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From the New York Times bestselling author of The Midnight Library. “A quirky romcom dusted with philosophical observations….A delightfully witty…poignant novel.” —The Washington Post “She smiled a soft, troubled smile and I felt the whole world slipping away, and I wanted to slip with it, to go wherever she was going… I had existed whole years without her, but that was all it had been. An existence. A book with no words.” Tom Hazard has just moved back to London, his old home, to settle down and become a high school history teacher. And on his first day at school, he meets a captivating French teacher at his school who seems fascinated by him. But Tom has a dangerous secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he's been alive for centuries. Tom has lived history—performing with Shakespeare, exploring the high seas with Captain Cook, and sharing cocktails with Fitzgerald. Now, he just wants an ordinary life. Unfortunately for Tom, the Albatross Society, the secretive group which protects people like Tom, has one rule: Never fall in love. As painful memories of his past and the erratic behavior of the Society's watchful leader threaten to derail his new life and romance, the one thing he can't have just happens to be the one thing that might save him. Tom will have to decide once and for all whether to remain stuck in the past, or finally begin living in the present. How to Stop Time tells a love story across the ages—and for the ages—about a man lost in time, the woman who could save him, and the lifetimes it can take to learn how to live. It is a bighearted, wildly original novel about losing and finding yourself, the inevitability of change, and how with enough time to learn, we just might find happiness.
Soon to be a major motion picture starring Benedict Cumberbatch.
From the New York Times bestselling author of The Midnight Library. “A quirky romcom dusted with philosophical observations….A delightfully witty…poignant novel.” —The Washington Post “She smiled a soft, troubled smile and I felt the whole world slipping away, and I wanted to slip with it, to go wherever she was going… I had existed whole years without her, but that was all it had been. An existence. A book with no words.” Tom Hazard has just moved back to London, his old home, to settle down and become a high school history teacher. And on his first day at school, he meets a captivating French teacher at his school who seems fascinated by him. But Tom has a dangerous secret. He may look like an ordinary 41-year-old, but owing to a rare condition, he's been alive for centuries. Tom has lived history—performing with Shakespeare, exploring the high seas with Captain Cook, and sharing cocktails with Fitzgerald. Now, he just wants an ordinary life. Unfortunately for Tom, the Albatross Society, the secretive group which protects people like Tom, has one rule: Never fall in love. As painful memories of his past and the erratic behavior of the Society's watchful leader threaten to derail his new life and romance, the one thing he can't have just happens to be the one thing that might save him. Tom will have to decide once and for all whether to remain stuck in the past, or finally begin living in the present. How to Stop Time tells a love story across the ages—and for the ages—about a man lost in time, the woman who could save him, and the lifetimes it can take to learn how to live. It is a bighearted, wildly original novel about losing and finding yourself, the inevitability of change, and how with enough time to learn, we just might find happiness.
Soon to be a major motion picture starring Benedict Cumberbatch.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverPART ONE
Life Among the Mayflies
I am old.
That is the main thing to tell you. The thing you are least likely to believe. If you saw me you would probably think I was about forty, but you would be very wrong.
I am old – old in the way that a tree, or a quahog clam, or a Renaissance painting is old.
To give you an idea: I was born well over four hundred years ago on the third of March 1581, in my parents’ room, on the third floor of a small French château that used to be my home. It was a warm day, apparently, for the time of year, and my mother had asked her nurse to open all the windows.
‘God smiled on you,’ my mother said. Though I think she might have added that – should He exist – the smile had been a frown ever since.
My mother died a very long time ago. I, on the other hand, did not.
You see, I have a condition.
I thought of it as an illness for quite a while, but illness isn’t really the right word. Illness suggests sickness, and wasting away. Better to say I have a condition. A rare one, but not unique. One that no one knows about until they have it.
It is not in any official medical journals. Nor does it go by an official name. The first respected doctor to give it one, back in the1890s, called it ‘anageria’ with a soft ‘g’, but, for reasons that will become clear, that never became public knowledge. The condition develops around puberty. What happens after that is, well, not much. Initially the ‘sufferer’ of the condition won’t notice they have it. After all, every day people wake up and see the same face they saw in the mirror yesterday. Day by day, week by week, even month by month, people don’t change in very percep- tible ways.
