OverDrive désire utiliser des fichiers témoins pour stocker des informations sur votre ordinateur afin d'améliorer votre expérience sur notre site Web. Un des fichiers témoins que nous utilisons est très important pour certains aspects du fonctionnement du site, et il a déjà été stocké. Vous pouvez supprimer ou bloquer tous les fichiers témoins de ce site, mais ceci pourrait affecter certaines caractéristiques ou services du site. Afin d'en apprendre plus sur les fichiers témoins que nous utilisons et comment les supprimer, cliquez ici pour lire notre politique de confidentialité.
NEW YORK TIMES BESTSELLER • The million-copy bestseller Lilac Girls introduced the real-life heroine Caroline Ferriday. Now Lost Roses, set a generation earlier and also inspired by true events, features Caroline’s mother, Eliza, and follows three equally indomitable women from St. Petersburg to Paris under the shadow of World War I. “Not only a brilliant historical tale, but a love song to all the ways our friendships carry us through the worst of times.”—Lisa Wingate,#1 New York Times bestselling author of Before We Were Yours It is 1914, and the world has been on the brink of war so often,many New Yorkers treat the subject with only passing interest. Eliza Ferriday is thrilled to be traveling to St. Petersburg with Sofya Streshnayva, a cousin of the Romanovs. The two met years ago one summer in Paris and became close confidantes. Now Eliza embarks on the trip of a lifetime, home with Sofya to see the splendors of Russia: the church with the interior covered in jeweled mosaics, the Rembrandts at the tsar’s Winter Palace, the famous ballet. But when Austria declares war on Serbia and Russia’s imperial dynasty begins to fall, Eliza escapes back to America, while Sofya and her family flee to their country estate. In need of domestic help, they hire the local fortune-teller’s daughter, Varinka, unknowingly bringing intense danger into their household. On the other side of the Atlantic, Eliza is doing her part to help the White Russian families find safety as they escape the revolution. But when Sofya’s letters suddenly stop coming, she fears the worst for her best friend. From the turbulent streets of St. Petersburg and aristocratic countryside estates to the avenues of Paris where a society of fallen Russian émigrés live to the mansions of Long Island, the lives of Eliza, Sofya, and Varinka will intersect in profound ways. In her newest powerful tale told through female-driven perspectives, Martha Hall Kelly celebrates the unbreakable bonds of women’s friendship, especially during the darkest days of history.
NEW YORK TIMES BESTSELLER • The million-copy bestseller Lilac Girls introduced the real-life heroine Caroline Ferriday. Now Lost Roses, set a generation earlier and also inspired by true events, features Caroline’s mother, Eliza, and follows three equally indomitable women from St. Petersburg to Paris under the shadow of World War I. “Not only a brilliant historical tale, but a love song to all the ways our friendships carry us through the worst of times.”—Lisa Wingate,#1 New York Times bestselling author of Before We Were Yours It is 1914, and the world has been on the brink of war so often,many New Yorkers treat the subject with only passing interest. Eliza Ferriday is thrilled to be traveling to St. Petersburg with Sofya Streshnayva, a cousin of the Romanovs. The two met years ago one summer in Paris and became close confidantes. Now Eliza embarks on the trip of a lifetime, home with Sofya to see the splendors of Russia: the church with the interior covered in jeweled mosaics, the Rembrandts at the tsar’s Winter Palace, the famous ballet. But when Austria declares war on Serbia and Russia’s imperial dynasty begins to fall, Eliza escapes back to America, while Sofya and her family flee to their country estate. In need of domestic help, they hire the local fortune-teller’s daughter, Varinka, unknowingly bringing intense danger into their household. On the other side of the Atlantic, Eliza is doing her part to help the White Russian families find safety as they escape the revolution. But when Sofya’s letters suddenly stop coming, she fears the worst for her best friend. From the turbulent streets of St. Petersburg and aristocratic countryside estates to the avenues of Paris where a society of fallen Russian émigrés live to the mansions of Long Island, the lives of Eliza, Sofya, and Varinka will intersect in profound ways. In her newest powerful tale told through female-driven perspectives, Martha Hall Kelly celebrates the unbreakable bonds of women’s friendship, especially during the darkest days of history.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
Chapter 1
Eliza
1914
It was a spring party like any other held in Southampton, with the usual games. Croquet. Badminton. Mild social cruelty. It took place at Mother’s house on Gin Lane, a sprawling white clapboard place surrounded by a swoop of tawny lawn, which eased down to meet the ocean. The Queen Anne cottage, known to most as Mitchell Cottage after Father’s people, stood with her sisters lined up along the treeless South Fork of Long Island, New York, like passengers on a ship deck facing out to sea.
If I paid more attention that day, maybe I could have predicted which of the boys who laughed over croquet wickets would soon die in the forests of Argonne or which women would exchange their ivory silk dresses for black crape. I wouldn’t have pointed to myself.
It was late May and too unseasonably cool near the ocean for a fete of any kind, but Mother insisted on sending our Russian friends, the Streshnayvas, off in style. I stood in the cool, wide living room at the back of the house. Like a steamship wheelhouse it provided the perfect view of the backyard through the picture window, the glass hazed with salt from the sea. It gave the scene a blurry look as guests drifted down the lawn to the dunes.
I felt two arms wrap around my waist and turned to find my eleven-year-old daughter, Caroline, already almost to my shoulder in height, her hair the color of summer hay and pulled back in a white ribbon. Her friend Betty Stockwell stood at her side, a complete opposite of Caroline, five inches shorter and already blossoming into a dark-haired beauty. Though dressed in matching white dresses, they were as different as chalk and cheese.
Caroline held her arms fast around my waist. “We’re going to walk the beach. And Father says he’s sorry he dressed without your help this morning, but don’t deprive him of his Dubonnet.”
I smoothed one hand down her back. “Tell your father color-blind men who insist on sneaking yellow socks into their wardrobes cannot be forgiven.”
Caroline smiled up at me. “You’re my favorite mother.”
She ran off across the lawn and down to the beach, past men who held on to their straw hats, their white flannel trousers flapping in the breeze. Ladies in canvas shoes and suits of cream linen over dainty lingerie shirtwaists turned their faces to the sun, back from places like Palm Beach, happy to feel northern breezes again. Mother’s suffragette friends, most outfitted in black taffeta and silk, lent dark contrast to the otherwise pale lawn, like strutting crows in golden flax.
Mother came and linked arms with me. “A bit chilly for a beach walk.” My seventy-year-old mother, Caroline Carson Woolsey Mitchell, referred to as “Carry” by her sisters, stood as tall as I did, six feet, a staunch New Englander sprung from ancient Yankee stock that had weathered as many heartaches as hurricanes.
“They’ll be fine, Mother.”
I squinted to see my Henry, Caroline, and Betty already walking down the beach, the skirt of Caroline’s white dress wind-puffed, as if ready to fly her skyward.
“They have their shoes off?” Mother asked. “I do hope they come in soon.”
The wind stirred whitecaps on the ocean as the three walked, heads bowed.
Mother wrapped her arms warm about me. “What do they even talk about, Caroline and Henry?”
“Everything. Lost in their own world.”
The breeze grabbed Henry’s straw boater, leaving his auburn hair shining in the...
Au sujet de l’auteur-
Martha Hall Kelly is the New York Times bestselling author of Lilac Girls. She lives in Connecticut, where she spends her days filling legal pads with stories and reading World War II books. Lost Roses is her second novel.
Critiques-
January 15, 2019 On the brink of World War I, three women fight internal battles on the homefront.Novelist Kelly (The Lilac Girls, 2016), who offered the perspectives of three women during World War II in her bestselling debut novel, turns back the clock to examine the lives of another female trio as the world enters the Great War. Connecting the two novels is Eliza Ferriday, the New York socialite with a heart for social justice, who is the mother of real-life Lilac heroine Caroline Ferriday. The book is a prequel, though it is a silk thread that binds the two stories. Eliza is enjoying the high life with her Manhattan and Southampton social set, making regular visits to Paris and St. Petersburg to sightsee with close friend and confidante Sofya Streshnayva as the world buzzes with talk of impending war. Eliza takes the threat more seriously than beautiful Sofya, a cousin of the Romanovs who, like most of her ilk, is living in a bubble of denial about the danger that lies ahead. When Sofya's stepmother hires Varinka Kozlov, the daughter of a local fortuneteller, she unwittingly brings trouble into their home. Although young Varinka is a kind soul, her family is closely connected to a pair of local thugs leading Bolshevik uprisings against the bourgeoisie White Russians. Soon, Sofya's family is caught in the crosshairs of a revolution, Eliza is powerless to help from New York, and Varinka must make a choice about where her loyalties lie. Though the writing is rich and vivid with detail about the period, the storytelling is quite a bit slower than in Kelly's captivating debut, and both the plot and relationship development feel secondary to the historical scene-setting.A nuanced tale that speaks to the strength of women.
COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.
February 18, 2019 How Caroline Ferriday, the real-life character featured in Kelly’s Lilac Girls, was inspired to become an advocate for Polish refugees who survived WWII comes to light in this lively, well-researched prequel in which she appears as a child. Here the story focuses on her mother, Eliza, who set an example for her daughter by being a champion for Russian nobility brutalized during WWI. Just as the author focussed on three strong women surviving a war in her previous novel, she does the same here: in addition to Eliza, there is her aristocrat friend Sofya Streshnayva (cousin to the tsar) and a Russian peasant girl, Varinka. The author follows the trajectory of their lives from 1914 through WWI and then the Russian Revolution and its aftermath with page-tuning brio. Interweaving three story lines (Varinka ends up working for the Streshnayva household) where all three are emotionally and physically put to the test, the author depicts Eliza’s upper-class life in America and how, despite personal loss, she throws herself into helping Russian emigres; Sofya’s tragic circumstances when a rowdy, dangerous mob takes over the family’s country home; and Varinka’s struggles as a peasant girl at the mercy of a man who is both abusive and protective toward her. Some story lines strain credibility (coincidences and melodramatic cliffhangers abound) or are questionable (the prurient element involved with Varinka’s protector/abuser falls flat). Nevertheless, Kelly memorably portrays three indomitable women who triumph over hardships and successfully brings a complex and turbulent time in history to life.
