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Where the Deer and the Antelope Play
Couverture de Where the Deer and the Antelope Play
Where the Deer and the Antelope Play
The Pastoral Observations of One Ignorant American Who Loves to Walk Outside
Emprunter Emprunter
A humorous and rousing set of literal and figurative sojourns as well as a mission statement about comprehending, protecting, and truly experiencing the outdoors, fueled by three journeys undertaken by actor, humorist, and New York Times bestselling author Nick Offerman

Nick Offerman has always felt a particular affection for the Land of the Free—not just for the people and their purported ideals but to the actual land itself: the bedrock, the topsoil, and everything in between that generates the health of your local watershed. In his new book, Nick takes a humorous, inspiring, and elucidating trip to America's trails, farms, and frontier to examine the people who inhabit the land, what that has meant to them and us, and to the land itself, both historically and currently.  
In 2018, Wendell Berry posed a question to Nick, a query that planted the seed of this book, sending Nick on two memorable journeys with pals—a hiking trip to Glacier National Park with his friends Jeff Tweedy and George Saunders, as well as an extended visit to his friend James Rebanks, the author of The Shepherd's Life and English Pastoral. He followed that up with an excursion that could only have come about in 2020—Nick and his wife, Megan Mullally, bought an Airstream trailer to drive across (several of) the United States. These three quests inspired some “deep-ish" thinking from Nick, about the history and philosophy of our relationship with nature in our national parks, in our farming, and in our backyards; what we mean when we talk about conservation; and the importance of outdoor recreation, all subjects very close to Nick's heart. 
With witty, heartwarming stories and a keen insight into the human problems we all confront, this is both a ramble through and celebration of the land we all love.
A humorous and rousing set of literal and figurative sojourns as well as a mission statement about comprehending, protecting, and truly experiencing the outdoors, fueled by three journeys undertaken by actor, humorist, and New York Times bestselling author Nick Offerman

Nick Offerman has always felt a particular affection for the Land of the Free—not just for the people and their purported ideals but to the actual land itself: the bedrock, the topsoil, and everything in between that generates the health of your local watershed. In his new book, Nick takes a humorous, inspiring, and elucidating trip to America's trails, farms, and frontier to examine the people who inhabit the land, what that has meant to them and us, and to the land itself, both historically and currently.  
In 2018, Wendell Berry posed a question to Nick, a query that planted the seed of this book, sending Nick on two memorable journeys with pals—a hiking trip to Glacier National Park with his friends Jeff Tweedy and George Saunders, as well as an extended visit to his friend James Rebanks, the author of The Shepherd's Life and English Pastoral. He followed that up with an excursion that could only have come about in 2020—Nick and his wife, Megan Mullally, bought an Airstream trailer to drive across (several of) the United States. These three quests inspired some “deep-ish" thinking from Nick, about the history and philosophy of our relationship with nature in our national parks, in our farming, and in our backyards; what we mean when we talk about conservation; and the importance of outdoor recreation, all subjects very close to Nick's heart. 
With witty, heartwarming stories and a keen insight into the human problems we all confront, this is both a ramble through and celebration of the land we all love.
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Extraits-
  • From the cover

