OverDrive désire utiliser des fichiers témoins pour stocker des informations sur votre ordinateur afin d'améliorer votre expérience sur notre site Web. Un des fichiers témoins que nous utilisons est très important pour certains aspects du fonctionnement du site, et il a déjà été stocké. Vous pouvez supprimer ou bloquer tous les fichiers témoins de ce site, mais ceci pourrait affecter certaines caractéristiques ou services du site. Afin d'en apprendre plus sur les fichiers témoins que nous utilisons et comment les supprimer, cliquez ici pour lire notre politique de confidentialité.
“The daily grind got you down? Escape into this Swedish dark comedy about a scaldingly contemptuous office drone who discovers a secret room in his workplace.”—O: The Oprah Magazine
The inspiration for the upcoming feature film Corner Office, starring Jon Hamm Björn is a compulsive, meticulous bureaucrat who discovers a secret room at the government office where he works—a secret room that no one else in his office will acknowledge. When Björn is in his room, what his co-workers see is him standing by the wall and staring off into space looking dazed, relaxed, and decidedly creepy. Björn’s bizarre behavior eventually leads his co-workers to try and have him fired, but Björn will turn the tables on them with help from his secret room. Debut author Jonas Karlsson doesn’t leave a word out of place in this brilliant, bizarre, delightful take on how far we will go—in a world ruled by conformity—to live an individual and examined life.
“The daily grind got you down? Escape into this Swedish dark comedy about a scaldingly contemptuous office drone who discovers a secret room in his workplace.”—O: The Oprah Magazine
The inspiration for the upcoming feature film Corner Office, starring Jon Hamm Björn is a compulsive, meticulous bureaucrat who discovers a secret room at the government office where he works—a secret room that no one else in his office will acknowledge. When Björn is in his room, what his co-workers see is him standing by the wall and staring off into space looking dazed, relaxed, and decidedly creepy. Björn’s bizarre behavior eventually leads his co-workers to try and have him fired, but Björn will turn the tables on them with help from his secret room. Debut author Jonas Karlsson doesn’t leave a word out of place in this brilliant, bizarre, delightful take on how far we will go—in a world ruled by conformity—to live an individual and examined life.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
1.
The first time I walked into the room I turned back almost at once. I was actually trying to find the toilet but got the wrong door. A musty smell hit me when I opened the door, but I don't remember thinking much about it. I hadn't actually noticed there was anything at all along this corridor leading to the lifts, apart from the toilets. Oh, I thought. A room.
I opened the door, then shut it. No more than that.
2.
I had started work at the Authority two weeks before, and in many respects I was still a newcomer. Even so, I tried to ask as few questions as I could. I wanted to become a person to be reckoned with as quickly as possible.
I had gotten used to being one of the leaders in my last job. Not a boss, or even a team manager, but someone who could sometimes show other people what to do. Not always liked, not a sycophant or a yes-man, but well regarded and treated with a certain respect, possibly even admiration. Ever so slightly ingratiating, perhaps? I was determined to build up the same position at my new place of work as soon as I could.
It wasn't really my decision to move on. I was fairly happy at my last job and felt comfortable with the routines, but somehow I outgrew the position and ended up feeling that I was doing a job that was way below my abilities, and I have to admit that I didn't always see eye to eye with my colleagues.
Eventually my former boss came and put his arm round my shoulders and told me it was time to look for a better solution. He wondered if it wasn't time for me to make a move? Move on, as he put it, gesturing upward with his hand to indicate my career trajectory. Together we went through various alternatives.
After a period of consideration and reflection I decided, in consultation with my former boss, upon the big new Authority, and after a certain amount of discussion with them it turned out that a transfer could be arranged without any great difficulty. The union agreed to it, and didn't put the brakes on like they so often do. My former boss and I celebrated with a glass of nonalcoholic cider in his office, and he wished me good luck.
The same day the first snow fell on Stockholm, I carried my boxes up the flight of steps and into the entrance of the large, redbrick building. The woman in reception smiled. I liked her at once. There was something about her manner. I knew straightaway that I had come to the right place. I straightened my back as the words "man of the future" ran through my head. A chance, I thought. Finally I would be able to blossom to my full potential. Become the person I've always wanted to be.
The new job was no better paid. Quite the opposite, in fact, it was actually slightly worse in terms of perks like flextime and vacation. And I was forced to share a desk in the middle of an open-plan office with no screens. In spite of this, I was full of enthusiasm and a desire to make a personal platform for myself and show what I was capable of from the start.
I worked out a personal strategic framework. I arrived half an hour early each morning and followed my own timetable for the day: fifty-five minutes of concentrated work, then a five-minute break, including toilet breaks. I avoided any unnecessary socializing along the way. I requested and took home files documenting previous policy decisions so as to be able to study which phrases recurred, and formed the basic vocabulary, so to speak. I spent evenings and weekends studying various structures and investigating the informal communication networks that existed within the department.
All this so that I could quickly and efficiently catch up and create a small but decisive...
Au sujet de l’auteur-
JONAS KARLSSON writes plays and short fiction. One of Sweden's most prominent actors, Karlsson has performed on Sweden's premier stage and in several acclaimed feature films and television series. In 2005, Karlsson made his debut as a playwright, earning rave reviews from audience and critics alike. Spurred by the joy of writing for the stage, Karlsson began writing fiction.
Critiques-
Starred review from December 15, 2014 Swedish actor and playwright Karlsson’s short novel offers a monologue that builds from simple office satire to a reality-bending psychological profile with insights into the nature and importance of personal space. Bjorn, a Stockholm bureaucrat, is a meticulous but unreliable narrator whose sense of superiority comes in conflict with the facts. When his boss eases him into another job, a demotion in several ways, Bjorn sees it as his chance to blossom into his full potential, which unfolds in a series of short, often humorous, and increasingly disturbing narratives. Bjorn begins the new job by organizing his days into 55-minute intervals with five-minute breaks. During one such break, he sees a door. When he steps inside, he finds a small, tidy, unused office. The problem with this room is no one else sees it—and it’s not the only thing Bjorn sees that others do not. In the receptionist’s smile Bjorn sees an invitation; in his desk-mate’s pile of papers he sees encroachment; in his coworkers’ denial of the room he sees conspiracy. Bjorn visits a psychiatrist, promises to never reenter the room, and meanwhile devises a strategy to defeat his adversaries. Karlsson deftly captures individual voices, which he conveys directly (as Bjorn reveals his obsessions) and indirectly (as Bjorn describes interactions with coworkers). Using Bjorn’s voice to draw characters and build dramatic tension, Karlsson exposes the gifts and gaffes, visions and delusions, and the rise and fall of a seemingly ordinary civil servant.
Nick Offerman, author of Paddle Your Own Canoe
"The Room is the most effective chapbook on workplace comportment since Glengarry Glen Ross. Hats off!"
Neel Mukherjee, author of The Lives of Others "A gripping, tense, demonic fable in which the unease is precision-tooled and the turns of the screw wholly unexpected."
Booklist "Karlsson deftly captures individual voices, which he conveys directly (as Björn reveals his obsessions) and indirectly (as Björn describes interactions with coworkers). Using Björn's voice to draw characters and build dramatic tension, Karlsson exposes the gifts and gaffes, visions and delusions, and the rise and fall of a seemingly ordinary civil servant." --Publishers Weekly (starred)
"A contemporary tale worthy of comparison to Franz Kafka's works, Amélie Nothomb's Fear and Trembling, and Herman Melville's classic 'Bartelby, the Scrivener,' while the antics of Björn's fellow workers recall Terry Gilliam's film Brazil. Enjoyable reading, extremely well executed, this fable should become mandatory reading for cubicle and office workers everywhere." --Library Journal (starred)
"Part psychological drama documenting a disturbed man's possible descent into madness and part satirical take on corporate culture and the alienated workers it produces, Karlsson succeeds admirably in creating the perfect combination of funny, surreal, and disturbing."
Kirkus "Provocative...Karlsson's deft jab at dead-end workplaces keeps you agreeably off-balance and eager for more of his work."
