Fermer les détails sur les cookies

Ce site utilise des témoins. En apprendre plus à propos des témoins.

OverDrive désire utiliser des fichiers témoins pour stocker des informations sur votre ordinateur afin d'améliorer votre expérience sur notre site Web. Un des fichiers témoins que nous utilisons est très important pour certains aspects du fonctionnement du site, et il a déjà été stocké. Vous pouvez supprimer ou bloquer tous les fichiers témoins de ce site, mais ceci pourrait affecter certaines caractéristiques ou services du site. Afin d'en apprendre plus sur les fichiers témoins que nous utilisons et comment les supprimer, cliquez ici pour lire notre politique de confidentialité.

Si vous ne désirez pas continuer, veuillez appuyer ici afin de quitter le site.

Cachez l'avis

  Nav. principale
H is for Homicide
Couverture de H is for Homicide
H is for Homicide

His name was Parnell Perkins, and until shortly after midnight, he'd been a claims adjustor for California Fidelity. Then someone came along and put paid to that line of work. And to any other. Parnell Perkins had been shot at close range and left for dead in the parking lot outside California Fidelity's offices.
To the cops, it looked like a robbery gone sour. To Kinsey Millhone, it looked like the cops were walking away from the case. She didn't like the idea that a colleague and sometime drinking companion had been murdered. Or the idea that his murderer was loose and on the prowl. It made her feel exposed. Vulnerable.
Bibianna Diaz was afraid for her life. If there was one thing she knew for sure, it was that you didn't cross Raymond Maldonado and live to tell the tale. And Bibianna had well and truly crossed him, running out on his crazy wedding plans and going into hiding in Santa Teresa—light years away from the Los Angeles barrio that was home turf to Raymond and his gang. Now she needed money to buy time, to make sure she'd put enough space between them. And the quickest way she knew to get money was to work an insurance scam—just like the ones Raymond was running down in L.A. The trouble was, Bibianna picked California Fidelity as her mark. And it wasn't long before her name surfaced in one of Parnell Perkins's open files and Kinsey was on her case. But so, too, was her spurned suitor, Raymond Maldonado.
He had a rap sheet as long as his arm, a hair-trigger temper that was best left untested, and an inability to take no for an answer. He also had Tourette's syndrome, which did nothing to smooth out the kinks in his erratic and often violent behavior. All in all, Raymond Maldonado was not someone to spend a lot of time hanging out with. Unfortunately for Kinsey, she didn't have a lot of choice in the mater. Not after the love-sick Raymond kidnapped Bibianna. Like it or not, Kinsey was stuck babysitting Bibianna along with Raymond and his macho crew. You might say she was a prisoner of love.
It may be Kinsey Millhone's most complicated and risk-filled case. It certainly is Sue Grafton's wittiest venture into low-life crime. It's "H" is for Homicide, and it confirms yet again that Kinsey Millhone is "a wonderful character, tough but not brutish, resourceful and sensitive, a fit knight to walk those mean streets with her male predecessors" (the Los Angeles Times) and that Sue Grafton is "a heads-up delight" (Detroit News).
"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
"X"

His name was Parnell Perkins, and until shortly after midnight, he'd been a claims adjustor for California Fidelity. Then someone came along and put paid to that line of work. And to any other. Parnell Perkins had been shot at close range and left for dead in the parking lot outside California Fidelity's offices.
To the cops, it looked like a robbery gone sour. To Kinsey Millhone, it looked like the cops were walking away from the case. She didn't like the idea that a colleague and sometime drinking companion had been murdered. Or the idea that his murderer was loose and on the prowl. It made her feel exposed. Vulnerable.
Bibianna Diaz was afraid for her life. If there was one thing she knew for sure, it was that you didn't cross Raymond Maldonado and live to tell the tale. And Bibianna had well and truly crossed him, running out on his crazy wedding plans and going into hiding in Santa Teresa—light years away from the Los Angeles barrio that was home turf to Raymond and his gang. Now she needed money to buy time, to make sure she'd put enough space between them. And the quickest way she knew to get money was to work an insurance scam—just like the ones Raymond was running down in L.A. The trouble was, Bibianna picked California Fidelity as her mark. And it wasn't long before her name surfaced in one of Parnell Perkins's open files and Kinsey was on her case. But so, too, was her spurned suitor, Raymond Maldonado.
He had a rap sheet as long as his arm, a hair-trigger temper that was best left untested, and an inability to take no for an answer. He also had Tourette's syndrome, which did nothing to smooth out the kinks in his erratic and often violent behavior. All in all, Raymond Maldonado was not someone to spend a lot of time hanging out with. Unfortunately for Kinsey, she didn't have a lot of choice in the mater. Not after the love-sick Raymond kidnapped Bibianna. Like it or not, Kinsey was stuck babysitting Bibianna along with Raymond and his macho crew. You might say she was a prisoner of love.
It may be Kinsey Millhone's most complicated and risk-filled case. It certainly is Sue Grafton's wittiest venture into low-life crime. It's "H" is for Homicide, and it confirms yet again that Kinsey Millhone is "a wonderful character, tough but not brutish, resourceful and sensitive, a fit knight to walk those mean streets with her male predecessors" (the Los Angeles Times) and that Sue Grafton is "a heads-up delight" (Detroit News).
"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
"X"

