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NEW YORK TIMES BESTSELLER • From the Pulitzer Prize–winning author of My Name is Lucy Barton and Olive Kitteridge comes a “poised and moving” (Vogue)novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart. “Strout’s understanding of the human condition is capacious.”—NPR A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The Washington Post, The Christian Science Monitor, PopSugar, She Reads With her trademark spare, crystalline prose—a voice infused with “intimate, fragile, desperate humanness” (The Washington Post)—Elizabeth Strout turns her exquisitely tuned eye to the inner workings of the human heart, following the indomitable heroine of My Name Is Lucy Barton through the early days of the pandemic. As a panicked world goes into lockdown, Lucy Barton is uprooted from her life in Manhattan and bundled away to a small town in Maine by her ex-husband and on-again, off-again friend, William. For the next several months, it’s just Lucy, William, and their complex past together in a little house nestled against the moody, swirling sea. Rich with empathy and emotion, Lucy by the Sea vividly captures the fear and struggles that come with isolation, as well as the hope, peace, and possibilities that those long, quiet days can inspire. At the heart of this story are the deep human connections that unite us even when we’re apart—the pain of a beloved daughter’s suffering, the emptiness that comes from the death of a loved one, the promise of a new friendship, and the comfort of an old, enduring love. Shortlisted for the Rathbones Folio Prize
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize–winning author of My Name is Lucy Barton and Olive Kitteridge comes a “poised and moving” (Vogue)novel about a divorced couple stuck together during lockdown—and the love, loss, despair, and hope that animate us even as the world seems to be falling apart. “Strout’s understanding of the human condition is capacious.”—NPR A BEST BOOK OF THE YEAR: The New York Times Book Review, The New Yorker, Oprah Daily, Entertainment Weekly, San Francisco Chronicle, NPR, Time, The Washington Post, The Christian Science Monitor, PopSugar, She Reads With her trademark spare, crystalline prose—a voice infused with “intimate, fragile, desperate humanness” (The Washington Post)—Elizabeth Strout turns her exquisitely tuned eye to the inner workings of the human heart, following the indomitable heroine of My Name Is Lucy Barton through the early days of the pandemic. As a panicked world goes into lockdown, Lucy Barton is uprooted from her life in Manhattan and bundled away to a small town in Maine by her ex-husband and on-again, off-again friend, William. For the next several months, it’s just Lucy, William, and their complex past together in a little house nestled against the moody, swirling sea. Rich with empathy and emotion, Lucy by the Sea vividly captures the fear and struggles that come with isolation, as well as the hope, peace, and possibilities that those long, quiet days can inspire. At the heart of this story are the deep human connections that unite us even when we’re apart—the pain of a beloved daughter’s suffering, the emptiness that comes from the death of a loved one, the promise of a new friendship, and the comfort of an old, enduring love. Shortlisted for the Rathbones Folio Prize
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverOne
i
Like many others, I did not see it coming.
But William is a scientist, and he saw it coming; he saw it sooner than I did, is what I mean.
William is my first husband; we were married for twenty years and we have been divorced for about that long as well. We are friendly, I would see him intermittently; we both were living in New York City, where we came when we first married. But because my (second) husband had died and his (third) wife had left him, I had seen him more this past year.
About the time his third wife left him, William found out that he had a half-sister in Maine; he found it out on an ancestry website. He had always thought he was an only child, so this was a tremendous surprise for him, and he asked me to go up to Maine for two days with him to find her, and we did, but the woman—her name is Lois Bubar— Well, I met her but she did not want to meet William, and this made him feel very terrible. Also, on that trip to Maine we found out things about William’s mother that absolutely dismayed him. They dismayed me as well.
His mother had come from unbelievable poverty, it turned out, even worse than the circumstances I had come from.
The point is that two months after our little trip to Maine, William asked me to go to Grand Cayman with him, which is where we had gone with his mother, Catherine, many, many years before, and when our girls were small we would go there with them and with her too. The day he came over to my apartment to ask me to go with him to Grand Cayman, he had shaved off his huge mustache and also cut his full white hair very short—and only later did I realize this must have been a result of Lois Bubar’s not wanting to see him plus everything he had learned about his mother. He was seventy-one years old then, but he, kind of, I think, must have been plunged into some sort of midlife crisis, or older man crisis, with the loss of his much younger wife moving out and taking their ten-year-old daughter, and then his half-sister’s not wanting to see him and his finding out that his mother had not been who he’d thought she had been.
So I did that: I went to Grand Cayman with him for three days in early October.
And it was odd, but nice. We had separate rooms, and we were kind to each other. William seemed more reticent than usual, and it was strange for me to see him without his mustache. But there were times when he threw his head back and really laughed. There was a politeness to us that was consistent; so it was a little strange, but nice.
But when we got back to New York, I missed him. And I missed David, my second husband, who had died.
I really missed them both, David especially. My apartment was so quiet!
•
I am a novelist and I had a book coming out that fall, and so after our trip to Grand Cayman I had a great deal of traveling to do around the country and I did it; this was in late October. I was also scheduled to go to Italy and Germany in the beginning of March, but in early December—it was kind of odd—I just decided I was not going to go to those places. I never cancel book tours and the publishers were not happy, but I was not going to go. As March approached someone said, “Good thing you didn’t go to Italy, they’re having that virus.” And that’s when I noticed it. I think that was the first time. I did not really think about it ever coming to New York.
But William did.
ii
It turned out that the first week in March, William had called our daughters, Chrissy and Becka, and asked—begged—them to leave the city; they...
Au sujet de l’auteur-
Elizabeth Strout is the #1 New York Times bestselling author of Lucy by the Sea; Oh William!; Olive, Again; Anything Is Possible, winner of the Story Prize; My Name Is Lucy Barton; The Burgess Boys; Olive Kitteridge, winner of the Pulitzer Prize; Abide with Me; and Amy and Isabelle, winner of the Los Angeles Times Art Seidenbaum Award for First Fiction and the Chicago Tribune Heartland Prize. She has also been a finalist for the PEN/Faulkner Award and the Orange Prize in London. She lives in Maine.
Critiques-
Starred review from July 4, 2022 Strout follows up Oh William! with a captivating entry in the Lucy Barton series. This time, Lucy decamps to rural Maine during the first year of the Covid lockdown. At the pandemic’s onset in 2020, Lucy’s philandering ex-husband and longtime friend, William, whisks her away from New York City to a rental house in coastal Maine. He may have self-centered ulterior motives beyond his assertion that he’s trying to save her life, but they are not readily transparent for most of the narrative. Personal and public events intrude during the lockdown as the pair develop a “strange compatibility” while attempting to comprehend the new normal. Their two daughters each face a crisis in their marriage; William contacts his once unknown half sister, Lois Bubar, and reveals a life-threatening medical condition; and the country roils from George Floyd’s murder and the insurrection on January 6. Bleak memories of Lucy’s impoverished childhood and of her recently deceased husband surface in shattering flashbacks. Loneliness, grief, longing, and loss pervade intertwined family stories as Lucy and William attempt to create new friendships in an initially hostile town. What emerges is a prime testament to the characters’ resilience. With Lucy Barton, Strout continues to draw from a deep well. Agent: Molly Friedrich, Friedrich Agency.
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Kimberly Farr, much lauded for her narration of Strout's Amgash series, brings her characteristic blend of introspection and compassion to this next chapter in Lucy Barton's life. As the pandemic begins, Lucy, at the urging of her ex-husband, William, flees New York City for the relative calm of coastal Maine. Farr describes Lucy's initial confusion over William's worries, which morphs into dread as she comes to see the devastation that COVID wreaks on her family and friends. With perfectly modulated tones, Farr depicts Strout's awkward, frail, and flawed characters while allowing listeners to glimpse the powerful emotions that threaten to overwhelm them. Although many of Lucy's recollections tread familiar ground, listeners will be pleased to revisit her world through Farr's exquisite narration. S.A.H. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine
