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On the trail of a deadly al-Qaeda operative, Gabriel Allon returns in a spellbinding story of deception, power, and revenge by the #1 New York Times bestselling "world-class practitioner of spy fiction" (Washington Post). Gabriel Allon—art restorer and spy—is about to face the greatest challenge of his life. An al-Qaeda suspect is killed in London, and photographs are found on his computer—photographs that lead Israeli intelligence to suspect that al-Qaeda is planning one of its most audacious attacks ever, aimed straight at the heart of the Vatican. Allon and his colleagues soon find themselves in a deadly duel of wits against one of the most dangerous men in the world—a hunt that will take them across Europe to the Caribbean and back. But for them, there may not be enough of anything: enough time, enough facts, enough luck. All Allon can do is set his trap—and hope that he is not the one caught in it.
On the trail of a deadly al-Qaeda operative, Gabriel Allon returns in a spellbinding story of deception, power, and revenge by the #1 New York Times bestselling "world-class practitioner of spy fiction" (Washington Post). Gabriel Allon—art restorer and spy—is about to face the greatest challenge of his life. An al-Qaeda suspect is killed in London, and photographs are found on his computer—photographs that lead Israeli intelligence to suspect that al-Qaeda is planning one of its most audacious attacks ever, aimed straight at the heart of the Vatican. Allon and his colleagues soon find themselves in a deadly duel of wits against one of the most dangerous men in the world—a hunt that will take them across Europe to the Caribbean and back. But for them, there may not be enough of anything: enough time, enough facts, enough luck. All Allon can do is set his trap—and hope that he is not the one caught in it.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
Chapter 1
London
IT WAS ALI MASSOUDI who unwittingly roused Gabriel Allon from his brief and restless retirement: Massoudi, the great Europhile intellectual and freethinker, who, in a moment of blind panic, forgot that the English drive on the left side of the road.
The backdrop for his demise was a rain-swept October evening in Bloomsbury. The occasion was the final session of the first annual Policy Forum for Peace and Security in Palestine, Iraq, and Beyond. The conference had been launched early that morning amid great hope and fanfare, but by day’s end it had taken on the quality of a traveling production of a mediocre play. Even the demonstrators who came in hope of sharing some of the flickering spotlight seemed to realize they were reading from the same tired script. The American president was burned in effigy at ten. The Israeli prime minister was put to the purifying flame at eleven. At lunchtime, amid a deluge that briefly turned Russell Square into a pond, there had been a folly having something to do with the rights of women in Saudi Arabia. At eight-thirty, as the gavel came down on the final panel, the two dozen stoics who had stayed to the end filed numbly toward the exits. Organizers of the affair detected little appetite for a return engagement next autumn.
A stagehand stole forward and removed a placard from the rostrum that read: GAZA IS LIBERATED—WHAT NOW? The first panelist on his feet was Sayyid of the London School of Economics, defender of the suicide bombers, apologist for al-Qaeda. Next was the austere Chamberlain of Cambridge, who spoke of Palestine and the Jews as though they were still the quandary of gray-suited men from the Foreign Office. Throughout the discussion the aging Chamberlain had served as a sort of Separation Fence between the incendiary Sayyid and a poor soul from the Israeli embassy named Rachel who had drawn hoots and whistles of disapproval each time she’d opened her mouth. Chamberlain tried to play the role of peacekeeper now as Sayyid pursued Rachel to the door with taunts that her days as a colonizer were drawing to an end.
Ali Massoudi, graduate professor of global governance and social theory at the University of Bremen, was the last to rise. Hardly surprising, his jealous colleagues might have said, for among the incestuous world of Middle Eastern studies, Massoudi had the reputation of one who never willingly relinquished a stage. Palestinian by birth, Jordanian by passport, and European by upbringing and education, Professor Massoudi appeared to all the world like a man of moderation. The shining future of Arabia, they called him. The very face of progress. He was known to be distrustful of religion in general and militant Islam in particular. In newspaper editorials, in lecture halls, and on television, he could always be counted on to lament the dysfunction of the Arab world. Its failure to properly educate its people. Its tendency to blame the Americans and the Zionists for all its ailments. His last book had amounted to a clarion call for an Islamic Reformation. The jihadists had denounced him as a heretic. The moderates had proclaimed he had the courage of Martin Luther. That afternoon he had argued, much to Sayyid’s dismay, that the ball was now squarely in the Palestinian court. Until the Palestinians part company with the culture of terror, Massoudi had said, the Israelis could never be expected to cede an inch of the West Bank. Nor should they. Sacrilege, Sayyid had cried. Apostasy.