Formats disponibles-
  • OverDrive Read
  • EPUB eBook
Sujets-
Langues:-
Copies-
  • Disponible:
    0
  • Copies de la bibliothèque:
    0
Niveaux-
  • Niveau ATOS:
    6.0
  • Lexile Measure:
    930
  • Niveau d'intérêt:
    UG
  • Difficulté du texte:
    4 - 6


 
Prix remportés-
Extraits-
  • Copyright © 1991 by Sue Grafton. All rights reserved.

    Excerpt


    Looking back, it's hard to remember if the low morale at California Fidelity originated with the death of one of the claims adjusters or the transfer of Gordon Titus, an "efficiency expert" from the Palm Springs office, who was brought in to bolster profits. Both events contributed to the general unrest among the CF employees, and both ended up affecting me far more than I would have imagined, given the fact that my association with the company had been, up to that point, so loose. In checking back through my calendar, I find a brief penciled note of the appointment with Gordon Titus, whose arrival was imminent when Parnell was killed. After that first meeting with Titus, I'd jotted, "s.o.b. extraordinaire!" which summarized my entire relationship with him.


    I'd been gone for three weeks, doing a consumer investigative report for a San Diego company concerned about a high-level executive whose background turned out to be something other than he'd represented. The work had taken me all over the state, and I had a check in my pocket for beaucoup bucks by the time I wrapped up my inquiry on a Friday afternoon. I'd been given the option of remaining in San Diego that weekend at the company's expense, but I woke up inexplicably at 3:00 a.m. with a primal longing for home. A moon the size of a dinner plate was propped up on the balcony outside my window, and the light falling across my face was almost bright enough to read by. I lay there, staring at the swaying shadow of palm fronds on the wall, and I knew that what I wanted most was to be in my own bed. I was tired of hotel rooms and meals on the road. I was tired of spending time with people I didn't know well or expect to see again. I got out of bed, pulled my clothes on, and threw everything I had in my duffel bag. By 3:30 a.m. I'd checked out, and ten minutes later I was on the 405 northbound, heading for Santa Teresa in my new (used) VW bug, a 1974 sedan, pale blue, with only one wee small ding in the left rear fender. Classy stuff.


    At that hour, the Los Angeles freeway system is just beginning to hum. Traffic was light, but every on ramp seemed to donate a vehicle or two, people pouring north to work. It was still dark, with a delicious chill in the air, a ground fog curling along the berm like puffs of smoke. To my right, the foothills rose up and away from the road, the tracts of houses tucked into the landscape showing no signs of life. The lights along the highway contributed a nearly ghostly illumination, and what was visible of the city in the distance seemed stately and serene. I always feel an affinity for others traveling at such an hour, as if we are all engaged in some form of clandestine activity. Many of the other drivers had oversize Styrofoam cups of coffee. Some were actually managing to wolf down fast food as they drove. With the occasional car window rolled down, I was treated to bursts of booming music that faded away as the cars passed me, changing lanes. A glance in my rearview mirror showed a woman in the convertible behind me emoting with vigor, belting out a lip-sync solo as the wind whipped through her hair. I felt a jolt of pure joy. It was one of those occasions when I suddenly realized how happy I was. Life was good. I was female, single, with money in my pocket and enough gas to get home. I had nobody to answer to and no ties to speak of. I was healthy, physically fit, filled with energy. I flipped on the radio and chimed in on a chorus of "Amazing Grace," which didn't quite suit the occasion but was the only station I could find. An early morning evangelist began to make his pitch, and by the time I reached Ventura, I was nearly redeemed. As usual, I'd...

