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The Antagonist
Couverture de The Antagonist
The Antagonist
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A piercing epistolary novel, The Antagonist explores, with wit and compassion, how the impressions of others shape, pervert, and flummox both our perceptions of ourselves and our very nature.
Gordon Rankin Jr., aka “Rank,” thinks of himself as “King Midas in reverse”—and indeed misfortune seems to follow him at every turn. Against his will and his nature, he has long been considered—given his enormous size and strength—a goon and enforcer by his classmates, by his hockey coaches, and, not least, by his “tiny, angry” father. He gamely lives up to their expectations, until a vicious twist of fate forces him to flee underground. Now pushing forty, he discovers that an old, trusted friend from his college days has published a novel that borrows freely from the traumatic events of Rank’s own life. Outraged by this betrayal and feeling cruelly misrepresented, he bashes out his own version of his story in a barrage of e-mails to the novelist that range from funny to furious to heartbreaking.
With The Antagonist, Lynn Coady demonstrates all of the gifts that have made her one of Canada’s most respected young writers. Here she gives us an astonishing story of sons and fathers and mothers, of the rewards and betrayals of male friendship, and a large-spirited, hilarious, and exhilarating portrait of a man tearing his life apart in order to put himself back together.
 
This ebook edition includes a Reading Group Guide.

A piercing epistolary novel, The Antagonist explores, with wit and compassion, how the impressions of others shape, pervert, and flummox both our perceptions of ourselves and our very nature.
Gordon Rankin Jr., aka “Rank,” thinks of himself as “King Midas in reverse”—and indeed misfortune seems to follow him at every turn. Against his will and his nature, he has long been considered—given his enormous size and strength—a goon and enforcer by his classmates, by his hockey coaches, and, not least, by his “tiny, angry” father. He gamely lives up to their expectations, until a vicious twist of fate forces him to flee underground. Now pushing forty, he discovers that an old, trusted friend from his college days has published a novel that borrows freely from the traumatic events of Rank’s own life. Outraged by this betrayal and feeling cruelly misrepresented, he bashes out his own version of his story in a barrage of e-mails to the novelist that range from funny to furious to heartbreaking.
With The Antagonist, Lynn Coady demonstrates all of the gifts that have made her one of Canada’s most respected young writers. Here she gives us an astonishing story of sons and fathers and mothers, of the rewards and betrayals of male friendship, and a large-spirited, hilarious, and exhilarating portrait of a man tearing his life apart in order to put himself back together.
 
This ebook edition includes a Reading Group Guide.

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Prix remportés-
Extraits-
  • Chapter One 1

    05/23/09, 9:42 p.m.

    There you are in the picture looking chubby and pompous, and it makes me remember how you told me that time you were afraid of fat people. That is, afraid of being fat and hating those who were, so fear and hating, like of a contagion, the same way homophobes—­guys who are actually maybe gay or have the potential for gayness within them—­are thought to be afraid of homos and want to annihilate them, make them not exist. You said you were embarrassed by it, though, your hatred of fat people, your fear. You knew it was shallow. You knew it was wrong. You thought it was a prejudice that was beneath the enlightened likes of you. And now, with all this time gone by, here you are in the picture. Looking chubby and pompous.

    When you told me that, I remember being a little awed because we were kids, we were two young guys, and we hung out every weekend and got drunk and declared, or might have declared, I love you, man! at some point or another, but you—­you—­as much as you talked you never really said much of anything, you gave nothing away, whereas I was always yanking off hanks of my own flesh and shoving them bloodily at everyone around me, it felt like, half the time—­No please, take it, take it, really. And people would accept those bleeding red chunks because what choice did they have? I was a hulking drunken wreck who might fall on top of them at any moment, so they’d avert their eyes, embarrassed, as was only right.

    Not you, though. I heard an expression the other day in reference to this other tight-­lipped son of a bitch, actually it was the prime minister. He keeps his own counsel. And I thought that’s perfect, that’s perfect, that’s Adam. The operative phrase being his own and the general concept being self.

    The point is, you kept your own counsel most of the time. You never turned to me in the midst of one of our drunk-­stoned hazes to blurt: Help me, man! I’m all fucked up! How guys sometimes do. Not you though, not like I was always doing, or felt like I was. You never said boo. For a while I thought that was very cool about you, that your head was just too full—­heaving with profundity.

    It is stupid how young men admire one another, the cluelessness of it, the non-­reasons.

    And then, lo! He turns to me, does sphinx boy, in the middle of a typical beered-­up weekend rock-­and-­roll show on campus. Our mutual friend Tina is ripping up the dance floor in front of us. Tina has put on some pounds, as girls can do in just a handful of months, the same way they immediately take them off the moment it becomes obvious that guys aren’t sniffing and circling around like they used to. Lately we’ve taken to calling Tina Tiny behind her back. A few months ago we would have been watching Tina dance with quiet horny awe, but now she just looks fat and silly and we’re embarrassed for her and disliking ourselves for thinking this because she’s a cool girl, we like her, and why shouldn’t she fucking dance if she wants to? And covering it up with asshole jokes.

    And he turns to me, does sphinx boy, his face naked and craving like I’ve never seen before. I lean in. My friend needs me! “I think I’m prejudiced against fat people.”

    I have never heard such shame, such self-­loathing in my friend’s voice.

    “That’s okay, man,” I reassure him. “Everyone hates fat people, they’re fucking fat.”

    “No. I need to get over it.”

    I swing an arm around your shoulders and crush you...
Au sujet de l’auteur-
  • Lynn Coady is an award-winning writer, editor, and journalist. She was born on Cape Breton Island in Nova Scotia and now lives in Edmonton, Alberta. She is the author of Mean Boy, Play the Monster BlindSaints of Big Harbour, and Strange Heaven.

Critiques-
  • Publisher's Weekly

    December 3, 2012
    Canadian author Coady’s new novel (after Mean Boy) is composed of letters from Gordon Rankin Jr. to his university pal Adam, a correspondence that began when “Rank” recognized a less-than-flattering portrayal of himself in Adam’s recent novel. Angry at seeing his life story pilfered for a forgettable novel—make that angry at his life—the almost 40-year-old Rank begins e-mailing Adam. His rancor turns into an odd epistolary autobiography, covering his early years in a small town in Canada and his aborted college career, both periods when he got into trouble for violence. (Rank is “genetically blessed” with size.) The prose is sharp and very funny, and some of the characters, particularly Rank’s father, Gord, a bitter failure of a man, are deftly etched. Coady is an ambitious writer, exploring themes of masculinity, religion, and the perils and promise of the fictional enterprise, and her decision to write from the male perspective is brave and successful. But the plot often meanders and the handling of narrative perspectives creates formal questions that are never answered. (At times, a third-person “omnipotent narrator,” either the author or someone else with access and hindsight, takes over Rank’s first-person duties.) Still, the pathos and humor brought to a challenging life story will appeal to many readers.

  • Kirkus

    December 1, 2012
    An embittered man blasts an old buddy for fictionalizing his life. But, wonders Coady (Saints of Big Harbour, 2002, etc.), who can know what the facts are? This novel in emails is told by Gordon "Rank" Rankin Jr., who has just discovered that his life has been turned into fodder for a novel by Adam, with whom he shared a lot of drinks and a few intimacies in college. Now firmly middle-aged, Rank is angry at the perceived betrayal, and his early missives have a threatening tone. But while he doesn't exactly soften--he exemplifies the book's title throughout--he does grow expansive, venting about his dead mother, hot-tempered father, squandered hockey scholarship, drinking and more. If Rank isn't an unreliable narrator, Coady at least makes him a profoundly benighted one, incapable of recognizing that his anger is mainly with himself. That's revealed in the condescension he expresses about nearly every person he recalls interacting with (besides his sainted mother), and that's most clearly in evidence with his much-mocked father, nicknamed Gord, who's shallow but by no means a failure as a single father. The novel's plot turns on a handful of violent incidents that implicate Rank, and Coady expertly renders a man who's compelled to address his past but not entirely ready to look in the mirror. Like many narrators of questionable stability, Rank gets over on raw intelligence; Coady gives him a wit that makes his anger and smugness tolerable. And bubbling under this story is an interesting tussle with the question of what novelists owe to the experiences that inspire their fiction. Has Adam sold out Rank? We never hear Adam's side of the story, but Rank's response (and by extension, the novel) is a caution to tread carefully. Smartly tuned and as unsettling as it intends to be.

    COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Library Journal

    Starred review from January 1, 2013

    What makes a bully tick? In the case of Gordon Rankin--"Rank" to his friends--the external hulk does not really mirror the inner self, who fears his own strength and is reluctant to engage. As the adopted son of a saintly mother and an overbearing father, Rank was encouraged to use his size and strength to help deal with the teenaged hoodlums who hung around his father's ice cream shop and then to earn a hockey scholarship through his role as an enforcer. Years later, when a long-estranged friend publishes a novel in which the brutish central character is based on a thinly disguised Rank, Rank rails at the unjust expropriation of his story. In a long series of unanswered emails to his friend, he explores his past and the catastrophic incidents that led him to disappear from view. VERDICT What begins as a self-justification fueled by rage ends as an endearing journey of self-discovery and self-forgiveness. Nominated for Canada's Giller Prize, this very human drama, laced with humor and insight, is strongly recommended.--Barbara Love, Kingston Frontenac P.L., Kingston, ON

    Copyright 2013 Library Journal, LLC Used with permission.

  • Booklist

    December 1, 2012
    Forty-year-old Gordon Rank Rankin discovers that a close friend from university days has used him as a primary character in a novel. Infuriated by Adam's portrayal of him as a teenager, Rank begins to blister Adam with angry e-mails to set the record straight and, ultimately, to come to terms with Rank's own deeply conflicted feelings about himself and his life. Coady, 28, is a rising star in Canadian fiction, and she has turned the very neat trick of engagingly, entertainingly, and insightfully examining the predicament of a boy of 14 (the young Rank) whose growth spurt unexpectedly places him in a large, powerful man's body. Suddenly, Rank looks dangerous, and people, including his splenetic father and, later, his university hockey coach, want to make him their enforcer, a role Rank doesn't want to play. His e-mails evolve from clumsy rages to thoughtful, measured ruminations on crucial events in his life, and he becomes a genuinely fascinating character. But it is Coady's ability to realistically portray Rank's teens and university years and empathically conduct his search for self that makes The Antagonist more than just entertainment. It's deservedly long-listed for Canada's prestigious Scotiabank Giller Prize.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

  • Richard Russo

    "Only a writer as wonderfully gifted as Lynn Coady could elicit such extraordinary sympathy for a man as full of self-destructive rage as Rank, her main character. You won't soon forget either him or this haunting novel."

  • The New Yorker "Coady's fluency in the language of the college boy [is] impressive, [as is] her feel for the camaraderie that is inseperable from rivalry and masculine aggression."
  • Ron Charles, The Washington Post "Dear Lynn Coady: As I said, I love your new book, with its unsettling mixture of comedy and pathos...incredibly funny, sarcastic and profane, right up till the moment when the tragedy below the surface suddenly erupts.... It's an extraordinarily clever and sympathetic exploration of the cross-currents of male friendship, the intense relationships we make and abandon in school. How ill-fitting those intimacies feel years later whenever a college reunion or some chance encounter forces us to try them on again."
  • Barbara Love, Library Journal "A self-justification fueled by rage ends as an endearing journey of self-discovery... Nominated for Canada's Giller Prize, this very human drama, laced with humor and insight, is strongly recommended."
  • Marie Claire "A dramatic and funny confessional in reverse."
  • Booklist "A genuinely fascinating character [whose] emails evolve from clumsy rages to thoughtful, measured ruminations on crucial events in his life....But it is Coady's ability to realistically portray his teens and university years and empathetically conduct his search for self that makes The Antagonist more than just engertainment."
  • Kirkus "Smartly tuned and as unsettling as it intends to be.... Coady expertly renders a man who's compelled to address his past but not entirely ready to look in the mirror [and her novel] is a caution to tread carefully."
  • Publishers Weekly "Coady is an ambitious writer, exploring themes of masculinity, religion, and the perils and promise of the fictional enterprise, and her decision to write from the male perspective is brave and successful....The pathos and humor brought to a challenging life story will appeal to many readers."
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