July 31, 2017
Themes of belonging, self-discovery, and inequity round out the richly imagined world of Onyebuchi’s debut, where war and dark magic are around every corner. Taj is an aki, a sin eater; important yet reviled, aki battle and consume the sins of others, which take on the physical form of beasts. The tattoos of the sins Taj has eaten cover his body, marking him as other: “The lion etched into my skin will be with me forever now, a marker of Prince Haris’s sin. Now he can walk around pure and noble and free while I carry the evidence of his crimes.” When Taj and fellow aki Bo are summoned to eat the sin of King Kolade himself, the dragon that manifests from his sin nearly kills Taj, resulting in a tattoo unlike any other. Immediately threatened with arrest, Taj flees but is captured and forced into the king’s service. Onyebuchi’s worldbuilding is vivid and beguiling, and Taj’s outward cockiness hides a core of vulnerability. A coming revolution will have readers looking forward to the next book. Ages 12–up. Agent: Noah Ballard, Curtis Brown.

July 1, 2017

Gr 7 Up-In the walled city of Kos, the royal family makes the laws, but the Mages are the enforcers. Mages often call upon the "aki" to purify the royals by eating their sins. Taj is the best aki in Kos, and when he is called to eat the king's sin, he becomes involved in a covert operation to take over the city. Told from the perspective of Taj, this debut novel is set in a mythical world where sins take the form of shadow beasts and become tattoos on the skin of the sin-eaters. Onyebuchi's world-building is strong, and the details leap off the page; readers will witness the poverty, smell the delicious food, and feel the physical pain of being a sin-eater. However, the author spells out the motives of the antagonists and the reasons for characters' behaviors, rather than letting teens infer them from the text. The romance between Taj and the princess is charming but too quick. Although this work is full of desperate people in dire situations, the narrative lacks intensity and reads more like a prequel than a series opener. Still, this title has strong female characters and a beautiful and well-crafted setting and absolutely fills the void of diversity in YA fantasy fiction. VERDICT A good choice for most fantasy collections.-Dawn Abron, Zion-Benton Public Library, IL

Copyright 2017 School Library Journal, LLC Used with permission.

July 1, 2018
Taj and his fellow sin-eaters, or "aki," fight and consume sin-beasts to absolve others' transgressions. But the young aki are impoverished outcasts with lives shortened by the sins they shoulder. A coveted sin-eating position in the palace forces Taj to choose between living in luxury or working to improve the circumstances of all aki. Onyebuchi introduces a compellingly built, Nigerian-inspired fantastical world and a tough but compassionate protagonist.

(Copyright 2018 by The Horn Book, Incorporated, Boston. All rights reserved.)

Starred review from August 15, 2017
Taj, the black teenage narrator of Onyebuchi's debut, is an aki, or sin-eater--meaning that he literally consumes the exorcised transgressions of others, usually in the forms of inky-colored animal-shaped phantasms called inisisas that reappear as black tattoos on the akis' "red skin, brown skin." This really isn't his most remarkable trait, however, even as he ingests greater and greater sins of the Kaya, the brown-skinned royal family ruling the land of Kos. What makes Taj extraordinary is the tensions he holds: his blase awareness of his exalted status as the best aki, even as the townspeople both shun yet exploit him and his chosen family of sin-eaters; his adolescent swagger coupled with the big-brotherly protectiveness he has for the crew of akis and, as the story proceeds, his increasing responsibility to train them; his natural skepticism of the theology that guides Kos even as he performs the very act that allows the theology--and Kos itself--to exist. He must navigate these in the midst of a political plot, a burgeoning star-crossed love, and forgiveness for the sins he does not commit. "Epic" is an overused term to describe how magnificent someone or something is. Author Onyebuchi's novel creates his in the good old-fashioned way: the slow, loving construction of the mundane and the miraculous, building a world that is both completely new and instantly recognizable. This tale moves beyond the boom-bang, boring theology of so many fantasies--and, in the process, creates, almost griotlike, a paean to an emerging black legend. (Fantasy. 14-adult)

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