An intimate look at writing, running, and the incredible way they intersect, What I Talk About When I Talk About Running is an illuminating glimpse into the solitary passions of one of our greatest artists.
While training for the New York City Marathon, Haruki Murakami decided to keep a journal of his progress. The result is a memoir about his intertwined obsessions with running and writing, full of vivid recollections and insights, including the eureka moment when he decided to become a writer. By turns funny and sobering, playful and philosophical, here is a rich and revelatory work that elevates the human need for motion to an art form.
An intimate look at writing, running, and the incredible way they intersect, What I Talk About When I Talk About Running is an illuminating glimpse into the solitary passions of one of our greatest artists.
While training for the New York City Marathon, Haruki Murakami decided to keep a journal of his progress. The result is a memoir about his intertwined obsessions with running and writing, full of vivid recollections and insights, including the eureka moment when he decided to become a writer. By turns funny and sobering, playful and philosophical, here is a rich and revelatory work that elevates the human need for motion to an art form.
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Lexile Measure:990
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Difficulté du texte:5 - 7
Extraits-
- Chapter Two AUGUST 5, 2005 . KAUAI, HAWAIIWho's Going to Laugh at Mick Jagger?I'm on Kauai, in Hawaii, today, Friday, August 5, 2005. It's unbelievably clear and sunny, not a cloud in the sky. As if the concept clouds doesn't even exist. I came here at the end of July and, as always, we rented a condo. During the mornings, when it's cool, I sit at my desk, writing all sorts of things. Like now: I'm writing this, a piece on running that I can pretty much compose as I wish. It's summer, so naturally it's hot. Hawaii's been called the island of eternal summer, but since it's in the Northern Hemisphere there are, arguably, four seasons of a sort. Summer is somewhat hotter than winter. I spend a lot of time in Cambridge, Massachusetts, and compared to Cambridge—so muggy and hot with all its bricks and concrete it's like a form of torture—summer in Hawaii is a veritable paradise. No need for an air conditioner here—just leave the window open, and a refreshing breeze blows in. People in Cambridge are always surprised when they hear I'm spending August in Hawaii. "Why would you want to spend summer in a hot place like that?" they invariably ask. But they don't know what it's like. How the constant trade winds from the northeast make summers cool. How happy life is here, where we can enjoy lounging around, reading a book in the shade of trees, or, if the notion strikes us, go down, just as we are, for a dip in the inlet.Since I arrived in Hawaii I've run about an hour every day, six days a week. It's two and a half months now since I resumed my old lifestyle in which, unless it's totally unavoidable, I run every single day. Today I ran for an hour and ten minutes, listening on my Walkman to two albums by the Lovin' Spoonful—Daydream and Hums of the Lovin' Spoonful—which I'd recorded on an MD disc.Right now I'm aiming at increasing the distance I run, so speed is less of an issue. As long as I can run a certain distance, that's all I care about. Sometimes I run fast when I feel like it, but if I increase the pace I shorten the amount of time I run, the point being to let the exhilaration I feel at the end of each run carry over to the next day. This is the same sort of tack I find necessary when writing a novel. I stop every day right at the point where I feel I can write more. Do that, and the next day's work goes surprisingly smoothly. I think Ernest Hemingway did something like that. To keep on going, you have to keep up the rhythm. This is the important thing for long-term projects. Once you set the pace, the rest will follow. The problem is getting the flywheel to spin at a set speed—and to get to that point takes as much concentration and effort as you can manage.It rained for a short time while I was running, but it was a cooling rain that felt good. A thick cloud blew in from the ocean right over me, and a gentle rain fell for a while, but then, as if it had remembered, "Oh, I've got to do some errands!," it whisked itself away without so much as a glance back. And then the merciless sun was back, scorching the ground. It's a very easy-to-understand weather pattern. Nothing abstruse or ambivalent about it, not a speck of the metaphor or the symbolic. On the way I passed a few other joggers, about an equal number of men and women. The energetic ones were zipping down the road, slicing through the air like they had robbers at their heels. Others, overweight, huffed and puffed, their eyes half closed, their shoulders slumped like this was the last thing in the world they wanted to be doing. They looked like maybe a week ago their doctors had told them they have diabetes and warned them they had to start exercising. I'm somewhere in the middle.I love...
