Starred review from June 26, 2017
Lockhart blends the privileged glamour of We Were Liars with a twisty, backward-running plot that’s slick with cinematic violence. Calling to mind her own The Disreputable History of Frankie Landau-Banks, she offers a shrewd critique of the roles traditionally available to female characters in literature and film. This striking exploration of the nature of identity revolves around the relationship between Jule and Immie, two similar-looking orphans. Jule—a fierce physical fighter and self-taught expert at disguise—will do whatever it takes to escape her bleak past. Wealthy and charismatic Immie, by contrast, wafts pleasantly through life, living on Martha’s Vineyard while taking time off from college. Pushed into Immie’s privileged inner circle via a case of mistaken identity, Jule is swept into an intense friendship—and a series of events that play intentional tribute to Patricia Highsmith’s The Talented Mr. Ripley, among other literary precedents. A bracing pace, a slew of far-flung locations, and a storyline that runs mostly in reverse will keep readers on their toes, never entirely sure of what these girls are responsible for or capable of. Ages 12–up. Agent: Elizabeth Kaplan, Elizabeth Kaplan Agency.

Starred review from June 15, 2017
Can Jule recognize her own true self within the tangled story of the past year? Jule West Williams is 18, white, and an orphan, all of which she has in common with her best friend, heiress Imogen Sokoloff--or does she? Jule, an impulsive, complicated protagonist like no other, tells her story as though she were living in an adventure movie. She imagines herself a heroine in contrast to the "great white hetero hero on his fucking epic journey." She's proud of her strength and fighting ability, her talents for disguises and imitating accents. Outside of her fantasy life, she feels inferior to practically everyone--Immie and her boyfriend, Forrest, as well as Immie's parents and friends from college. Starting the book with Chapter 18 and the instruction "Begin here," Jule traces a year backward, revealing startling secrets along the way. The fast-paced plot moves among New York, London, California, and Mexico as Jule stays one step ahead of those who've underestimated her skills. Jule's intense narrative frequently includes clipped snatches of dialogue with herself: "No, she had. / No, she hadn't. / She wished she had not. / She wished it could be undone." Her unsettling storytelling, filled with energy and a fair amount of violence, comes from deep inside her own mysterious background. This thriller from the author of We Were Liars (2014) will challenge preconceptions about identity and keep readers guessing. (Suspense. 12-adult)

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June 1, 2017

Gr 9 Up-Jule West Williams is at a fancy resort in Mexico. Someone is looking for her, but she can do a pretty stellar job of taking care of herself, paying a bartender to smuggle her out in his car, then fighting back when he tries to extort more money. That's where Lockhart's latest novel begins. Jule was recently in London. Her best friend, Imogen Sokoloff, is dead. There's a guy Jule likes but can't have. Jule steals wallets in Las Vegas, NV. The teen likes how strong she feels when she defends herself. Jule was in San Francisco. She has had just about enough of Immie's friends from Vassar. Jule was in Puerto Rico. The protagonist has a prodigious talent for memorization. Jule was staying at Immie's house in Martha's Vineyard. She was in New York. Jule is, above all else, a survivor. The narrative moves backward in time, constantly forcing readers to adjust their opinions of the characters and events and realign them in light of new information. While those familiar with The Talented Mr. Ripley may have a good idea of Lockhart's ultimate destination, they'll still enjoy the trip. The book rewards rereading, as initially inconsequential details shine brightly when you can see the whole picture. VERDICT An excellent choice recommended for teens and adults who love twisty mysteries, stories about class conflict, and tough-as-nails teen girls.-Stephanie Klose, School Library Journal

Copyright 2017 School Library Journal, LLC Used with permission.

