Micronesian natives who have discovered the secret of immortality. At first anthropologist Paul Tallent and associate Esme Duff invite Perina along on what they describe as an investigation into a myth, but their real hope is to confirm the tribe's existence. After many pages of overlong, obtuse, parenthetical sentences describing the island's dense jungle, readers will be relieved when the team finally happens upon the fabled tribe. Despite the language barrier, Tallent convinces the leaders that the team means them no harm; they only want to learn about tribal customs. While the anthropologists take notes, Perina snoops around until he discovers the tribe's secret to immortality and, in time, exploits and abuses it for his own despicable purposes. Perina is a delightfully black-hearted protagonist trapped inside Yanagihara's unfortunately inelegant prose.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)
March 15, 2013
On an expedition to Micronesia, young doctor Norton Perina is intrigued by a tribe that, he believes, owes its longevity to the meat of a rare turtle. But smuggling out some of its meat nearly destroys his life. A hot debut; an initial read proved enthralling.
Copyright 2013 Library Journal, LLC Used with permission.
May 1, 2013
Yanagihara's debut novel details the life of fictional doctor and Nobel Prize-winning scientist Dr. Abraham Norton Perina, who narrates his travels to the Micronesian islands of Ivu'ivu and U'ivu, where the secret to longevity is revealed to him. Perina learns that members of a primitive tribe who live to be 60 years old (o'anas) are given the privilege during a special ceremony of consuming the meat of the opa'ivu'eke, a rare turtle. He soon finds out, however, that there is an unfortunate side effect to living up to 200 o'anas. Upon his return stateside, Perina continues his research and regular visits to the islands, gradually adopting 43 island children who he is later accused of sexually abusing. VERDICT Yanagihara's work, which appears to be loosely based on the life of Nobel Prize-winning scientist Daniel Carleton Gajdusek, is fast-moving and intriguing, although it does darken toward the end. Yanagihara is definitely an author to watch. [See Prepub Alert, 2/18/13.]--Shirley Quan, Orange Cty. P.L.
Copyright 2013 Library Journal, LLC Used with permission.
Publishers Weekly, Starred Review
"One of the year's best books...Driven by Yanagihara's gorgeously complete imaginary ethnography on the one hand and, on the other, by her brilliantly detestable narrator, this debut novel is compelling on every level--morally, aesthetically, and narratively."
Bustle.com
"Whether you find yourself to be a champion of Perina's bold ideas or horrified by his actions or--more realistically--feel a measure of both, Yanagihara's twisted, audacious tale is as gripping as they come."
Madison Smartt Bell, author of The Color of Night and All Souls' Rising
"The People in the Trees is a Nabokovian phantasmagoria, bound to raise serious, interesting, troubling questions. Hanya Yanagihara is a writer to watch."
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