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NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK NAMED A BEST BOOK OF THE YEAR BY NPR, HARPER'S BAZAAR, TOWN & COUNTRY, KIRKUS REVIEWS, ESQUIRE, ELECTRIC LITERATURE, SCIENTIFIC AMERICAN AND MORE! “One of the most pleasurable, inventive reads of the year… fiendishly, deliciously fun."—San Francisco Chronicle "A profound exploration of human nature, the allure of pleasure and the choices we make in the face of adversity.”—NPR, "Books We Love"
“It’s rare to read anything that feels this unique.” –GABRIELLE ZEVIN, New York Times bestselling author of Tomorrow and Tomorrow and Tomorrow "Land of Milk and Honey is truly exceptional."–ROXANE GAY, New York Times bestselling author of Bad Feminist “Asharp, sensual piece of art.”–RAVEN LEILANI, New York Times bestselling author of Luster The award-winning author of How Much of These Hills Is Gold returns with a rapturous and revelatory novel about a young chef whose discovery of pleasure alters her life and, indirectly, the world
A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate. Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.
NATIONAL BESTSELLER A NEW YORK TIMES NOTABLE BOOK NAMED A BEST BOOK OF THE YEAR BY NPR, HARPER'S BAZAAR, TOWN & COUNTRY, KIRKUS REVIEWS, ESQUIRE, ELECTRIC LITERATURE, SCIENTIFIC AMERICAN AND MORE! “One of the most pleasurable, inventive reads of the year… fiendishly, deliciously fun."—San Francisco Chronicle "A profound exploration of human nature, the allure of pleasure and the choices we make in the face of adversity.”—NPR, "Books We Love"
“It’s rare to read anything that feels this unique.” –GABRIELLE ZEVIN, New York Times bestselling author of Tomorrow and Tomorrow and Tomorrow "Land of Milk and Honey is truly exceptional."–ROXANE GAY, New York Times bestselling author of Bad Feminist “Asharp, sensual piece of art.”–RAVEN LEILANI, New York Times bestselling author of Luster The award-winning author of How Much of These Hills Is Gold returns with a rapturous and revelatory novel about a young chef whose discovery of pleasure alters her life and, indirectly, the world
A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body. In this atmosphere of hidden wonders and cool, seductive violence, the chef’s boundaries undergo a thrilling erosion. Soon she is pushed to the center of a startling attempt to reshape the world far beyond the plate. Sensuous and surprising, joyous and bitingly sharp, told in language as alluring as it is original, Land of Milk and Honey lays provocatively bare the ethics of seeking pleasure in a dying world. It is a daringly imaginative exploration of desire and deception, privilege and faith, and the roles we play to survive. Most of all, it is a love letter to food, to wild delight, and to the transformative power of a woman embracing her own appetite.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
I fled to that country because I would have gone anywhere, done anything, for one last taste of green sharp enough to pierce the caul of my life. I was twenty-nine, a hungry ghost, adrift. I hadn't seen California in ten years, hadn't tasted a strawberry or a leaf of lettuce in three. Hunger was simple, as the rest was not.
Here is the rest: I was an American stranded in England when America's borders closed; I was a cook as that profession lay dying. Both troubles shared one source, namely the smog that spread from a cornfield in Iowa and soon occluded the sun, smothering as it went fields of wheat in Canada and paddies of hard yellow rice in Peru. No more lemon trees fragrant on the slopes of Greece, no more small sweet Indian mangos. Biodiversity fell. Wildlife and livestock perished for lack of feed. Scientists bickered over the smog's composition and politicians over whether pollution or lax carbon taxes or China or nuclear testing or America or Russia were to blame, and all the while the darkness, slightly acidic, ate its way through fertile fields. America plunged into famine while my career hung suspended by the sea—the wrong sea, the oily, inhospitable Atlantic. Each morning I walked to the American consulate to hear the answer, Soon. Each afternoon I thawed frozen fish at the restaurant that underwrote my refugee visa. My life was dredge, fry, plate. My life was wait, wait, wait.
The day the letter arrived from California was the day the chef announced pesto cut from the menu for good. No more nuts and seeds in the pantry, and no basil, not even the powdered kind. I barely heard. I slipped my envelope into the walk-in freezer, as if ice might cool desire.