But as time goes by, at birthdays or other annual markers, people begin to notice you aren’t getting any older.
The truth is, though, that the individual hasn’t stopped ageing. They age exactly the same way. Just much slower. The speed of ageing among those with anageria fluctuates a little, but generally it is a 1:15 ratio. Sometimes it is a year every thirteen or fourteen years but with me it is closer to fifteen.
So, we are not immortal. Our minds and bodies aren’t in stasis. It’s just that, according to the latest, ever-changing science, various aspects of our ageing process – the molecular degeneration, the cross-linking between cells in a tissue, the cellular and molecular mutations (including, most significantly, to the nuclear DNA) – happen on another timeframe.
My hair will go grey. I may go bald. Osteoarthritis and hearing loss are probable. My eyes are just as likely to suffer with age-related presbyopia. I will eventually lose muscle mass and mobility.
A quirk of anageria is that it does tend to give you a heightened immune system, protecting you from many (not all) viral and bacte- rial infections, but ultimately even this begins to fade. Not to bore you with the science, but it seems our bone marrow produces more hematopoietic stem cells – the ones that lead to white blood cells – during our peak years, though it is important to note that this doesn’t protect us from injury or malnutrition, and it doesn’t last.
So, don’t think of me as a sexy vampire, stuck for ever at peak virility. Though I have to say it can feel like you are stuck for ever when, according to your appearance, only a decade passes between the death of Napoleon and the first man on the moon.
One of the reasons...
Au sujet de l’auteur-
Matt Haig is the author of the New York Times bestseller The Midnight Library, the internationally bestselling memoirs Reasons to Stay Alive and Notes on a Nervous Planet, and five other novels, including The Dead Fathers Club and The Possession of Mr. Cave, and several award-winning children's books. His work has been translated into more than forty languages.
Critiques-
Starred review from November 13, 2017 Tom Hazard doesn’t age. Or, he does, but very, very slowly. He was born in France in 1581, but like other “albatrosses” (those who carry the burden of living forever), a century to him passes like a decade or less. In this enthralling quest through time, Haig (Reasons to Stay Alive) follows his protagonist through the Renaissance up to “now,” when Tom works as a history teacher in London. As Tom goes on various recruiting missions for the Albatross Society, the setting of the story moves from Shakespeare’s Globe to F. Scott Fitzgerald’s Paris to Bisbee, Ariz., and other far reaches of the earth. The main rule of the Albatross Society is that, in order to stay protected from a group of scientists who want to study and confirm the existence of the albatrosses, an albatross cannot fall in love. And yet, all the while, Tom nurses a broken heart and searches for his long lost daughter, Marion, who is also an albatross. “Humans don’t learn from history” is one of the lessons Tom learns, and, despite everything he witnesses over the expansiveness of history, nothing can cure him of lovesickness. His persistence through the centuries shows us that the quality of time matters more than the quantity lived.
Tom Hazard has a condition that's not in any official medical journal. Referred to in the 1890s as "anageria with a soft g," Tom--who was born in March 1581!--is still very much alive, currently working as a London schoolteacher, and appears to be about 40. Tom ages very slowly, and he's been privy to live history all those years, hanging out with Arthur Schopenhauer and William Shakespeare, speaking multiple languages, hopping the globe, and mastering around 30 instruments. He hides in plain sight, changing his entire life every eight years, enabled by the Albatross Society, which purports to keep him safe--but unattached. Living so long means repeatedly losing everyone he cares for, most mournfully, the one love of his life; the only thing keeping him going is searching for their daughter to whom he's passed on his anageric genes. Narrator Mark Meadows animates Haig's (The Humans) timeless protagonist with patient, crisp British English, with the occasional stumbles when he crosses oceans (an Arizona cowboy, he isn't!). VERDICT With increasing demand guaranteed since the announcement of a Benedict Cumberbatch-graced film adaptation, libraries should prepare to offer multiple formats. ["Aficionados of time travel fiction...will be drawn to this haunting tale. Haig adds depth to the genre with his rich depiction of one man's reaction as he learns to cope, flourish, and accept his lot in life": LJ 1/18 review of the Viking hc.]--Terry Hong, Smithsonian BookDragon, Washington, DC
Copyright 2018 Library Journal, LLC Used with permission.
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