Göteborgsposten (Sweden)
"A flawless novel that you will finish with a smile." --Knack (Netherlands) "Jonas Karlsson masterfully tells us about his main character's Kafkaesque adventure." --Panorama (Italy)
"A Beckettian drama in an open plan office." --Il Giornale (Italy)
"Sweden has its own Kafka in Jonas Karlsson." --DeMorgen (Netherlands)
"Fascinating.... Every time you think you know where Bjorn is heading, he does or says something that tilts the whole story. Minimalism and surrealism, bundled in a short but powerful novel." --DeZondag (Netherlands)
"The Room has the qualities of a masterpiece."
Informations sur le titre+
Éditeur
Books on Tape
OverDrive Listen
Date de publication:
OverDrive MP3 Audiobook
Date de publication:
Informations relatives aux droits numériques+
OverDrive MP3 Audiobook
Gravure sur CD:
Autorisé
Transfert sur un appareil:
Autorisé
Transfert sur un appareil Apple®:
Autorisé
Lecture en public:
Non autorisé
Partage de fichier:
Non autorisé
Utilisation entre pairs:
Non autorisé
Tous les exemplaires de ce titre, y compris ceux qui ont été transférés sur des appareils portables et autres supports, doivent être supprimés ou détruits une fois la période d'emprunt écoulée.
Recommandez à votre bibliothèque qu'elle ajoute ce titre à la collection numérique.
Plus de détails
Disponibilité limitée
La disponibilité peut changer durant le mois selon le budget de la bibliothèque.
est disponible pendant jours.
Une fois que la lecture débute, vous avez heures pour visionner le titre.
Permission
Le format OverDrive de ce livre électronique comporte ne narration professionnelle qui joue pendant que vous lisez dans votre navigateur. Apprenez-en plus ici.
Réservations
Nombre total de retenues:
Accès restreint
Certaines options de formatage ont été désactivées. Il est possible que vous voyiez d'autres options de téléchargement en dehors de ce réseau.
Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen
Vous avez atteint votre limite de commandes à la bibliothèque pour les titres numériques.
Pour faire de la place à plus d'emprunts, vous pouvez retourner des titres à partir de votre page Emprunts.
Limite d'emprunts atteinte
Vous avez emprunté et rendu un nombre excessif d'articles sur votre compte pendant une courte période de temps. Essayez de nouveau dans quelques jours.
Il ne reste plus d'exemplaire de cette parution. Veuillez essayer d'emprunter ce titre de nouveau lorsque la prochaine parution sera disponible.
| Se connecter
Sur la prochaine page, on vous demandera de vous connecter à votre compte de bibliothèque.
Si c'est la première fois que vous sélectionnez « Envoyer à mon NOOK », vous serez redirigé sur une page de Barnes & Noble pour vous connecter à (ou créer) votre compte NOOK. Vous devriez n'avoir qu'à vous connecter une seule fois à votre compte NOOK afin de le relier à votre compte de bibliothèque. Après cette étape unique, les publications périodiques seront automatiquement envoyées à votre compte NOOK lorsque vous sélectionnez « Envoyer à mon NOOK ».
La première fois que vous sélectionnez « Send to NOOK » (Envoyer à mon NOOK), vous serez redirigé sur la page de Barnes & Nobles pour vous connecter à (ou créer) votre compte NOOK. Vous devriez n'avoir qu'à vous connecter une seule fois à votre compte NOOK afin de le relier à votre compte de bibliothèque. Après cette étape unique, les publications périodiques seront automatiquement envoyées à votre compte NOOK lorsque vous sélectionnez « Send to NOOK » (Envoyer à mon NOOK).
Vous pouvez lire des publications périodiques sur n'importe quelle tablette NOOK ou dans l'application de lecture NOOK gratuite pour iOS, Android ou Windows 8.
Votre appareil n’aura plus accès à la bibliothèque numérique après le 30 octobre.
Nous apportons les mises à jour de sécurité nécessaires qui empêcheront cet appareil d’avoir accès à la bibliothèque numérique à partir du 30 octobre 2020.
