The first installment of Scott Westerfeld's New York Times bestselling and award-winning Uglies series—a global phenomenon that started the dystopian trend.
Tally is about to turn sixteen, and she can't wait. In just a few weeks she'll have the operation that will turn her from a repellent ugly into a stunningly attractive pretty. And as a pretty, she'll be catapulted into a high-tech paradise where her only job is to have fun.
But Tally's new friend Shay isn't sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world—and it isn't very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally's choice will change her world forever.
The first installment of Scott Westerfeld's New York Times bestselling and award-winning Uglies series—a global phenomenon that started the dystopian trend.
Tally is about to turn sixteen, and she can't wait. In just a few weeks she'll have the operation that will turn her from a repellent ugly into a stunningly attractive pretty. And as a pretty, she'll be catapulted into a high-tech paradise where her only job is to have fun.
But Tally's new friend Shay isn't sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world—and it isn't very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally's choice will change her world forever.
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Disponible:1
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Copies de la bibliothèque:1
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Niveau ATOS:5.2
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Lexile Measure:770
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Niveau d'intérêt:MG+
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Difficulté du texte:3 - 4
Prix remportés-
- Best Fiction for Young Adults
Young Adult Library Services Association
Extraits-
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From the book
From Part 1: Turning Pretty
Is it not good to make society full
of beautiful people?
--Yang Yuan, quoted in The New York Times
New Pretty Town
The early summer sky was the color of cat vomit.
Of course, Tally thought, you'd have to feed your cat only salmon-flavored cat food for a while, to get the pinks right. The scudding clouds did look a bit fishy, rippled into scales by a high-altitude wind. As the light faded, deep blue gaps of night peered through like an upside-down ocean, bottomless and cold.
Any other summer, a sunset like this would have been beautiful. But nothing had been beautiful since Peris turned pretty. Losing your best friend sucks, even if it's only for three months and two days.
Tally Youngblood was waiting for darkness.
She could see New Pretty Town through her open window. The party towers were already lit up, and snakes of burning torches marked flickering pathways through the pleasure gardens. A few hot-air balloons pulled at their tethers against the darkening pink sky, their passengers shooting safety fireworks at other balloons and passing parasailers. Laughter and music skipped across the water like rocks thrown with just the right spin, their edges just as sharp against Tally's nerves.
Around the outskirts of the city, cut off from town by the black oval of the river, everything was in darkness. Everyone ugly was in bed by now.
Tally took off her interface ring and said, "Good night."
"Sweet dreams, Tally," said the room.
She chewed up a toothbrush pill, punched her pillows, and shoved an old portable heater -- one that produced about as much warmth as a sleeping, Tally-size human being -- under the covers.
Then she crawled out the window.
Outside, with the night finally turning coal black above her head, Tally instantly felt better. Maybe this was a stupid plan, but anything was better than another night awake in bed feeling sorry for herself. On the familiar leafy path down to the water's edge, it was easy to imagine Peris stealing silently behind her, stifling laughter, ready for a night of spying on the new pretties. Together. She and Peris had figured out how to trick the house minder back when they were twelve, when the three-month difference in their ages seemed like it would never matter.
"Best friends for life," Tally muttered, fingering the tiny scar on her right palm.
The water glistened through the trees, and she could hear the wavelets of a passing river skimmer's wake slapping at the shore. She ducked, hiding in the reeds. Summer was always the best time for spying expeditions. The grass was high, it was never cold, and you didn't have to stay awake through school the next day.
Of course, Peris could sleep as late as he wanted now. Just one of the advantages of being pretty.
The old bridge stretched massively across the water, its huge iron frame as black as the sky. It had been built so long ago that it held up its own weight, without any support from hoverstruts. A million years from now, when the rest of the city had crumbled, the bridge would probably remain like a fossilized bone.
Unlike the other bridges into New Pretty Town, the old bridge couldn't talk -- or report trespassers, more importantly. But even silent, the bridge had always seemed very wise to Tally, as quietly knowing as some ancient tree.
Her eyes were fully adjusted to the darkness now, and it took only seconds to find the fishing line tied to its usual rock. She yanked it, and heard the splash of the rope tumbling from where it had been hidden among the bridge supports. She kept pulling until the invisible fishing line turned...
Au sujet de l’auteur-
- Scott Westerfeld is the author of the Leviathan series, the first book of which was the winner of the 2010 Locus Award for Best Young Adult Fiction. His other novels include the New York Times bestseller Afterworlds, the worldwide bestselling Uglies series, The Last Days, Peeps, So Yesterday, and the Midnighters trilogy. Visit him at ScottWesterfeld.com or follow him on Twitter at @ScottWesterfeld.
