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NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • A “tender, beautiful and radiantly outraged” (The New York Times Book Review) novel that follows a year of seismic romantic, political, and familial shifts for a teacher and her students at a boarding school for the deaf, from the acclaimed author of Girl at War “For those who loved the Oscar-winning film CODA, a boarding school for deaf students is the setting for a kaleidoscope of experiences.”—The Washington Post ONE OF THE BEST BOOKS OF THE YEAR: NPR, The Washington Post, Publishers Weekly, Booklist True biz (adj./exclamation; American Sign Language): really, seriously, definitely, real-talk
True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals, and have politicians, doctors, and their parents stop telling them what to do with their bodies. This revelatory novel plunges readers into the halls of a residential school for the deaf, where they’ll meet Charlie, a rebellious transfer student who’s never met another deaf person before; Austin, the school’s golden boy, whose world is rocked when his baby sister is born hearing; and February, the hearing headmistress, a CODA (child of deaf adult(s)) who is fighting to keep her school open and her marriage intact, but might not be able to do both. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another—and changed forever. This is a story of sign language and lip-reading, disability and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.
NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • A “tender, beautiful and radiantly outraged” (The New York Times Book Review) novel that follows a year of seismic romantic, political, and familial shifts for a teacher and her students at a boarding school for the deaf, from the acclaimed author of Girl at War “For those who loved the Oscar-winning film CODA, a boarding school for deaf students is the setting for a kaleidoscope of experiences.”—The Washington Post ONE OF THE BEST BOOKS OF THE YEAR: NPR, The Washington Post, Publishers Weekly, Booklist True biz (adj./exclamation; American Sign Language): really, seriously, definitely, real-talk
True biz? The students at the River Valley School for the Deaf just want to hook up, pass their history finals, and have politicians, doctors, and their parents stop telling them what to do with their bodies. This revelatory novel plunges readers into the halls of a residential school for the deaf, where they’ll meet Charlie, a rebellious transfer student who’s never met another deaf person before; Austin, the school’s golden boy, whose world is rocked when his baby sister is born hearing; and February, the hearing headmistress, a CODA (child of deaf adult(s)) who is fighting to keep her school open and her marriage intact, but might not be able to do both. As a series of crises both personal and political threaten to unravel each of them, Charlie, Austin, and February find their lives inextricable from one another—and changed forever. This is a story of sign language and lip-reading, disability and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.
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From the cover
February Waters was nine years old when she—in the middle of math class, in front of everyone—stabbed herself in the ear with a number two Ticonderoga. Their teacher had been chalking the twelve times tables up on the board, providing February a window in which to sharpen the pencil, the grinding drawing her classmates up from their daydreams, their eyes following her across the room toward the teacher’s corner. February stepped unsteadily on the felted swivel chair, then planted herself in a wide stance on the desk and jammed the pencil deep into her left ear.
The class let out a collective gasp, breaking their teacher from her blackboard reverie. She hoisted February, who was bleeding more than she’d expected, from the desk in a fireman’s carry; February dripped a delicate trail of crimson all the way to the infirmary.
After the nurse removed the graphite and determined the damage was superficial, she gauzed up the bleeding and took February across the hall to the principal’s office, where the secretary produced a suspension form for “violent and disorderly conduct unbecoming of a student.” Then, once it was determined how, exactly, to contact her parents, she was sent home for the week.
Back in 4-B, February’s classmates hailed her as a hero, having sacrificed her very blood to buy them twenty-five minutes of unsupervised bliss. The school, on the other hand, deemed the incident a cry for help, given what the principal had taken to calling February’s “family circumstances.” Really, February explained to her father when he came to get her, she wasn’t upset at all, just tired of listening to the times tables, the buzz of the broken light above her desk, the screech of metal chairs against the floor. He didn’t know what it was like, having to hear things all the time, she told him. And with that he couldn’t argue.
