“Absorbing . . . multifaceted and elegiac . . . Still Life with Bones captures the ethos that drives the search—often tireless and against the odds—for truth.”—The New York Times
WINNER OF THE JUAN E. MÉNDEZ BOOK AWARD • A NEW YORKER AND BOOKPAGE BEST BOOK OF THE YEAR
“Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration—of building something new with the ‘pile of broken mirrors’ that is memory, loss, and mourning.”
Throughout Guatemala’s thirty-six-year armed conflict, state forces killed more than two hundred thousand people. Argentina’s military dictatorship disappeared up to thirty thousand people. In the wake of genocidal violence, families of the missing searched for the truth. Young scientists joined their fight against impunity. Gathering evidence in the face of intimidation and death threats, they pioneered the field of forensic exhumation for human rights.
In Still Life with Bones, anthropologist Alexa Hagerty learns to see the dead body with a forensic eye. She examines bones for marks of torture and fatal wounds—hands bound by rope, machete cuts—and also for signs of identity: how life shapes us down to the bone. A weaver is recognized from the tiny bones of the toes, molded by kneeling before a loom; a girl is identified alongside her pet dog. In the tenderness of understanding these bones, forensics not only offers proof of mass atrocity but also tells the story of each life lost.
Working with forensic teams at mass grave sites and in labs, Hagerty discovers how bones bear witness to crimes against humanity and how exhumation can bring families meaning after unimaginable loss. She also comes to see how cutting-edge science can act as ritual—a way of caring for the dead with symbolic force that can repair societies torn apart by violence.
Weaving together powerful stories about investigative breakthroughs, histories of violence and resistance, and her own forensic coming-of-age, Hagerty crafts a moving portrait of the living and the dead.
“Absorbing . . . multifaceted and elegiac . . . Still Life with Bones captures the ethos that drives the search—often tireless and against the odds—for truth.”—The New York Times
WINNER OF THE JUAN E. MÉNDEZ BOOK AWARD • A NEW YORKER AND BOOKPAGE BEST BOOK OF THE YEAR
“Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration—of building something new with the ‘pile of broken mirrors’ that is memory, loss, and mourning.”
Throughout Guatemala’s thirty-six-year armed conflict, state forces killed more than two hundred thousand people. Argentina’s military dictatorship disappeared up to thirty thousand people. In the wake of genocidal violence, families of the missing searched for the truth. Young scientists joined their fight against impunity. Gathering evidence in the face of intimidation and death threats, they pioneered the field of forensic exhumation for human rights.
In Still Life with Bones, anthropologist Alexa Hagerty learns to see the dead body with a forensic eye. She examines bones for marks of torture and fatal wounds—hands bound by rope, machete cuts—and also for signs of identity: how life shapes us down to the bone. A weaver is recognized from the tiny bones of the toes, molded by kneeling before a loom; a girl is identified alongside her pet dog. In the tenderness of understanding these bones, forensics not only offers proof of mass atrocity but also tells the story of each life lost.
Working with forensic teams at mass grave sites and in labs, Hagerty discovers how bones bear witness to crimes against humanity and how exhumation can bring families meaning after unimaginable loss. She also comes to see how cutting-edge science can act as ritual—a way of caring for the dead with symbolic force that can repair societies torn apart by violence.
Weaving together powerful stories about investigative breakthroughs, histories of violence and resistance, and her own forensic coming-of-age, Hagerty crafts a moving portrait of the living and the dead.
Critiques-
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January 9, 2023
“Bones are always joined to grief, memory, and ritual,” contends anthropologist Hagerty in this searing report on the grueling labor and psychological stress of her time in Guatemala and Argentina excavating the mass graves of victims of political violence. Digging into the history of the two countries, the author discusses the Guatemalan government’s massacre of tens of thousands of Maya people from the 1960s to 1996 and the Argentine military dictatorship’s murder of dissidents from 1976 to 1983. She describes using DNA, oral histories, and fragments of clothing to identify victims and return the remains to families, noting that community members can sometimes recognize a body by the unique pattern on a handwoven huipil, a kind of traditional blouse. “To recognize a missing person in a bone is a difficult act of imagination,” she muses, telling the story of a woman who struggled to make sense of her brother’s death after a fragment of his pelvic bone was found in a mass grave. Hagerty never loses sight of the humanity of the dead and the pain felt by the survivors, nimbly weaving together political history and personal narratives to illuminate the difficult process of accounting for atrocities. Intense and emotional, this is a vital rumination on political violence. -
February 15, 2023
As she excavates mass graves in Guatemala, Alexa Hagerty chants a kind of prayer: "Don't faint. Don't vomit." An anthropologist, Hagerty trains with forensic teams in Guatemala and Argentina, where twentieth-century governments committed genocide against their own citizens. With time, her visceral reaction to handling human bones morphs into care and empathy for the dead. The work is painstaking and grueling; it can take months or years to recover a body, identify it, and reunite the remains with family members. But doing so is crucial to the healing and empowerment of survivors and to seeking justice for state-sponsored atrocities. Community members share stories with the anthropologists of how the military tortured, terrorized, and disappeared family members and friends. Don Jaime, who tells Hagerty about the massacre of his village, says, "The world must not forget what has happened here." Readers of history, science, and true crime will find Hagerty's first book impactful and compelling. Her well-researched and accessible narrative ensures that the history and legacy of violence in Guatemala and Argentina will not be buried.COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.
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Starred review from January 15, 2023
An anthropologist recounts sifting through the remains left by horrific crimes in Guatemala and Argentina. There have been numerous books on forensic anthropology in the last two decades, when DNA studies and other techniques have been refined for field and laboratory studies of crime. Clea Koff's The Bone Woman, for instance, describes research in Rwanda, Bosnia, and other killing fields. Hagerty's first book fits neatly in this tradition, distinguishing itself from other entries by its musings on the nature of political violence. The governor of Buenos Aires Province put it most graphically in the days of the military dictatorship: "First we will kill all of the subversives, then we will kill all of their collaborators, then those who sympathize with subversives, then we will kill those that remain indifferent, and finally we will kill the timid." Fortunately, the regime collapsed before his vision could be realized; unfortunately, many thousands of Argentinian citizens died, and Hagerty has worked diligently to identify them. The bloodbath was even worse in Guatemala, where, "in a country of eight million people, there were 200,000 dead" after years of government massacres meant to suppress civil unrest. As Hagerty uncovers mass graves and crawls into burial pits and remote caves full of bones, she reflects on the nature of her work, particularly how difficult it is to isolate single victims in a jumble of remains. "The excavation is three-dimensional, sculptural, a Rubik's Cube," she writes. Things become more clinical and even less human while cutting away pieces of bone in order to study the DNA, a reliable means of connecting a body to a name--"and with a name, a body can be given a proper burial." Hagerty is soulful but unsentimental, and she closes with just the right conundrum: With so much knowledge of horrific crimes, how can one return to "the manicured lawns and temperature-controlled archives of the university"? A powerful meditation on life, death, and sorting out what can be saved of death in life.COPYRIGHT(2023) Kirkus Reviews, ALL RIGHTS RESERVED.