    Introduction

    In many ways, the inception of this book occurred one score and five years ago, when I was working on a production of Sam Shepard’s Buried Child at Chicago’s excellent Steppenwolf Theatre Company. Back then, I had been well on my way to a comfortable life of blind materialism, hopefully emulating one of David Lee Roth’s insouciant, musical short films I had newly come to adore on a brilliant new cable channel, simply called—get this: Music Television. Little did I suspect that by the time that play had closed, the trajectory of my life would be forever altered.
    Sam himself had come to town to do some rewriting and polishing on his script, even though it had won him a Pulitzer Prize back in 1979. I guess he didn’t entirely agree with the Pulitzer folks. That was certainly his prerogative, and I guess that’s what made him so damn handsome, I mean smart. The production was a pretty big deal, directed as it was by Steppenwolf founding member Gary Sinise, and starring some honest-to-god hotshots like Lois Smith, Ted Levine, Kellie Overbey, Ethan Hawke, and the late, great James Gammon. Gary, a legendary actor and director, also happens to be an awfully generous fellow, if you’re ever lucky enough to meet him—he always treated me quite equitably, even though the first time we met I was unaware his name was pronounced “Suh-neese,” and I said, “It’s nice to meet you, Mr. Sinus.”
    Despite that initial gaffe, Gary hired me as an understudy for the show and also as a makeup artist, to apply old-age makeup to James Gammon every night, just by way of some stippling and painted modeling with highlights and shadows, nothing fancy. I had a scenery shop in the warehouse where I lived, or I guess to be accurate I should say I had a futon and a hotplate in the warehouse where I cohabitated with my table saw and my pin nailers. I had also previously made some props for Steppenwolf, including some masks for Alex and his Droogs in A Clockwork Orange, a play in which I also appeared and served as fight captain. All of which is to say, I was lucky as hell to be the jack-of-all-trades gofer kid running around the theatre the night Sam Shepard corralled me, slipped me $40, and told me to go get him a bottle of Maker’s Mark.
    Now, I had gone to theatre school in Urbana-Champaign in the late eighties and early ’90s, which means that Sam Shepard was still the biggest rock star cowboy playwright in America (not to mention Chuck Yeager in The Right Stuff—heart-eyes emoji) when he sent me to get him a very specific handle of Kentucky straight bourbon, which means that I was high as a kite as I sprinted a block each in three different directions to score the bottle before realizing there was no liquor store within sprinting distance. Son of a bitch! I had been gone at least seven minutes, and I was beginning to panic—if I could but successfully score him this whisky, there’s no reason that it might not specifically fuel some innovative rewrites in rehearsal that night that could make the Pulitzer committee realize they had better take things up a notch and award Buried Child a first-ever second Pulitzer! Inspired, I finally streaked into the Argentinian restaurant on the corner and found a bartender to take pity on me. He fetched me the bottle, which I gingerly cradled as I cautiously high-stepped it back to the theatre.
    In hindsight, acquiring intoxicants for your playwright before rehearsal begins is probably not ever a good idea. That fact began to dawn on me that very night shortly after I had deposited the...

Critiques-
  • Library Journal

    May 1, 2021

    From world-famous neuroscientist Damasio (it all started with Descartes' Error), Feeling and Knowing relies on recent discoveries in neurobiology, psychology, and AI to explain what consciousness really is (originally scheduled for March 2021). Foster and Frylinck, creators of the documentary phenom My Octopus Teacher--one of Netflix's top 10 films of 2020--swam through South Africa's jaw-droppingly beautiful kelp forests without benefit of wetsuits or oxygen masks (but aided by their favorite octopus) to bring us Underwater Wild, illustrated with over 200 full-color photographs (100,000-copy first printing). A multi-award-winning blogger and founder of Planet Paws, Facebook's most popular pet health page, Habib joins forces with world-renowned veterinarian Becker to explain that dogs suffer from the same chronic illnesses as humans, then introduces a wealth of science-based information ensuring that The Forever Dog in your household will stay alive and well for a long time (150,000-copy first printing). In The Wires of War, Helberg, the former news policy lead at Google, limns the growing cyber conflict piting the West against primarily Russia and China over both software (e.g., news information and social media platforms) and hardware (e.g., cell phones and satellites (100,000-copy first printing). Having grown up in Bangladesh, which she describes as having minimal women's health care, Hossain expected expert maternal care in wealthy America--and nearly died in childbirth; All in Your Head is her impassioned critique of sexism in U.S. health care. Offerman humorously explores the great outdoors as he takes us where The Deer and the Antelope Play. New Yorker staffer Orlean, perhaps best known for The Orchid Thief, here writes On Animals, which explores the animal-human relationship in stories she has written throughout her career. Editor of the New York Times Book Review, Paul offers 100 never-before-published essays (with witty illustrations by Nishant Choksi) to explore 100 Things We've Lost to the Internet, from punctuation and good manners to the ability to entertain ourselves. In The Plant Hunter, enthnobotanist Quave relates her search for plants that can improve or save our lives. Having practiced medicine worldwide, from the Arctic to the Antarctic, Reisman takes us inside The Unseen Body to describe its functions by relating them to the world--the Arctic taught him the value of fat, for instance, while the Himalayas revealed the border between brain and mind (75,000-copy first printing). A prolific author of science titles, including the Pulitzer Prize-winning The Making of the Atomic Bomb, Rhodes profiles Harvard biologist and naturalist O. Wilson--noteworthy for promoting sociobiology and biodiversity--in Scientist. In Being You, the codirector of the Sackler Centre for Consciousness Science at the Universitiy of Sussex, explains that we do not view the world objectively but through a series of constant predictions that are rooted in biological mechanisms we can now measure.

    Copyright 2021 Library Journal, LLC Used with permission.