What had pushed February over the edge specifically was Danny Brown calling singsong from the row behind her, “February’s very hairy, and she eats the yellow snow.” Only deaf people would name their daughter February, she’d thought then. Certain months were acceptable for use as girls’ names—April, May, June—and her name was undoubtedly the result of some miscommunication of these guidelines. But February’s parents had always preferred winter, the silent splendor of snow clinging to the chinquapin oaks, and in the Deaf world of her childhood beauty was taken in earnest. Her parents’ friends weren’t concerned with looking corny, and February had never seen any of them say something sarcastic. It was a world she disliked leaving, especially for such hostile territory as the fourth grade.
You can be Deaf on the inside, her mother said that night when she tucked her in. But you can never do that again.
Of course, things are different now, February thinks as she looks out over the quad at the River Valley School for the Deaf, squinting against the early sun. The internet has been world-opening for deaf people, and Deaf culture has evolved to accommodate plenty of mainstream snark and slang. Plus, hearing people are naming their kids all sorts of weird things now—fruits and animals and cardinal directions.
The Deaf world is no longer her safe haven but her place of employment, and at the moment she is screwed. As headmistress, she is supposed to have her finger on the pulse of the school. Instead, she has done the worst thing possible—she has lost other people’s children. Two boys, Austin Workman and Eliot Quinn, a sophomore and a junior, roommates....
Au sujet de l’auteur-
Sara Nović holds an MFA from Columbia University, where she studied fiction and literary translation. Her first novel, Girl at War, won the American Library Association’s Alex Award, and was a finalist for the Los Angeles Times Book Prize. She is an instructor of Deaf studies and creative writing, and lives in Philadelphia with her family.
Critiques-
Starred review from February 28, 2022 Nović (Girl at War) returns with an electrifying narrative set at a present-day boarding school for Deaf high school students, where they find love and friendship and battle a series of injustices. It’s centered around the River Valley School for the Deaf and follows three protagonists: headmistress February Waters, a hearing ally of the Deaf community; Austin, the school’s popular kid who belongs to a generational Deaf family; and Charlie, the newly admitted transfer student who struggles to fit in because of her inability to use ASL. Instead, her hearing parents forced her to have a cochlear implant. February, determined to make Charlie’s language immersion easier, assigns Austin to be Charlie’s guide. A romance develops between the two, but Charlie still struggles—her learning is disrupted by her mother’s refusal to sign and the frequent headaches caused by the implant. Meanwhile, February has a troubled marriage and must fight against bureaucratic forces that are trying to shut down the school. Circumstances worsen when, one morning, Charlie, Austin, and his roommate go missing from the school. With complex characters seething with rage against the injustices they face, and an immersive and novel treatment of Charlie’s experience learning ASL, Nović offers an unforgettable homage to resilience. This is brilliant. Agent: Alexandra Christie, Wylie Agency.
September 1, 2022
Novic� (Girl at War) presents a searing but hopeful look at contemporary Deaf culture and the politics of disability. At River Valley School for the Deaf, combative new student Charlie Serrano is surrounded by other Deaf children and teens for the first time. Legacy student Austin Workman feels his secure self-image crumbling when his mother gives birth to his hearing sister. Headmistress February Waters (a hearing child of Deaf adults) fights to educate all her students, even as she sees the protective environment of the school slipping away. Lisa Flanagan's crisp, bright narration invites listeners to engage with a cultural background they may not have previously encountered while getting wrapped up in the daily concerns of the multi-layered characters. She makes each voice distinct while creating seamless transitions between points of view. Kaleo Griffith capably narrates brief interstitial chapters that offer explanations about American Sign Language (ASL) usage and Deaf history. ASL signing is creatively incorporated into the production using recorded signed dialogue, making the subtle sounds of hand on hand and rustling clothing an integral part of the audio experience. VERDICT Recommended for all listeners who love creative contemporary fiction.--Natalie Marshall
Copyright 2022 Library Journal, LLC Used with permission.
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