Au sujet de l’auteur-
- Haruki Murakami was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into forty-two languages. The most recent of his many honors is the Franz Kafka Prize.www.harukimurakami.com
Critiques-
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May 12, 2008
Murakami's latest is a nonfiction work mostly concerned with his thoughts on the long-distance running he has engaged in for much of his adult life. Through a mix of adapted diary entries, old essays, reminiscences and life advice, Murakami crafts a charming little volume notable for its good-natured and intimate tone. While the subject matter is radically different from the fabulous and surreal fiction that Murakami (The Wind-Up Bird Chronicle
) most often produces, longtime readers will recognize the source of the isolated, journeying protagonists of the author's novels in the formative running experiences recounted. Murakami's insistence on focusing almost exclusively on running can grow somewhat tedious over the course of the book, but discrete, absorbing episodes, such as a will-breaking 62-mile “ultramarathon” and a solo re-creation of the historic first marathon in Greece serve as dynamic and well-rendered highlights. Murakami offers precious little insight into much of his life as a writer, but what he does provide should be of value to those trying to understand the author's long and fruitful career. An early section recounting Murakami's transition from nightclub owner to novelist offers a particularly vivid picture of an artist soaring into flight for the first time. -
Starred review from June 15, 2008
Murakami is neither a conventional novelist nor a conventional memoirist. In this work whose title was inspired by Raymond Carver's short story collection "What We Talk About When We Talk About Love", he explores how running has shaped his life. The best memoirs inform readers and enlighten them; this memoir contains practical philosophy from a man whose insight into his own character, and how running both suits and shapes that character, is revelatory and can provide tools for readers to examine and improve their own lives. Murakami wrote most of it between 2005 and 2006, but a key chapter from 1996 reinforces his later examination of his own development and the cadence of his life. This book will be appreciated by runners (as well as Murakami's usual readership) because it is ostensibly about running, but anyone interested in the processes of writing and self-examination will also be well served by it. Highly recommended for all collections. [See Prepub Alert, "LJ" 3/1/08.]Audrey Snowden, Cleveland P.L.Copyright 2008 Library Journal, LLC Used with permission.
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April 15, 2008
Aspects of Murakamis sensibility, such as his love of music, can be discerned in his highly imaginative novels and short stories, yet it is startling to meet the author of such reality-warping works as The Wind-Up Bird Chronicle (1997) face-to-face in this beguiling and generous memoir centered on the act of running. Murakami began running soon after he sold his Tokyo jazz club to write full time. Now, more than a dozen books and 20 marathons later, he considers the ways running engenders focus and endurance, qualities essential for writing. The propelling story line is Murakamis account of his rigorous training for the 2005 New York marathon. But he drops back often to recount such adventures as his exhausting run in Greece between Athens andMarathon and the unexpected repercussions of an ultramarathon (62 miles). He also ponders the frustrations and revelations of age and shares his love for American literature, including Raymond Carvers What We Talk about When We Talkabout Love (1981), which inspired the title of this meditative book of life lessons, artistic revelations, and humble self-analysis. Most of what I know about writing Ive learned through running every day, writes Murakami, a splendidly creative and compassionate writer who lives a disciplined life in order to infuse his fiction with wildness.(Reprinted with permission of Booklist, copyright 2008, American Library Association.) -
Library Journal
"A fascinating portrait of Murakami's working mind and how he works his magic on the page." --The Plain Dealer"A brilliant meditation on how his running and writing nurture and sustain each other. . . . With spare, engaging prose . . . Murakami shares his runner's high." --Sports Illustrated"Enthralling. . . . A quirky, brilliant gem."--Time Out NewYork"Murakami's descriptive eye is as acute as ever. . . . Fascinating. . . . A glimpse into the creative process of one of the world's great writers." --The Hartford Courant"A genuine memoir, filled with gentle minutiae that truly communicates the rhythm of Murakami's daily life and work...Murakami actually offers himself whole." --Jesse Jarnow, Paste Magazine"A felicitous, casual series of reflections and anecdotes...[Murakami] has a Warholian way of tinting the mundane with mystery and restrained humor...Do still waters run deep? This paean to a runner's life keeps us, pleasurably, wondering." --Joel Rice, The Tennessean"[What I Talk About When I Talk About Running is] a graceful explanation of Mr. Murakami's intertwining obsessions, conveyed with his characteristic ability to draw unexpected connections. Running may be a matter of placing one foot in front of the other on the ground, but, as is so often the case with Mr. Murakami, terrestrial objects have a tendency to take flight." --Chloë Schama, New York Sun"Beautifully written and full of great running aphorisms...Anyone who knows perseverance can appreciate this work." --Helen Montoya, San Antonio Express-News"Engaging, insightful...What I Talk About When I Talk About Running extends [Murakami's] winning streak." --Jenny Shank, Sunday Camera"Murakami constructs this piecemeal narrative with the same masterful, accessible prose marked by humor and streaks of magic which has made him a household name, the same staggering insights, the same fascinating connections...this is exactly what makes Murakami so special: his ability to render everything a part of everything else, and to end with monumental poignancy...In an extremely personal, candid and moving way, the book makes one want to read and run at the same time." --Reynard Seifert, Austin Fit Magazine"[What I Talk About When I Talk About Running] provides a fascinating portrait of Murakami's working mind and how he works his magic on the page...[a] charming, sober little book." --John Freeman, Newark Star-Ledger"Highly recommended...Practical philosophy from a man whose insight into his own character, and how running both suits and shapes that character, is revelatory and can provide tools for readers to examine and improve their own lives."
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