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A psychological thriller about a teenager who sees her own face staring back at her from a missing children's notice on the back of a milk carton. An emotionally evocative and chilling read that seamlessly blends mystery and suspense for fans of A GOOD GIRL'S GUIDE TO MURDER and WE WERE LIARS. “It's a gripper. You can't put it down.” —Entertainment Weekly
"A real page-turner." —Kirkus Reviews No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years before from a shopping mall in New Jersey—she felt overcome with shock. She recognized that little girl—it was her. How could it possibly be true? Janie can't believe that her loving parents kidnapped her, but as she begins to piece things together, nothing makes sense. Something is terribly wrong. Are Mr. and Mrs. Johnson really her parents? And if not, who is Janie Johnson, and what really happened?
A psychological thriller about a teenager who sees her own face staring back at her from a missing children's notice on the back of a milk carton. An emotionally evocative and chilling read that seamlessly blends mystery and suspense for fans of A GOOD GIRL'S GUIDE TO MURDER and WE WERE LIARS. “It's a gripper. You can't put it down.” —Entertainment Weekly
"A real page-turner." —Kirkus Reviews No one ever really paid close attention to the faces of the missing children on the milk cartons. But as Janie Johnson glanced at the face of the ordinary little girl with her hair in tight pigtails, wearing a dress with a narrow white collar—a three-year-old who had been kidnapped twelve years before from a shopping mall in New Jersey—she felt overcome with shock. She recognized that little girl—it was her. How could it possibly be true? Janie can't believe that her loving parents kidnapped her, but as she begins to piece things together, nothing makes sense. Something is terribly wrong. Are Mr. and Mrs. Johnson really her parents? And if not, who is Janie Johnson, and what really happened?
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
She never knew what grade she would get in Mr. Brylowe's English class. Whenever she joked, he wanted the essay serious. Whenever she was serious, he had intended the essay to be lighthearted.
It was October.
Outdoors throbbed with autumn. She could feel the pulse of the deep-blue skies. With every leaf wrenched off its twig and whirled by the wind, Janie felt a tug. She felt like driving for hours; taking any road at all; just going.
Actually Janie was only fifteen and had barely started driving lessons. She was having driving fantasies because of dinner last night.
Her parents—as always—had taken opposite sides. Setting themselves up like a debate team, her mother and father would argue until some invisible marital timer rang. Then they would come to terms, rushing to meet in the middle. Until last night her mother had said Janie could begin driving while her father said she could not. "She's just a baby," said her father, in the infuriating, affectionate way of fathers.
"She's old," said Janie's mother lightly. "Practically a woman. A sophomore in high school."
"I hate when that happens," her father grumbled. "I like my little girl to stay little. I'm against all this growing up.' He wound some of Janie's hair around his wrist.
Janie had fabulous hair: a wild, chaotic mane of red curls glinting gold. People always commented on it. As her best friend, Sarah-Charlotte, said, "Janie, that is serious hair."
"I guess you've grown up anyway, Janie," said her father reluctantly. "Even with all the bricks I put on your head to keep you little. Okay, I give in. You can drive."
In English, Janie smiled to herself. Her father was an accountant who in the fall had time to coach the middle-school soccer teams. Today after school he'd have a practice, or a game, but when he came home—they'd go driving!
She wrote her name on her essay.
She had gradually changed her name. "Jane" was too dull. Last year she'd added a "y," becoming Jayne, which had more personality and was sexier. To her last name—Johnson—she'd added a "t," and later an "e" at the end, so now she was Jayne Johnstone.
Her best friends—Sarah-Charlotte Sherwood and Adair O'Dell had wonderful, tongue-twisting, memorable names. Why, with the last name Johnson (hardly a name at all; more like a page out of the phone book) had her parents chosen "Jane"? They could have named her Scarlett, or Allegra. Perhaps Roxanne.
Now she took the "h" out of Johnston and added a second "y" to Jayne.
Jayyne Jonstone. It looked like the name you would have if you designed sequined gowns for a living, or pointed to prizes on television quiz shows.
"Earth to Janie," said Mr. Brylowe.
She blushed, wondering how many times he had called her.
"The rest of us are reading our essays aloud, Janie,' said Mr. Brylowe. "We'd like to issue an invitation for you to join us."
She blushed so hotly she had to put her hands over her cheeks.
"Don't do that," said Pete. "You're cute when your face matches your hair."
Immediately, the back row of boys went into barbershop singing, hands on hearts, invisible straw hats flung into the air. "Once in love with Janie," they sang.
Janie had never had a boyfriend. She was always asked to dances, was always with a crowd—but no boy had actually said I want to be with you and you alone.
Mr. Brylowe told Janie to read her essay...
Au sujet de l’auteur-
CAROLINE B. COONEY is the bestselling author of more than thirty young adult books, including the million-copy plus bestseller, The Face on the Milk Carton. Her newest novel written for adults, Before She Was Helen, has been nominated for the 2021 Edgar Allen Poe Award.
Critiques-
January 30, 1990 The picture of a missing child printed on a milk carton attracts the attention of 15-year-old Jane Johnson. A glimpse of the girl's polka-dot dress causes memories to surface, and Jane begins to review her past and question her true identity. It is nearly impossible for Jane to perceive her loving parents as kidnappers; the task of gathering evidence and drawing conclusions proves less difficult than confronting the undeniable truth. As the novel ends, Jane has found the courage to contact her real parents, but Cooney cleverly leaves the events that follow to readers' imaginations. Although the book's plot is based largely on coincidences, Cooney's skilled writing makes even the most unlikely events seem plausible. The roller-coaster ride Jane experiences with her emotions is both absorbing and convincing. Strong characterizations and suspenseful, impeccably-paced action add to this novel's appeal. Ages 12-up.
April 1, 1991 A milk carton portrait causes a 15-year-old girl to question her true identity; citing the novel's ``strong characterizations and suspenseful, impeccably paced action,'' PW added, ``The roller-coaster ride Jane experiences with her emotions is both absorbing and convincing.'' Ages 12-up.
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