Au sujet de l’auteur-
  • #1 New York Times bestselling author Sue Grafton (1940-2017) entered the mystery field in 1982 with the publication of 'A' Is for Alibi, which introduced female hard-boiled private investigator, Kinsey Millhone, operating out of the fictional town of Santa Teresa, (aka Santa Barbara) California, and launched the bestselling Kinsey Millhone Alphabet Mysteries. In addition to her books, she published several Kinsey Millhone short stories, and with her husband, Steven Humphrey, wrote numerous movies for television, including "A Killer in the Family" (starring Robert Mitchum), "Love on the Run" (starring Alec Baldwin and Stephanie Zimbalist) and two Agatha Christie adaptations, "Sparkling Cyanide" and "Caribbean Mystery," which starred Helen Hayes. Grafton is published in 28 countries and in 26 languages.
Critiques-
  • Publisher's Weekly

    May 13, 1991
    Or ``H'' may be for ``Hispanic,'' as the murder of an insurance claims adjuster sends PI Kinsey Milhone undercover in a Los Angeles barrio. Following up a suspicious claim in the murder victim's files, Kinsey trails beautiful young Bibianna Diaz, recently moved up the coast to Santa Teresa from L.A. Under the alias Hannah Moore, Kinsey befriends the young woman and learns she is attempting the same scam pursued by Raymond Maldonado, her ex-boyfriend in L.A. When Raymond's brother, sent to bring Bibianna back, is shot by the young woman's new lover, an old friend of Kinsey's, both Bibianna and Hannah/Kinsey are taken to jail, where Kinsey secretly agrees to join a statewide fraud investigation. Raymond's henchmen grab Bibianna, and take Kinsey too. Kinsey's harrowing experiences include instigating car accidents as part of the scam and unearthing evidence to blow the operation. A pit bull, the surprising identity of an undercover LAPD cop and the unpredictable rages of Raymond, who suffers from Tourette's Syndrome, contribute atmosphere to the PI.'s eighth alphabet escapade. The usually upbeat Kinsey seems a little dispirited here. She admits to missing Robert Dietz, her love interest who left for Germany at the end of ``G'' Is for Gumshoe , but may also be reacting to the essentially humdrum plot. Kinsey remains a star supported by a lively cast, but the insurance business doesn't test her mettle, a fact which she determines for herself, assuring readers of one thing ``I'' won't be for. 150,000 first printing; Literary Guild and Mystery Guild selections; Doubleday Book Club alternate.

  • The New York Times Book Review

    "Intelligent, fast-paced, and filled with memorable characters...Kinsey remains as engaging as ever."

  • San Francisco Chronicle "Exceptionally entertaining...an offbeat sense of humor and a feisty sense of justice."
  • The Buffalo News "Millhone is an engaging detective-for-hire...P.I. Kinsey Millhone and her creator...are arguably the best of [the] distaff invaders of the hitherto sacrosanct turf of gumshoes."
  • Los Angeles Herald Examiner "Once a fan reads one of Grafton's alphabetically titled detective novels, he or she will not rest until all the others are found."
  • Library Journal "Millhone is a refreshingly strong and resourceful female private eye."
  • Best Sellers "Tough but compassionate...There is no one better than Kinsey Millhone."
  • Newsweek "A woman we feel we know, a tough cookie with a soft center, a gregarious loner."
  • The New York Times Book Review "Lord, how I like this Kinsey Millhone...The best detective fiction I have read in years."
  • The Bloomsbury Review "Smart, tough, and thorough...Kinsey Millhone is a pleasure."
  • Boston Herald "Kinsey is one of the most persuasive of the new female operatives...She's refreshingly free of gender clichés. Grafton, who is a very witty writer, has also given her sleuth a nice sense of humor--and a set of Wonder Woman sheets to prove it."
Informations sur le titre+
  • Éditeur
    Henry Holt and Co.
  • OverDrive Read
    Date de publication:
  • EPUB eBook
    Date de publication:
Informations relatives aux droits numériques+
  • La protection des droits d'auteur (DRM) exigée par l'éditeur peut s'appliquer à ce titre afin d'en limiter ou d'en interdire la copie ou l'impression. Il est interdit de partager les fichiers ou de les redistribuer. Vos droits d'accès à ce matériel expireront à la fin de la période d'emprunt. Veuillez consulter l'avis important à propos du matériel protégé par droits d'auteur pour les conditions qui s'appliquent à ce contenu.