With my back against chilled steel, I extracted not an American reentry permit but a bill. The attached letter informed me that my dead mother's apartment in Los Angeles had burned down. Regrettable accident, the lawyer wrote of the riot that caused it, and then, legally liable. Cataloged in exhaustive detail were waste disposal fees and firefighting fees and city emissions fines, but nowhere did the bill mention the color of the apartment walls, which I could no longer recall. No avocados, no strawberries, no almonds. California had become a food desert and I imagined wind howling through broken windows, scouring, dry, unclean.
The door opened as I was doing the math. Chef says break's over, a line cook told me. He wants you to make a sub for the pesto.
With what?
The cook kicked a bag of flour on his way out. Anything you want, princess, so long as you use this shit.
The flour puffed in a fine gray cloud. No parsley, no sage, no produce of any sort. It was spring. March. But a false spring in which crops would fail for the third year running. Blame the smog's acidic nature, as some did; blame the same anhydrites that doomed the dinosaurs, or a lack of sun and morality; what it amounted to was skies that were gray and kitchens that were gray, you could taste it, gray. No olives, no quails, no grapes of the tart green kind for Champagne. I took stock of the restaurant's dwindling supplies: dusty tins, icy slabs of years-old fish. Mostly it was bag after bag of the mung-protein-soy-algal flour distributed by the government.
We were lucky to have it! they said. The flour was a miracle of nutritional science, engineered from plants that tolerated dark. Lucky the smog had taken a year and a half to reach Europe, lucky to escape the famine that ravaged the Americas and Southeast Asia, lucky that mung-protein flour was calorie for calorie cheaper than the cobbled-together diets of old....
Critiques-
Starred review from July 31, 2023 Zhang’s exquisite and seductive second novel (after How Much of These Hills Is Gold) centers on an unnamed chef, 29, who is trying to survive in the wake of an environmental catastrophe that wreaked havoc on the earth’s biodiversity. Raised in Los Angeles by a single immigrant mother, the chef chased complex flavors and busy kitchens since she was 19. But when the disaster decimated kitchen ingredients and shuttered borders, she was left cooking with years-old fish and bioengineered flour: “Chef had lost its meaning... like fresh.” In a desperate attempt to change her surroundings, she takes a head chef position at a secretive food research community on the mountainous Italian-French border, which holds a surprising storeroom with the world’s last strawberries, Parmigiano, and boar meat. Her transition to cooking for investors she cannot meet is difficult—she has no access to the outside world and she can’t stomach the rich food. But she becomes preoccupied with Aida, the boss’s mischievous 20-year-old daughter, who shows up to test her cooking. Aida and her father see their facility as the planet’s last hope, and the chef soon learns that her role extends beyond food to enabling a world that caters to their ambition. Wrestling with her desire for both excitement and stability, the chef must squash the inner voice that asks, “Hadn’t I meant to feed anyone else?” Emotionally captivating and raw, this masterpiece will be enjoyed to the last bite. Agent: Bill Clegg, Clegg Agency.
An impenetrable smog has taken over most of the planet, obliterating crops and leaving most people with nothing but nutritious (but tasteless) mung bean powder as sustenance. Amid the chaos, a young chef is offered an opportunity she can't pass up--the chance to move to a mountaintop unimpacted by the smog and cook for the richest of the rich. After a trial period during which the chef is able to use ingredients the likes of which she hasn't seen in years--fresh meats, green vegetables, and strawberries bursting with ripeness--she is offered a full-time position, though she soon finds that the opportunity is not without its complications. Eunice Wong's narration is a triumph, capturing the unsettling atmosphere of this rarified world and communicating the chef's growing unease as she begins to understand her employer's sinister vision and just how far he's willing to go. Her portrayal of the chef's layered emotions stuns as the novel explores themes of power, access, and ethics. VERDICT Zhang's sophomore novel (following the multi-award-winning How Much of These Hills Is Gold) is as delicious to devour as the feasts prepared within.--Whitney Bates-Gomez
Copyright 2023 Library Journal, LLC Used with permission.
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Eunice Wong performs this immersive novel about a female Asian American chef who is experiencing an apocalyptic event in Earth's near future. The unnamed narrator is unable to return to the U.S. after smog covers the globe, blocking the sunlight and killing most of the planet's plants and animals. To escape impending disaster, the chef takes a job cooking for a billionaire who lives in an isolated compound located on a mountaintop above the smog. As the chef falls in love, creates new dishes, and ponders what her future has in store, Wong beautifully captures her narrative voice. Wong's performance adds layers of emotional depth to a compelling story, creating one of the must-listen audiobooks of the year. K.D.W. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine
