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Going Home Again
Couverture de Going Home Again
Going Home Again
Emprunter Emprunter

After two acclaimed historical novels, one of Canada’s most celebrated young writers now gives us the vibrant, contemporary story of a man studying the suddenly confusing shape his life has taken, and why, and what his responsibilities—as a husband, a father, a brother, and an uncle—truly are.
Charlie Bellerose leads a seminomadic existence, traveling widely to manage the language academies he has established in different countries. After separating, somewhat amicably, from his wife, he moves from Madrid back to his native Canada to set up a new school, and for the first time he forges a meaningful relationship with his brother, who’s going through a vicious divorce.  Charlie’s able to make a fresh start in Toronto but longs for his twelve-year-old daughter, whom he sees only via Skype and the occasional overseas visit.  After a chance encounter with a girlfriend from his university days, a woman now happily married and with children of her own, he works through a series of memories-including a particularly painful one they share-as he reflects on questions of family, home, fatherhood, and love. But two tragic events (one long past, the other very much in the present) finally threaten to destroy everything he's ever believed in.
This edition includes a reading group guide. 

After two acclaimed historical novels, one of Canada’s most celebrated young writers now gives us the vibrant, contemporary story of a man studying the suddenly confusing shape his life has taken, and why, and what his responsibilities—as a husband, a father, a brother, and an uncle—truly are.
Charlie Bellerose leads a seminomadic existence, traveling widely to manage the language academies he has established in different countries. After separating, somewhat amicably, from his wife, he moves from Madrid back to his native Canada to set up a new school, and for the first time he forges a meaningful relationship with his brother, who’s going through a vicious divorce.  Charlie’s able to make a fresh start in Toronto but longs for his twelve-year-old daughter, whom he sees only via Skype and the occasional overseas visit.  After a chance encounter with a girlfriend from his university days, a woman now happily married and with children of her own, he works through a series of memories-including a particularly painful one they share-as he reflects on questions of family, home, fatherhood, and love. But two tragic events (one long past, the other very much in the present) finally threaten to destroy everything he's ever believed in.
This edition includes a reading group guide. 

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Extraits-
  • Chapter One

    Chapter One
     
    There was no reason to think anything would be different between me and my brother the previous summer, in 2005, when I called ahead to tell him I was coming back to Toronto to try out my new life as a single man. I’d been studying the possibility of taking the business across the Atlantic for years, but for too many reasons to count, I’d never managed to pull it off. After finding out about the Supreme Court justice named Pablo, though, and having by then bunkered down at the Reina Victoria Hotel for two months, I was feeling sufficiently unsettled to actually do it. I needed some changes in my life. New schedule, new people, new rhythms. I was hoping for something else but wasn’t at all sure what it might be. The challenge of setting up my fifth language academy was a project that would focus my energies in the meantime and perhaps turn off the panicked voice in my head that kept telling me things I didn’t want to hear.
     
    I wondered if some overlooked germ of hope had lain dormant in my heart over the years since I’d last seen my brother. But it wasn’t an easy telephone call to make at the time. There had always been some fundamental confusion between us, a wall, in effect an unending failure to imagine how the other saw and thought about the world that too often made things go sideways between us. That’s what had happened in Madrid the last time I’d seen him. We’d spoken by phone half a dozen times since then—on a birthday, his or mine, or the shared anniversary of our parents’ deaths—and I’d always come away glad to know he was well but also relieved that our lives were separate and distinct and that the problems between us might remain buried to the end of our days.
     
    They had met only once, Isabel and Nate, when he came through Madrid back in 1992, the summer of the Barcelona Olympics and the Seville World’s Fair, after dumping the girl he was traveling with in France. He turned up at our door one night and told us he was heading down to check out the señoritas in Seville, then going back north to try to score some tickets for the sailing competitions in Catalonia. We put him up on the couch for a week. Showing him around my adopted hometown, I took him to the oldest restaurant in the world and spent a wad of money I didn’t really have. We wandered through neighborhoods packed with bars and clubs. Nothing seemed to impress him. In fact he found it all just a little bit irritating. The city was too hot and dirty and loud; he bitched and moaned about train schedules and shitty restaurants and the near-complete absence of spoken English in the streets and hotels. I got the impression that every- thing he saw in Spain made him feel superior, though of course he didn’t say as much. His last night with us he got stupidly drunk and said he wanted to go find some prostitutes. At first it was a joke I could almost brush aside. But he kept insisting. Then he draped his arm around Isabel’s neck and asked if out of the good- ness of her heart she could possibly loosen that grip she’d fastened around my balls, the boys just wanted to go out and have some fun for a change. That’s when I took him out for a drink he didn’t need and told him he could find some other couch to sleep on. I knew he had some experience with prostitutes. I didn’t care so much about that, since we both did. What I couldn’t stand was him treating Isabel as if she were some sort of obstacle in my life. The whole week had been building up to that moment. He’d been throwing out little put-downs and challenges, testing...

Au sujet de l’auteur-
  • Dennis Bock was awarded the Canada-Japan Literary Award in 2002 for The Ash Garden. He lives in Toronto.
Critiques-
  • Publisher's Weekly

    June 10, 2013
    Although it opens with a murder, the third novel by the acclaimed author of The Ash Garden is a tale with modest reach about regret, the faded promise of youth, family and marital dynamics, and realizing limitations while moving forward. Narrator Charlie Bellerose recounts “a hell of a year” during which he separated from his wife Isabel, left her and their daughter Ava in Madrid, and returned to Toronto to establish his fifth language school. There, Charlie encounters Nate, his selfish elder brother, who reminds Charlie of his discomforting past. Nate is an affluent lawyer likewise facing “a divorce full to overflowing with discord and grievance,” and the two brothers maintain an uneasy peace. Charlie runs into his first love, Holly Grey, prompting meandering episodes of remembrance: about the death of his parents; his university days in Montreal and close friendship there with both Miles Esler and Miles’s girlfriend, Holly; Miles’s seemingly accidental death; Charlie and Holly’s deepening bond; and his solitary wanders through Europe and eventual arrival in Madrid, where he meets Isabel. Charlie’s middle-aged ethical dilemmas about manhood, marriage, and family provide pleasant contrast to lengthy youthful travelogue that occasionally fails to make a strong impression.

  • Kirkus

    Starred review from July 15, 2013
    After two novels (The Communist's Daughter, 2007, etc.) prominently featuring politics and war, Bock offers a deceptively modest domestic drama about a man returning to Toronto from Italy after the breakup of his marriage. After his Italian wife, Isabel, leaves him and takes up with another man, expat Canadian Charlie decides to escape his emotional pain by returning to Toronto to open a new branch of the language school chain he owns. He plans to be gone for one year and to stay in constant touch with his 12-year-old daughter, Ava. In Canada, Charlie reconnects with his older brother, Nate, from whom he's been estranged since chauvinist swine Nate behaved particularly boorishly to Isabel years before. Now going through his own ugly divorce and desperate to maintain his relationship with his two sons, Nate at first seems chastened. But Charlie gradually realizes that Nate has not changed as much as he'd like to pretend and is rabidly bitter that the boys prefer staying with his ex-wife and her easygoing boyfriend. Charlie, who desperately misses Ava and questions why he decided to take himself out of her life, becomes increasingly protective of Nate's boys. He is still pining for Isabel as well as Ava when he runs into his long-lost first love, Holly; he was running away from their troubled relationship when he first met Isabel. Once Charlie corrects his misreading of past events, he begins to take responsibility for his life. And by the time Nate spirals out of control, Charlie understands how fundamentally different a man is from his brother. The elliptical narrative, which sometimes leaves out connecting details, is more intriguing than confusing as Charlie sorts out the truth. On one level, the novel captures the difficulty men have reading women; on a deeper level, Bock plumbs issues of memory, moral responsibility and what constitutes a man's real love for a woman. Finely crafted, disarmingly casual prose that quietly penetrates the reader's mind and heart.

    COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Kirkus Reviews (starred) "Finely crafted, disarmingly casual prose that quietly penetrates the reader's mind and heart.... On one level, the novel captures the difficulty men have reading woman; on a deeper level, Bock plumbs issue of memory, moral responsibility and what constitutes a man's real love for a woman."
  • Linden MacIntyre, Giller Prize-winning author of The Bishop's Man and Why Men Lie "Excellent, and sensitively written. Going Home Again is a story bound up in complex emotions and subtle character development, sad and yet hopeful with its haunting reminder that we are damned or redeemed by our passions."
  • Steven Galloway, author of The Cellist of Sarajevo "A tense, riveting, beautifully layered novel, Going Home Again is an exquisite story of a complex and troubled family. Dennis Bock is a superb writer."
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