Critiques-
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March 21, 2005
In this launch title of a planned trilogy, teenager Tally Youngblood is living an unexamined life in a world unlike ours, hundreds of years from now. She's impatiently awaiting her birthday because in her town, Uglyville, everybody gets the same gift at age 16: cosmetic surgery which transforms them into gorgeous creatures. They also move into "party towers" in New Pretty Town. Tally's best friend has already made the transition and, motivated by her desire to see him, she sneaks into town. Her near-capture leads to a new best friend, Shay, who has the same birthday. On the eve of their operations, Shay reveals a plan to escape to a renegade settlement called "the Smoke." When Shay disappears, government agents blackmail Tally into leading them to the rebels. Once in the Smoke, Tally has a crisis of conscience when she learns the surgery is more sinister than she imagined. Teens will appreciate the gadgetry—including bungee jackets and hoverboards that work by magnetic levitation. But plausibility problems creep in, such as Tally leading a breakout of Smokeys from a high-tech compound while wearing handcuffs. As in his So Yesterday
, Westerfeld introduces thought-provoking issues, but readers may lose track of the plot while sorting the many messages about how the "Rusties" nearly destroyed the planet. They may also feel cheated when, after 400-plus pages, the ending leaves loose ends to be tied up in the next installment, Pretties
. Ages 12-up. -
February 7, 2005
In this launch title of a planned trilogy, teenager Tally Youngblood is living an unexamined life in a world unlike ours, hundreds of years from now. She's impatiently awaiting her birthday because in her town, Uglyville, everybody gets the same gift at age 16: cosmetic surgery which transforms them into gorgeous creatures. They also move into "party towers" in New Pretty Town. Tally's best friend has already made the transition and, motivated by her desire to see him, she sneaks into town. Her near-capture leads to a new best friend, Shay, who has the same birthday. On the eve of their operations, Shay reveals a plan to escape to a renegade settlement called "the Smoke." When Shay disappears, government agents blackmail Tally into leading them to the rebels. Once in the Smoke, Tally has a crisis of conscience when she learns the surgery is more sinister than she imagined. Teens will appreciate the gadgetry--including bungee jackets and hoverboards that work by magnetic levitation. But plausibility problems creep in, such as Tally leading a breakout of Smokeys from a high-tech compound while wearing handcuffs. As in his So Yesterday , Westerfeld introduces thought-provoking issues, but readers may lose track of the plot while sorting the many messages about how the "Rusties" nearly destroyed the planet. They may also feel cheated when, after 400-plus pages, the ending leaves loose ends to be tied up in the next installment, Pretties . Ages 12-up. -
Starred review from March 1, 2005
Gr 6 Up -Tally Youngblood lives in a futuristic society that acculturates its citizens to believe that they are ugly until age 16 when they'll undergo an operation that will change them into pleasure-seeking "pretties." Anticipating this happy transformation, Tally meets Shay, another female ugly, who shares her enjoyment of hoverboarding and risky pranks. But Shay also disdains the false values and programmed conformity of the society and urges Tally to defect with her to the Smoke, a distant settlement of simple-living conscientious objectors. Tally declines, yet when Shay is found missing by the authorities, Tally is coerced by the cruel Dr. Cable to find her and her compatriots -or remain forever "ugly." Tally's adventuresome spirit helps her locate Shay and the Smoke. It also attracts the eye of David, the aptly named youthful rebel leader to whose attentions Tally warms. However, she knows she is living a lie, for she is a spy who wears an eye-activated locator pendant that threatens to blow the rebels' cover. Ethical concerns will provide a good source of discussion as honesty, justice, and free will are all oppressed in this well-conceived dystopia. Characterization, which flirts so openly with the importance of teen self-concept, is strong, and although lengthy, the novel is highly readable with a convincing plot that incorporates futuristic technologies and a disturbing commentary on our current public policies. Fortunately, the cliff-hanger ending promises a sequel." -Susan W. Hunter, Riverside Middle School, Springfield, VT"Copyright 2005 School Library Journal, LLC Used with permission.
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Starred review from March 15, 2005
Gr. 7-10. Fifteen-year-old Tally's eerily harmonious, postapocalyptic society gives extreme makeovers to teens on their sixteenth birthdays, supposedly conferring equivalent evolutionary advantages to all. When a top-secret agency threatens to leave Tally ugly forever unless she spies on runaway teens, she agrees to infiltrate the Smoke, a shadowy colony of refugees from the "tyranny of physical perfection." At first baffled and revolted by the rebels' choices, Tally eventually bonds with one of their leaders and begins to question the validity of institutionalized mutilation--especially as it becomes clear that the government's surgeons may be doing more than cosmetic nipping and tucking. Although the narrative's brisk pace is more successful in scenes of hover-boarding action than in convincingly developing Tally's key relationships, teens will sink their teeth into the provocative questions about invasive technology, image-obsessed society, and the ethical quandaries of a mole-turned-ally. These elements, along with the obvious connections to reality programs such as " Miami Slice, "will surely cause this ingenious series debut to cement Westerfeld's reputation for high-concept YA fiction that has wide appeal. Suggest M. T. Anderson's " Feed "(2002)" "and Westerfeld's own " So Yesterday "(2004)" "to readers antsy for the next installment.(Reprinted with permission of Booklist, copyright 2005, American Library Association.) -
March 5, 2012
The story of Westerfeld’s bestselling YA dystopia, Uglies, retold from the point of view of recurring frenemy Shay, this original graphic novel is set in a time when we are remembered only as the long-vanished “Rusties,” a future time when discord is suppressed through ruthlessly enforced conformity and obligatory plastic surgery at age 16. Eschewing a future of bland artificial beauty as a Pretty, Shay yearns for freedom. An encounter with the flawed and alluring David, a covert envoy from the Smoke, a secret community of nonconformists, may offer Shay the escape she craves, but despite her best efforts Shay faces unexpected rejection and unwitting sabotage from her closest friends. While Cumming’s mangaesque art is craftsmanlike, it is also limited in its range; the underage Uglies and the older Pretty cohort appear similarly flawless, undermining a vital element of the story. The strength of the tale comes from its change in perspective. Shay is a more interesting protagonist than the rather passive Tally, protagonist of the Uglies novels; unlike Tally, Shay is driven to act by her own desires and goals rather than the desires and goals of others, and the story that results is far more engrossing. -
July 1, 2011
Westerfeld's unique dystopian "trilogy plus one" receives a full redesign (in hardcover, no less), from covers to trim size and page design, in an apparent attempt to market the books to a crossover audience.(Copyright 2011 by The Horn Book, Incorporated, Boston. All rights reserved.)
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