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As a magical revolution remakes a city, an ancient evil is awakened in a brilliant novel from the Hugo-nominated author of Foundryside and the Divine Cities trilogy. “An absolutely wild ride . . . Foundryside blew me away, and this is a perfect sequel.”—Amal El-Mohtar, The New York Times Book Review
A few years ago, Sancia Grado would’ve happily watched Tevanne burn. Now, she’s hoping to transform her city into something new. Something better. Together with allies Orso, Gregor, and Berenice, she’s about to strike a deadly blow against Tevanne’s cruel robber-baron rulers and wrest power from their hands for the first time in decades.
But then comes a terrifying warning: Crasedes Magnus himself, the first of the legendary hierophants, is about to be reborn. And if he returns, Tevanne will be just the first place to feel his wrath.
Thousands of years ago, Crasedes was an ordinary man who did the impossible: Using the magic of scriving—the art of imbuing objects with sentience—he convinced reality that he was something more than human. Wielding powers beyond comprehension, he strode the world like a god for centuries, meting out justice and razing empires single-handedly, cleansing the world through fire and destruction—and even defeating death itself.
Like it or not, it’s up to Sancia to stop him. But to have a chance in the battle to come, she’ll have to call upon a god of her own—and unlock the door to a scriving technology that could change what it means to be human. And no matter who wins, nothing will ever be the same.
The awe-inspiring second installment of the Founders Trilogy, Shorefall returns us to the world Robert Jackson Bennett created in his acclaimed Foundryside . . . and forges it anew.
As a magical revolution remakes a city, an ancient evil is awakened in a brilliant novel from the Hugo-nominated author of Foundryside and the Divine Cities trilogy. “An absolutely wild ride . . . Foundryside blew me away, and this is a perfect sequel.”—Amal El-Mohtar, The New York Times Book Review
A few years ago, Sancia Grado would’ve happily watched Tevanne burn. Now, she’s hoping to transform her city into something new. Something better. Together with allies Orso, Gregor, and Berenice, she’s about to strike a deadly blow against Tevanne’s cruel robber-baron rulers and wrest power from their hands for the first time in decades.
But then comes a terrifying warning: Crasedes Magnus himself, the first of the legendary hierophants, is about to be reborn. And if he returns, Tevanne will be just the first place to feel his wrath.
Thousands of years ago, Crasedes was an ordinary man who did the impossible: Using the magic of scriving—the art of imbuing objects with sentience—he convinced reality that he was something more than human. Wielding powers beyond comprehension, he strode the world like a god for centuries, meting out justice and razing empires single-handedly, cleansing the world through fire and destruction—and even defeating death itself.
Like it or not, it’s up to Sancia to stop him. But to have a chance in the battle to come, she’ll have to call upon a god of her own—and unlock the door to a scriving technology that could change what it means to be human. And no matter who wins, nothing will ever be the same.
The awe-inspiring second installment of the Founders Trilogy, Shorefall returns us to the world Robert Jackson Bennett created in his acclaimed Foundryside . . . and forges it anew.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover1
"The gates are just ahead,” said Gregor. “Get ready.”
Sancia took a breath and steeled herself as their carriage lumbered through the pouring rain. She could see the lights atop the campo walls from here, bright and sharp and cold, but little more than that. She rubbed her hands together, her fingertips trailing over the calluses on her palms and knuckles, now a shadow of what they’d been during the prime of her thieving days.
Berenice reached over, grabbed her hands, and gave them both a squeeze. “Just remember the plan,” she said. “Remember that, and nothing will go wrong.”
“I remember the plan,” said Sancia. “I just also remember there’s a lot of spots in the plan that say, ‘Sancia improvises a bunch of shit.’ Which is not, you know, comforting.”
“We aren’t getting nervous back there, are we?” said Orso from the pilot’s cockpit. He turned around to look at them, his faded blue eyes wide and wild in his dark, craggy face.
“A little anxiety,” said Berenice, “is understandable under these circumstances.”
“But being as we’ve worked our asses off for the better part of six months to get here,” said Orso, “I’m a lot less willing to understand it.”
“Orso . . .” said Gregor.
“We are just scrivers going to make a deal with a merchant house,” said Orso, turning back around. “Just four grubby scrivers looking to sell our designs and make some quick cash. That’s all. Nothing to worry about.”
“I see the walls,” said Gregor. He adjusted the wheel of the carriage and slowed its progress to a crawl.
Orso peered forward. “Uh. Well. I will admit that is a little worrying.”
The walls of the Michiel Body Corporate campo emerged from the driving rain. It looked like the Michiels had made some substantial additions since Sancia had last seen them. For starters, the walls were now about forty feet taller, spackled with new gray masonry—that must have taken some work. But it was what sat on top of the new masonry that caught her attention: a series of large, long bronze boxes, installed on the walls about every hundred feet, each one sitting on some kind of swivel stand.
“That is a shitload of espringal batteries,” muttered Orso.
Sancia studied the espringal batteries, still and dark in the rain. She watched as a bird flew close to one, and it snapped up, the end of the long box tracking the bird’s flight like a cat might watch a passing bat. The box apparently decided the bird was no cause for concern, and returned to its original position.
She knew how such rigs worked: the batteries were filled with scrived bolts—arrows that had been convinced to fly preternaturally fast and hard—but the critical bit was that the batteries had been scrived to sense blood. If a battery sensed a bit of blood that it didn’t recognize, it would point its bolts at whoever happened to contain that blood, loose them all, and shred the target to pieces—though the scrivers who designed them had been forced to work quite hard to get them to stop wasting ammunition on stray animals. Especially the gray monkeys, which confused the batteries a great deal.
It was not an elegant solution. But it worked—people did not approach any campo wall at all anymore.
“What guarantees do we have, Orso,” said Gregor, “that those things will not shoot us to...
Au sujet de l’auteur-
Robert Jackson Bennett is the author of Foundryside and the Divine Cities trilogy, which was a 2018 Hugo Awards finalist in the Best Series category. The first book in the series, City of Stairs, was also a finalist for the World Fantasy and Locus Awards, and the second, City of Blades, was a finalist for the World Fantasy, Locus, and British Fantasy Awards. His previous novels, which include American Elsewhere and Mr. Shivers, have received the Edgar Award, the Shirley Jackson Award, and the Philip K. Dick Citation of Excellence. He lives in Austin with his family.
Critiques-
March 16, 2020 The thoughtful second installment to Bennett’s Founders fantasy trilogy (after 2018’s Foundryside) kicks off as a clever caper but swiftly changes tone, shifting into supernatural horror. Sancia Grado, an ex-thief able to “flex” her mind to see hidden magical inscriptions and commune with enchanted objects, aids her fellow mage-technicians of Foundryside—a well-wrought fantasy world that will put readers in mind of Renaissance Venice—to infiltrate the grand merchant houses of the city’s robber barons and redistribute their powerful “scrived” belongings to the public. But as Sancia’s budding revolution celebrates its first success, the resurrection of a legendary wizard, the hierophant Crasedes Magnus, forces Sancia to turn to her own scrived objects to combat him. The ancient magical items she’ll need are powerful enough to rewrite reality and sentient enough to have their own agendas, leaving Sancia with an impossible choice between “the unimaginable and the irredeemable.” The industrialized magic system is intricate and fascinating (if at times overly detailed), and Bennett’s characterization of the unhinged, all-powerful Crasedes strikes a perfect balance between terror and allure. This thrilling installment will leave readers eager for the series finale. Agent: Cameron McClure, Donald Maass Literary.
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