Professor Massoudi was tall, a bit over six feet in height, and far too good looking for a man who worked in close proximity to impressionable young women....
Critiques-
June 19, 2006 Bestseller Silva continues to warrant comparisons to John le Carré, as shown by his latest thriller starring Israeli art restorer and spymaster Gabriel Allon. Ahmed bin Shafiq, a former chief of a clandestine Saudi intelligence unit, targets the Vatican for attack, in particular Pope Paul VII and his top aide, Monsignor Luigi Donati, who both appeared in Silva's previous novel, Prince of Fire . Shafiq, who now heads his own terrorist network, is allied with a militant Islamic Saudi businessman known as Zizi, a true believer committed to the destruction of all infidels. Gabriel's challenge is to infiltrate Zizi's organization, a task he assigns to a beautiful American art expert, Sarah Bancroft. Gabriel promises he'll protect her, but plans go awry, and by the end Sarah faces torture and death. While Sarah's fate is never in doubt, the way Silva resolves his plot will keep readers right where he wants them: on the edges of their seats. Author tour.
Starred review from July 1, 2006 In his ninth novel, the sixth Gabriel Allon thriller, Silva ("Prince of Fire") focuses on the threat of Saudi-funded terrorism. Allon, art restorer extraordinaire by cover, Israeli assassin by profession, faces a daunting task. The Brotherhood of Allah, a group sponsored by a Saudi billionaire and headed by a reclusive terrorist living in the West, is preparing an attack on the Vatican. When the terrorists succeed in damaging St. Peter -s Basilica and its cupola, in the process slaughtering more than 700 tourists and nearly killing the pope, Allon accepts a mission sanctioned by the U.S. president and the Israelis. He must track down the terrorists, infiltrate their organization, and assassinate their leaders. Silva, a master craftsman, offers a perfect blend of all that matters most in fiction -a significant theme, believable and engaging characters, authentic settings, and an engrossing plot -detailed in precise prose that flows with seductive ease. Unlike other thriller writers who rely on tricks and seemingly endless (and ultimately unrealistic) twists for effect, Silva builds suspense through realistic threats, harrowing situations, and gripping action. Highly recommended for academic and public libraries. [See Prepub Alert, "LJ" 4/1/06.]" -Ron Terpening, Univ. of Arizona"
Copyright 2006 Library Journal, LLC Used with permission.
Starred review from July 1, 2006 A terrorist bombing in St. Peter's Square leaves hundreds dead, the Pope injured, and the Basilica a ghastly, smoking pile. This tragedy confirms what began in London weeks before when a traffic accident killed a talent scout for al-Qaeda, leaving his briefcase, filled with surveillance photos of the Vatican, in the hands of Israeli agents. Silva's series hero, Gabriel Allon, is at the center of this fast-paced, completely absorbing international spy thriller. Allon is an art restorer and sometime spy. While restoring Old Masters is Allon's passion (and a wonderful source of intriguing details about the art world), he is called back into service from time to time. Allon's double life began in the aftermath of the Olympic massacre in 1972, when he was recruited to hunt down the Israeli athletes' killers. His sense of urgency in thwarting terrorism was brought into play by the deaths of his wife and infant son in a car bombing 13 years before. What makes this series fascinating is the interplay between standard spy-thriller fare of glamorous locales (here, the action breaks in Rome, Venice, Jerusalem, Paris, and D.C.), double and triple crosses, and justified paranoia with the passionate, tragic figure of Allon himself. An engrossing and beautifully written contemporary spy thriller.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)
Starred review from October 2, 2006 Recording the audio version of an exciting, well-crafted thriller must be one of the entertainment world's hardest and least appreciated jobs. In the case of Silva, who creates explosive stories where violence and terrorism share space with the history of art and the secrets of a spy whose day job is to restore old classic paintings, the task is definitely fraught with its own kinds of danger. Luckily, Lane has all the right equipment for the job: a voice that can be strong as well as sensitive (sometimes both at the same time) for Gabriel Allon, Silva's shrewdly conceived lead character—a man who can shift from paint and varnish to guns and bombs without losing credibility on either side. Lane also has the depth of talent to bring to instant life a gallery of Vatican insiders, art types, and terrorists of every stripe and inclination. For listeners who like to mix richer ingredients into their crime fiction choices, Silva's latest gets the topnotch audio treatment they—and he—deserve. Simultaneous release with the Putnam hardcover (Reviews, June 19).
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