Starred review from June 1, 2017
Grades 9-12 *Starred Review* It's difficult to describe Lockhart's latest psychological thriller without dipping into spoilers, but here are the pertinent details: Jule, a peripatetic, athletic, superhero-obsessed teen girl is best friends with rich, restless Imogen, who recently committed suicide. When readers meet Jule, she's lounging at a tony resort in Mexico, eating junk food, and enjoying the sun. It's clear she's on the run, though from whom or why isn't clear, and Lockhart strings readers along with a clever narrative gambit. In a clipped, detached tone, Lockhart tells Jule's story in reverse, and with each step backward, she peels away juicy layers of intrigue. As the relationship between Jule and Imogen comes into focus, Lockhart explores themes of jealousy, loyalty, privilege, and origins. Imogen, who was adopted, is fixated on the idea of feeling a strong sense of identity, while Jule constantly relies on an unlikely story to explain her childhood. But can they really know each other at all? It's a captivating, suspenseful story made all the more bewitching by Lockhart's twisty narrative, and she constantly keeps readers guessing with unpredictable turns and eye-opening reveals. This quietly unsettling, cinematic novel is deliciously suspenseful, and while it's slim, it packs a real punch. Teens who love to hate antiheroes will be enraptured. HIGH-DEMAND BACKSTORY: Best-selling Lockhart's getting a top-shelf marketing campaign, so be prepared for an onslaught of fans eager to get their hands on her latest.(Reprinted with permission of Booklist, copyright 2017, American Library Association.)

January 1, 2018
In Lockhart's latest intoxicating thriller, eighteen-year-old protagonist Jule is cold, tough, and in trouble with the law, but displays an endearing softness as we learn about her friendship with wealthy Imogen, whom Jule misses dearly. As chapters descend in reverse chronological order, readers get breadcrumb-like pieces to the puzzle of why Jule is running, what happened with Imogen, and what makes the intricately drawn anti-heroine tick.

(Copyright 2018 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from September 1, 2017
As soon as Lockhart's latest intoxicating psychological thriller (We Were Liars, rev. 5/14) opens in Cabo San Lucas, Mexico, readers will be perversely enamored of eighteen-year-old narrator Jule. She's cold--sociopathic, even--and in trouble with the law, but a sexy lead. She's strong and tough enough to defend herself (and then some), intelligent, and intuitive; a feminist who contemplates gender persecution in society and in the hero tales she thinks herself worthy of: "women were rarely the centers of such stories...they were eye candy, arm candy, victims, or love interests...they existed to help the great white hetero hero on his fucking epic journey." And Jule shows an endearing softness as we learn about her friendship with beautiful, wealthy Imogen, whom Jule misses dearly. To say more would give away too much. However, as chapters descend in numerical order and reverse chronology, it becomes increasingly clear that Jule is an unreliable narrator the deceptive likes of which many readers won't be prepared for. With each subsequent chapter and new globe-spanning setting, readers get breadcrumb-like pieces to the puzzle of why Jule is running, what happened with Imogen, and what makes the intricately drawn anti-heroine tick. The appended note lists many inspirations for the novel, among them: "Victorian orphan stories," "superhero comics," "stories of class mobility," and a few specific books, including Patricia Highsmith's The Talented Mr. Ripley. Indeed, "particular debt" is owed to Highsmith, but Lockhart's command of structure, pacing, atmosphere, and character are accomplishments all this author's own. katrina hedeen

(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)

September 1, 2017
As soon as Lockhart's latest intoxicating psychological thriller (We Were Liars, rev. 5/14) opens in Cabo San Lucas, Mexico, readers will be perversely enamored of eighteen-year-old narrator Jule. She's cold--sociopathic, even--and in trouble with the law, but a sexy lead. She's strong and tough enough to defend herself (and then some), intelligent, and intuitive; a feminist who contemplates gender persecution in society and in the hero tales she thinks herself worthy of: "women were rarely the centers of such stories...they were eye candy, arm candy, victims, or love interests...they existed to help the great white hetero hero on his fucking epic journey." And Jule shows an endearing softness as we learn about her friendship with beautiful, wealthy Imogen, whom Jule misses dearly. To say more would give away too much. However, as chapters descend in numerical order and reverse chronology, it becomes increasingly clear that Jule is an unreliable narrator the deceptive likes of which many readers won't be prepared for. With each subsequent chapter and new globe-spanning setting, readers get breadcrumb-like pieces to the puzzle of why Jule is running, what happened with Imogen, and what makes the intricately drawn anti-heroine tick. The appended note lists many inspirations for the novel, among them: "Victorian orphan stories," "superhero comics," "stories of class mobility," and a few specific books, including Patricia Highsmith's The Talented Mr. Ripley. Indeed, "particular debt" is owed to Highsmith, but Lockhart's command of structure, pacing, atmosphere, and character are accomplishments all this author's own. katrina hedeen

(Copyright 2017 by The Horn Book, Incorporated, Boston. All rights reserved.)