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The Girl You Left Behind
Couverture de The Girl You Left Behind
The Girl You Left Behind
A Novel
Emprunter Emprunter
From the New York Times bestselling author of The Giver of Stars and the forthcoming Someone Else's Shoes, a sweeping bestseller of love and loss, deftly weaving two journeys from World War I France to present day London.
Paris, World War I. Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born.
 
Almost a century later in London, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.
From the New York Times bestselling author of The Giver of Stars and the forthcoming Someone Else's Shoes, a sweeping bestseller of love and loss, deftly weaving two journeys from World War I France to present day London.
Paris, World War I. Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born.
 
Almost a century later in London, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.
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Extraits-
  • From the book

     

    PART ONE

     

     

    1

    ST. PÉRONNE

    October 1916

    I was dreaming of food. Crisp baguettes, the flesh of the bread a virginal white, still steaming from the oven, and ripe cheese, its borders creeping toward the edge of the plate. Grapes and plums, stacked high in bowls, dusky and fragrant, their scent filling the air. I was about to reach out and take one, when my sister stopped me. “Get off,” I murmured. “I’m hungry.”

    “Sophie. Wake up.”

    I could taste that cheese. I was going to have a mouthful of Reblochon, smear it on a hunk of that warm bread, then pop a grape into my mouth. I could already taste the intense sweetness, smell the rich aroma.

    But there it was, my sister’s hand on my wrist, stopping me. The plates were disappearing, the scents fading. I reached out to them but they began to pop, like soap bubbles.

    “Sophie.”

    What?

    “They have Aurélien!”

    I turned onto my side and blinked. My sister was wearing a cotton bonnet, as I was, to keep warm. Her face, even in the feeble light of her candle, was leached of color, her eyes wide with shock. “They have Aurélien. Downstairs.”

    My mind began to clear. From below us came the sound of men shouting, their voices bouncing off the stone courtyard, the hens squawking in their coop. In the thick dark, the air vibrated with some terrible purpose. I sat upright in bed, dragging my gown around me, struggling to light the candle on my bedside table.

    I stumbled past her to the window and stared down into the courtyard at the soldiers, illuminated by the headlights of their vehicle, and my younger brother, his arms around his head, trying to avoid the rifle butts that landed blows on him.

    “What’s happening?”

    “They know about the pig.”

    “What?”

    “Monsieur Suel must have informed on us. I heard them shouting from my room. They say they’ll take Aurélien if he doesn’t tell them where it is.”

    “He will say nothing,” I said.

    We flinched as we heard our brother cry out. I hardly recognized my sister then: She looked twenty years older than her twenty-four years. I knew her fear was mirrored in my own face. This was what we had dreaded.

    “They have a Kommandant with them. If they find it,” Hélène whispered, her voice cracking with panic, “they’ll arrest us all. You know what took place in Arras. They’ll make an example of us. What will happen to the children?”

    My mind raced, fear that my brother might speak out making me stupid. I wrapped a shawl around my shoulders and tiptoed to the window, peering out at the courtyard. The presence of a Kommandant suggested these were not just drunken soldiers looking to take out their frustrations with a few threats and knocks: We were in trouble.

    “They will find it, Sophie. It will take them minutes. And then . . .” Hélène’s voice rose, lifted by panic.

    My thoughts turned black. I closed my eyes. And then I opened them. “Go downstairs,” I said. “Plead ignorance. Ask him what Aurélien has done wrong. Talk to him, distract him. Just give me some time before they come into the house.”

    “What are you going to do?”

    I gripped my sister’s arm. “Go. But tell them nothing, you understand? Deny everything.”

    My sister hesitated, then ran toward the...

Critiques-
  • Publisher's Weekly

    Starred review from July 1, 2013
    Moyes’s enchanting latest (after Me Before You) entwines two love stories set 90 years apart, connected by a painting called The Girl You Left Behind. In 1916, 22-year-old Sophie Lefèvre struggles against a new German commandant in her occupied village in northern France. Trying to keep her family safe and their restaurant open while her and her sister’s husbands are away, Sophie makes greater and greater sacrifices as her living conditions grow more spartan. But when things reach their lowest, she must decide whether to gamble everything on the German commandant’s powerful fascination with her husband’s portrait of her. Jumping ahead to London in 2006, the story turns to 32-year-old Liv Halston, whose architect husband David bought Sophie’s painting for Liv shortly before he died in an accident. Still deep in the throes of grief four years after his death, Liv now faces eviction from the beautiful, heavily taxed house he built. But an unlikely reunion with a former classmate and the unexpected entrance of a new man, Paul, into Liv’s life make her feel better than she has since David died—until a restitution company tries to claim The Girl You Left Behind. An unfortunate coincidence twists the knife deeper, and Liv is forced to fight tooth and nail for what she has come to love most in the world. Lovely and wry, Moyes’s newest is captivating and bittersweet.

  • Kirkus

    August 1, 2013
    The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two loves stories, one set in occupied France during World War I, the other in 21st-century London. In a French village in 1916, Sophie is helping the family while her husband, edouard, an artist who studied with Matisse, is off fighting. Sophie's pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices edouard's portrait of Sophie, which captures her essence (and edouard's adoration). Arranging to dine regularly at Sophie's inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that edouard is being held in a particularly harsh "reprisal" camp, she must decide what she will sacrifice for edouard's freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime's gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David's sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she's been drawn to since she was widowed. They spend a glorious night together, but after noticing edouard's portrait of Sophie on Liv's wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but edouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle. While Liv's more pedestrian story is less romantic than Sophie's and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.

    COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Booklist

    July 1, 2013
    Moyes (Me before You, 2012) writes with such clarity that one can almost see the eponymous 100-year-old painting at the center of her wonderful new novel. Also crystal clear are the emotions that protagonist Liv Halston attaches to the portrait. Gifted to Liv by her late husband, David, in celebration of their wedding, The Girl You Left Behind becomes a personal icon, embodying all that was good about their brief marriage. What is less clear is the painting's provenance and who has the right to assert ownership. Will Liv's notion of ownership unravel when the artist's heirs sue to reclaim what they call ill-gotten goods, seemingly misappropriated by German soldiers during WWI? Did the artist's wifethe subject of the portraitgive or sell it? Can anyone establish a clear trail of legitimate ownership? Does emotional attachment to a work of art have cash value? Can love ever trump greed? At its heart, such questions, thrumming in the background, add depth to what is an uncommonly good love story.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

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