Starred review from February 15, 2019 Kelly is back with another epic tale of three women's lives overlapping against the backdrop of history, this time a generation earlier than?and starring the mother of a heroine from?her debut, The Lilac Girls (2017). The setting is WWI and the Russian Revolution; the stories are inspired by true events. New Yorker Eliza Ferriday returns home when her tour of Russia with her school friend Sofya Streshnayva, a cousin of the Romanovs, is cut short by the outbreak of war in Europe. Sofya's family retires to their country estate to wait out the troubles, while Eliza works to find refuge and employment for displaced Russians in America. Sofya hires a local peasant girl, Varinka, to help with her small son, unaware of the danger that Varinka's revolutionary connections pose to her family. Kelly's gift is bringing to life and to light the untold stories of women and families far away from the war front yet deeply affected by the decisions of leaders and the efforts of fighters. Fans of historical fiction like the works of Marie Benedict and Lisa See, and viewers of period dramas, will want to clear their calendars when Lost Roses comes out.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)
April 1, 2019
After debuting with Lilac Girls, which has sold 1.2 million copies across formats in this country alone, Kelly returns with a novel featuring the mother of Lilac's real-life Caroline Ferriday. In 1914, Eliza Ferriday travels to St. Petersburg with a Romanov cousin, Sofya Streshnayva, whom she had met two years previously in Paris. While she's there, World War I explodes, the Romanov dynasty begins its tumble, and Eliza escapes, determined to help Sofya's family and others like them.
Copyright 2018 Library Journal, LLC Used with permission.
Informations sur le titre+
Éditeur
Random House Publishing Group
OverDrive Read
Date de publication:
EPUB eBook
Date de publication:
Informations relatives aux droits numériques+
La protection des droits d'auteur (DRM) exigée par l'éditeur peut s'appliquer à ce titre afin d'en limiter ou d'en interdire la copie ou l'impression. Il est interdit de partager les fichiers ou de les redistribuer. Vos droits d'accès à ce matériel expireront à la fin de la période d'emprunt. Veuillez consulter l'avis important à propos du matériel protégé par droits d'auteur pour les conditions qui s'appliquent à ce contenu.
Recommandez à votre bibliothèque qu'elle ajoute ce titre à la collection numérique.
Plus de détails
Disponibilité limitée
La disponibilité peut changer durant le mois selon le budget de la bibliothèque.
est disponible pendant jours.
Une fois que la lecture débute, vous avez heures pour visionner le titre.
Permission
Le format OverDrive de ce livre électronique comporte ne narration professionnelle qui joue pendant que vous lisez dans votre navigateur. Apprenez-en plus ici.
Réservations
Nombre total de retenues:
Accès restreint
Certaines options de formatage ont été désactivées. Il est possible que vous voyiez d'autres options de téléchargement en dehors de ce réseau.
Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen
Vous avez atteint votre limite de commandes à la bibliothèque pour les titres numériques.
Pour faire de la place à plus d'emprunts, vous pouvez retourner des titres à partir de votre page Emprunts.
Limite d'emprunts atteinte
Vous avez emprunté et rendu un nombre excessif d'articles sur votre compte pendant une courte période de temps. Essayez de nouveau dans quelques jours.
Il ne reste plus d'exemplaire de cette parution. Veuillez essayer d'emprunter ce titre de nouveau lorsque la prochaine parution sera disponible.
| Se connecter
Sur la prochaine page, on vous demandera de vous connecter à votre compte de bibliothèque.
Si c'est la première fois que vous sélectionnez « Envoyer à mon NOOK », vous serez redirigé sur une page de Barnes & Noble pour vous connecter à (ou créer) votre compte NOOK. Vous devriez n'avoir qu'à vous connecter une seule fois à votre compte NOOK afin de le relier à votre compte de bibliothèque. Après cette étape unique, les publications périodiques seront automatiquement envoyées à votre compte NOOK lorsque vous sélectionnez « Envoyer à mon NOOK ».
La première fois que vous sélectionnez « Send to NOOK » (Envoyer à mon NOOK), vous serez redirigé sur la page de Barnes & Nobles pour vous connecter à (ou créer) votre compte NOOK. Vous devriez n'avoir qu'à vous connecter une seule fois à votre compte NOOK afin de le relier à votre compte de bibliothèque. Après cette étape unique, les publications périodiques seront automatiquement envoyées à votre compte NOOK lorsque vous sélectionnez « Send to NOOK » (Envoyer à mon NOOK).
Vous pouvez lire des publications périodiques sur n'importe quelle tablette NOOK ou dans l'application de lecture NOOK gratuite pour iOS, Android ou Windows 8.
Votre appareil n’aura plus accès à la bibliothèque numérique après le 30 octobre.
Nous apportons les mises à jour de sécurité nécessaires qui empêcheront cet appareil d’avoir accès à la bibliothèque numérique à partir du 30 octobre 2020.