Status bar:

Vous avez atteint votre limite d'emprunt.

Accédez à votre page Emprunts pour gérer vos titres.

Close

Vous avez déjà emprunté ce titre.

Vous souhaitez accéder à votre page Emprunts?

Close

Limite de recommandations atteinte.

Vous avez atteint le nombre maximal de titres que vous pouvez recommander pour l'instant. Vous pouvez recommander jusqu'à 0 titres tous les 0 jours.

Close

Connectez-vous pour recommander ce titre.

Recommandez à votre bibliothèque qu'elle ajoute ce titre à la collection numérique.

Close

Plus de détails

Close
Close

Disponibilité limitée

La disponibilité peut changer durant le mois selon le budget de la bibliothèque.

est disponible pendant jours.

Une fois que la lecture débute, vous avez heures pour visionner le titre.

Close

Permission

Close

Le format OverDrive de ce livre électronique comporte ne narration professionnelle qui joue pendant que vous lisez dans votre navigateur. Apprenez-en plus ici.

Close

Réservations

Nombre total de retenues:


Close

Accès restreint

Certaines options de formatage ont été désactivées. Il est possible que vous voyiez d'autres options de téléchargement en dehors de ce réseau.

Close

Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen

Close

Vous avez atteint votre limite de commandes à la bibliothèque pour les titres numériques.

Pour faire de la place à plus d'emprunts, vous pouvez retourner des titres à partir de votre page Emprunts.

Close

Limite d'emprunts atteinte

Vous avez emprunté et rendu un nombre excessif d'articles sur votre compte pendant une courte période de temps. Essayez de nouveau dans quelques jours.

Si vous n'arrivez toujours pas à emprunter des titres au bout de 7 jours, veuillez contacter le service de support.

Close

Vous avez déjà emprunté ce titre. Pour y accéder, revenez à votre page Emprunts.

Close

Ce titre n'est pas disponible pour votre type de carte. Si vous pensez qu'il s'agit d'une erreur contactez le service de support.

Close

Une erreur inattendue s'est produite.

Si ce problème persiste, veuillez contacter le service de support.

Close

Close

Remarque: Barnes & Noble® peut changer cette liste d'appareils à tout moment.

Close
Achetez maintenant
et aidez votre bibliothèque à GAGNER !
H is for Homicide
H is for Homicide
Sue Grafton
Choisissez un des détaillants ci-dessous pour acheter ce titre.
Une part de cet achat est destinée à soutenir votre bibliothèque.
Close
Close

Il ne reste plus d'exemplaire de cette parution. Veuillez essayer d'emprunter ce titre de nouveau lorsque la prochaine parution sera disponible.

Close
Barnes & Noble Sign In |   Se connecter

Sur la prochaine page, on vous demandera de vous connecter à votre compte de bibliothèque.

Si c'est la première fois que vous sélectionnez « Envoyer à mon NOOK », vous serez redirigé sur une page de Barnes & Noble pour vous connecter à (ou créer) votre compte NOOK. Vous devriez n'avoir qu'à vous connecter une seule fois à votre compte NOOK afin de le relier à votre compte de bibliothèque. Après cette étape unique, les publications périodiques seront automatiquement envoyées à votre compte NOOK lorsque vous sélectionnez « Envoyer à mon NOOK ».

La première fois que vous sélectionnez « Send to NOOK » (Envoyer à mon NOOK), vous serez redirigé sur la page de Barnes & Nobles pour vous connecter à (ou créer) votre compte NOOK. Vous devriez n'avoir qu'à vous connecter une seule fois à votre compte NOOK afin de le relier à votre compte de bibliothèque. Après cette étape unique, les publications périodiques seront automatiquement envoyées à votre compte NOOK lorsque vous sélectionnez « Send to NOOK » (Envoyer à mon NOOK).

Vous pouvez lire des publications périodiques sur n'importe quelle tablette NOOK ou dans l'application de lecture NOOK gratuite pour iOS, Android ou Windows 8.

Accepter pour continuerAnnuler