  • Kirkus

    September 1, 2021
    The genially sardonic actor and comedian recounts occasionally misbegotten, always laugh-inducing travels. Offerman opens his latest book, at times reminiscent of the work of British traveler Redmond O'Hanlon, with a gimlet eye on billboards that proclaim the planks of fundamentalist Christianity. "I don't feel the need," he writes, "to erect a sign in my yard proclaiming 'BEEF TALLOW IS THE FUCKING BOSS.' " Offerman entertainingly chronicles his travels in the Montana Rockies with two perhaps unlikely companions, novelist George Saunders and musician Jeff Tweedy. Well-known as a fine woodworker, Offerman contrasts his love of fancy gear, a love shared by Tweedy, with Saunders' asceticism: "It was his water bottle that made me realize how his whole gear vibe was screaming 'unassuming pragmatism.' " Saunders got in a little less trouble than the other two as they hiked along the sheer cliffs of Glacier National Park, a place that prompts the author to meditate on the history and fate of public lands: "We three middle-aged white guys, ever aware of our privilege, had taken pretty full advantage of the recreation available in the glorious acreage that some other white guys had set aside for just that purpose." After a side journey among craftspeople and farmers in the English Midlands, where he gamely tried to build a stone wall in the old way, he took off on a Covid-evading RV road trip with wife and fellow actor Megan Mullally, a journey fraught with encounters with the denizens of the recent film Nomadland. "When it comes to navigating RV parks and their gatekeepers," he notes, "there is a substantial culture of unwritten laws of the jungle." Offerman's forays into social criticism are sometimes sharp but never elitist even as he professes disdain for the Jan. 6 crowd and its "batshit mouthpiece," the pillow king. A hoot and a half for fans of sometimes-hapless wandering.

    COPYRIGHT(2021) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Publisher's Weekly

    September 13, 2021
    Parks and Recreation star and woodworker Offerman (Gumption) ponders the goodness of the land and the corruptions of white, capitalist Trumpistan in this painfully woke and often misfiring memoir. He narrates three journeys: a hiking trip in Glacier National Park, full of stunning scenery and ruminations on the dispossession of Native Americans; visits to an organic sheep farm in England in 2019, where he repaired stone walls and rails against agribusiness that use “chemicals and machinery”; and a recent road trip from California to Illinois, during which he shuddered at unmasked diners and campers whose Trump flags brought to mind “a Klan hood.” Offerman extols the virtues of manual labor and communion with nature while denouncing “the dominant, white culture that... has been wrong in almost every way,” and vows to “listen to the grievances of the indigenous folks, the Black folks, the gay folks, the Latinx familias.” Unfortunately, his labored jokes—“the main terror of park toilets: OPPPTYB (Other People’s Poop Particles Touching Your Butt)”—are overshadowed by fulsome rants: “If a person bases their worldview on the lyrics of these old songs... they could easily end up indoctrinated into the White Power army,” he huffs, the songs being “Home on the Range” and “America the Beautiful.” The result is a preachy, stridently unfunny travelogue. Agent: Monika Verma, Levine, Greenberg, Rostan Literary.

  • Library Journal

    October 1, 2021

    Offerman (The Greatest Love Story Ever Told) shares observations from the road with wry humor and sarcasm and an understanding of the privilege that allowed the Parks and Recreation actor to make these journeys. A trip to Glacier National Park with George Saunders and Jeff Tweedy is an opportunity to contemplate others' antics and examine ecology and history, including how the park came to be through violence and illegal land grabs from the Blackfoot Confederacy and Salish and Kootenai tribes. In later chapters, Offerman tags along as British farmer/writer James Rebanks rebuilds walls, negotiates livestock purchases, and discusses living on and respecting the land. In the final section, which takes place during the pandemic and loses some of the book's insight and relatability, Offerman and spouse Megan Mullally indulge in the consumerism they previously disparaged and purchase an Airstream to travel during the U.S. COVID-19 lockdowns in spring 2020. Offerman's narrative thread is peppered with tangential discussions that are almost always entertaining and informative, aside from somewhat overdone references to Aldo Leopold and Wendell Barry. VERDICT A great mix of wit and perceptive observation from travels in the United States and the United Kingdom just before and during the COVID-19 pandemic, with a surprising amount of history, nature, and ecology thrown in.--Zebulin Evelhoch, Deschutes P.L., OR

    Copyright 2021 Library Journal, LLC Used with permission.

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Where the Deer and the Antelope Play
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The Pastoral Observations of One Ignorant American Who Loves to Walk Outside
Nick Offerman
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