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NATIONAL BESTSELLER • A family returns to their hometown—and to the dark past that haunts them still—in this masterpiece of literary horror by the New York Times bestselling author of Wanderers LOCUS AWARD FINALIST • “The dread, the scope, the pacing, the turns—I haven’t felt all this so intensely since The Shining.”—Stephen Graham Jones, New York Times bestselling author of The Only Good Indians ONE OF THE BEST BOOKS OF THE YEAR: The New York Public Library, Library Journal
Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. Long ago, something sinister, something hungry, walked in the tunnels and the mountains and the coal mines of their hometown in rural Pennsylvania. Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver.
And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic. This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.
NATIONAL BESTSELLER • A family returns to their hometown—and to the dark past that haunts them still—in this masterpiece of literary horror by the New York Times bestselling author of Wanderers LOCUS AWARD FINALIST • “The dread, the scope, the pacing, the turns—I haven’t felt all this so intensely since The Shining.”—Stephen Graham Jones, New York Times bestselling author of The Only Good Indians ONE OF THE BEST BOOKS OF THE YEAR: The New York Public Library, Library Journal
Long ago, Nathan lived in a house in the country with his abusive father—and has never told his family what happened there. Long ago, Maddie was a little girl making dolls in her bedroom when she saw something she shouldn’t have—and is trying to remember that lost trauma by making haunting sculptures. Long ago, something sinister, something hungry, walked in the tunnels and the mountains and the coal mines of their hometown in rural Pennsylvania. Now, Nate and Maddie Graves are married, and they have moved back to their hometown with their son, Oliver.
And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic. This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
The boy, fifteen, knelt on the ground, his chin against his chest, the soft undersides of his forearms pressing into his ears even as his fingers dug into the thatch of messy hair at the back of his head. His ears rang sharply—not the tolling of a bell but a shrill whine, like that of a dental drill. To one side of him: yellow lockers. To the other: a water fountain. Above: a waterfall of bright fluorescence. Somewhere ahead were two gunshots, bang, bang. Each made his heart jump. Somewhere behind him were the murmur and rustle of students moving from classroom to classroom, seeking safety. Oliver imagined them dead. He imagined his teachers dead. Blood on linoleum. Brains on chalkboard. He imagined weeping parents on the news, and the suicides of survivors, and the thoughts and prayers of uncaring politicians—he could see the pain like a little ripple that became a wave, that met other waves and became tsunamis roaring back and forth over people until all were drowned underneath.
A hand grasped his shoulder and shook him. A word spoken as if through a fishbowl—his name. Someone was saying his name. “Olly. Oliver. Olly!” He gently rocked himself back on his ankles, sitting partly upright. It was Mr. Partlow, his BioSci teacher. “Hey. Hey, lockdown drill’s almost over, Oliver. You okay? Come on, kiddo, let’s get you—”
But then the teacher let go and took a half step back. Mr. Partlow stared down at the floor—no, not at the floor. At Oliver. Oliver took a look, too. His crotch was wet. Fingers of liquid were spreading down his pant legs. Ahead, he saw a few students gather and stare. Landon Gray, who sat behind him in homeroom, looked sad. Amanda McInerney—who was in all the plays, and chorus, and student council—made a gross face and giggled.
Mr. Partlow helped him stand up and took him away. Oliver wiped tears from his face, tears he didn’t even know he’d spilled.
2
The Lawyer
This was Nate:
That same day, Nate sat in a lawyer’s office in Langhorne. The lawyer was round and grub white, like the inside of a cut potato. In the window of the office, an AC unit grumbled and growled, so that the man had to raise his voice in order to be heard.
“Thank you for coming,” the lawyer, Mr. Rickert, said.
“Uh-huh.” Nate tried to keep his hands from balling into fists. Tried, and failed.
“Your father is sick,” the lawyer said.
“Good,” Nate answered without hesitation.
Rickert leaned forward.
“It’s cancer. Colon cancer.”
“Fine.”
“He’ll be dead soon. Very soon. He’s on hospice.”
Nate shrugged. “Okay.”
“Okay,” the lawyer repeated, and Nate couldn’t tell if the man was surprised by his reaction—or prepared for it. “Mr. Graves—”
“I know you expect me to be broken up about all this, but I’m not. Not one little bit. My father was—or, is, I guess—a tremendous piece of garbage. I have no love for him. I have only hatred and disdain for that monster masquerading as a man, and truth be told, I’ve been dreaming of this day for the better part of twenty years, maybe longer. I’ve imagined how it would go. I’ve prayed to whatever god that would listen that my father, the piece of shit that he is, would go painfully and miserably, that it wouldn’t be fast, wouldn’t...
Critiques-
May 31, 2021 Philadelphia police officer Nate Graves, the protagonist of this creepy supernatural thriller from bestseller Wendig (Wanderers), initially rejects his much-hated, abusive father’s dying wish that he buy his childhood house for $1 and then live there with his artist wife, Maddie, and their 15-year-old son, Oliver. The house in Upper Bucks County, Pa., holds horrible memories for Nate, but Oliver, an empath who feels others’ pain and fear, insists he needs a fresh start after being humiliated and bullied for his special ability. A vengeful ghost who may be Nate’s late father stalks the house, and nearby is the park that a serial killer used as a dumping ground before he vanished just as he was being executed. A boy’s penchant for black magic, a haunted train tunnel, and sculptures that come to life add to the eerie atmosphere. Wendig is strongest when concentrating on the Graveses' unshakable love for each other, but the complex plot frequently devolves into confusion and repetitive scenes. Horror fans will best appreciate this one. Agent: Stacia Decker, Dunow, Carlson & Lerner Literary.
October 1, 2021
Wendig's ("Star Wars: Aftermath" series) latest novel pays homage to classic horror staples, featuring demonic hauntings and an isolated small town, complete with a prison, where one family braces against the forces of evil. Former cop Nate Graves moves to the town with his artist wife Maddie and sensitive teen son Oliver, who is coping with anxiety. Together they face the ghost of a local serial killer, bullying jocks, and an alcohol-addicted writer, as well as Nate's relationship with his abusive father. There may be too many stories wrapped up in Wendig's tale, whose vague statements about the hardship of "this world" weigh down the dialogue. Curiously, the demons hunting the Graves family repeatedly praise Nate and Maddie's parenting, which largely negates the novel's suspense. In the narration, Xe Sands's soothing voice combines well with George Newburn's folksy cadence to bring out the rustic qualities of the dark woods where the action happens. VERDICT Passionate fans will love this homage to the genre, but more diverse and innovative works may be a better choice for limited collections.--Aaron Heil, State Lib. of Kansas
Copyright 2021 Library Journal, LLC Used with permission.
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