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NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • The standout literary debut that everyone is talking about • "Inventive, heartbreaking and acutely funny."—The Guardian A BEST BOOK OF THE YEAR: The New York Times, TIME, NPR, Oprah Daily, People Blandine isn't like the other residents of her building. An online obituary writer. A young mother with a dark secret. A woman waging a solo campaign against rodents — neighbors, separated only by the thin walls of a low-cost housing complex in the once bustling industrial center of Vacca Vale, Indiana. Welcome to the Rabbit Hutch. Ethereally beautiful and formidably intelligent, Blandine shares her apartment with three teenage boys she neither likes nor understands, all, like her, now aged out of the state foster care system that has repeatedly failed them, all searching for meaning in their lives. Set over one sweltering week in July and culminating in a bizarre act of violence that finally changes everything, The Rabbit Hutch is a savagely beautiful and bitingly funny snapshot of contemporary America, a gorgeous and provocative tale of loneliness and longing, entrapment and, ultimately, freedom. "Gunty writes with a keen, sensitive eye about all manner of intimacies―the kind we build with other people, and the kind we cultivate around ourselves and our tenuous, private aspirations."—Raven Leilani, author of Luster
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • The standout literary debut that everyone is talking about • "Inventive, heartbreaking and acutely funny."—The Guardian A BEST BOOK OF THE YEAR: The New York Times, TIME, NPR, Oprah Daily, People Blandine isn't like the other residents of her building. An online obituary writer. A young mother with a dark secret. A woman waging a solo campaign against rodents — neighbors, separated only by the thin walls of a low-cost housing complex in the once bustling industrial center of Vacca Vale, Indiana. Welcome to the Rabbit Hutch. Ethereally beautiful and formidably intelligent, Blandine shares her apartment with three teenage boys she neither likes nor understands, all, like her, now aged out of the state foster care system that has repeatedly failed them, all searching for meaning in their lives. Set over one sweltering week in July and culminating in a bizarre act of violence that finally changes everything, The Rabbit Hutch is a savagely beautiful and bitingly funny snapshot of contemporary America, a gorgeous and provocative tale of loneliness and longing, entrapment and, ultimately, freedom. "Gunty writes with a keen, sensitive eye about all manner of intimacies―the kind we build with other people, and the kind we cultivate around ourselves and our tenuous, private aspirations."—Raven Leilani, author of Luster
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
On a hot night in Apartment C4, Blandine Watkins exits her body. She is only eighteen years old, but she has spent most of her life wishing for this to happen. The agony is sweet, as the mystics promised. It’s like your soul is being stabbed with light, the mystics said, and they were right about that, too. The mystics call this experience the Transverberation of the Heart, or the Seraph’s Assault, but no angel appears to Blandine. There is, however, a bioluminescent man in his fifties, glowing like a firefly. He runs to her and yells.
Knife, cotton, hoof, bleach, pain, fur, bliss—as Blandine exits herself, she is all of it. She is every tenant of her apartment building. She is trash and cherub, a rubber shoe on the seafloor, her father’s orange jumpsuit, a brush raking through her mother’s hair. The first and last Zorn Automobile factory in Vacca Vale, Indiana. A nucleus inside the man who robbed her body when she was fourteen, a pair of red glasses on the face of her favorite librarian, a radish tugged from a bed of dirt. She is no one. She is Katy the Portuguese water dog, who licked her face whenever the foster family banished them both in the snow because they were in the way. An algorithm for amplified content and a blue slushee from the gas station. The first pair of tap shoes on the feet of a child actress and the man telling her to try harder. She is the smartphone that films her as she bleeds on the floorboards of her apartment, and she is the chipped nail polish on the teenager who assembled the ninetieth step of that phone on a green factory floor in Shenzhen, China. An American satellite, a bad word, the ring on the finger of her high school theater director. She is every cottontail rabbit grazing on the vegetation of her supposedly dying city. Ten minutes of pleasure igniting between the people who made her, the final tablet of oxycodone on her mother’s tongue, the gavel that will sentence the boys to prison for what they’re doing to Blandine right now. There is no such thing as right now. She is not another young woman wounded on the floor, body slashed by men for its resources—no. She is paying attention. She is the last laugh.
On that hot night in Apartment C4, when Blandine Watkins exits her body, she is not everything. Not exactly. She’s just the opposite of nothing.
All Together, Now
C12: On Wednesday night, in the nine o’clock hour, the man who lives four floors above the crime is staring into an app called: Rate Your Date (Mature Users!). The app glows a deep red, and he is certain that there is no one inside it. Like many men who have weathered female rejection, the man in Apartment C12 believes that women have more power than anyone else on the planet. When evidence suggests that this can’t be true, he gets angry. It is an anger unique to those who have committed themselves to a losing argument. The man—now in his sixties—lies on his sheets in the dark. He is done with the day, but the day is not done with itself; it is still too early to sleep. He is a logger, past his professional expiration date but lacking both the financial and psychological savings to retire. Often, he feels the weight of phantom lumber on his back like a child. Often, he feels the weight of a phantom child on his back like lumber. Since his wife died six years ago, the apartment has seemed empty of furniture, but it is, in fact, congested with furniture. Sweating, the man cradles his large, bright screen in his hands.
nice enuf, like a dad, but fatter then his prof pic. his eye contact = wrong. doesnt ask about u and...
Au sujet de l’auteur-
TESS GUNTY earned an MFA in creative writing from NYU, where she was a Lillian Vernon Fellow. Her work has appeared in The Iowa Review, Joyland, Los Angeles Review of Books, No Tokens, Flash, and elsewhere. She was raised in South Bend, Indiana, and lives in Los Angeles.
Critiques-
Starred review from July 4, 2022 Gunty debuts with an astonishing portrait of economically depressed Vacca Vale, Ind., centered on the residents of a subsidized apartment building nicknamed the Rabbit Hutch. The main character is 18-year-old Blandine Watkins, who grew up in foster care and dropped out of high school in junior year. In the opening scene, she is stabbed in her apartment by an unidentified assailant. Gradually, the causes of the crime emerge, followed eventually by the facts, as well as her fate. Along the way, Gunty delves into the stories of Blandine’s neighbors, brilliantly and achingly charting the range of their experiences. An erotic flashback of an infant’s conception at a motel on higher ground in Vacca Vale called the Wooden Lady (“It’s like if manslaughter were a place,” one reviewer describes it), where married couple Hope and Anthony hole up during a “1,000-year flood,” contrasts with a devastatingly banal and ultimately traumatic sexual encounter between Blandine and her drama teacher the year before. There’s also a lonely woman who lives in a state of “flammable peace” due to her sensitivity to noise, with whom Blandine shares her fascination with Catholic mystics before going off to sabotage a celebration involving the city’s gentrification scheme with voodoo dolls and fake blood. It all ties together, achieving this first novelist’s maximalist ambitions and making powerful use of language along the way. Readers will be breathless.
Gunty's debut, which takes place in the crumbling city of Vacca Vale, IN, tells the story of four former foster kids who live in a rundown apartment building known as the Rabbit Hutch. Having aged out of the system, the teens are thrust into a world for which they are inadequately prepared. The main character is Blandine, who dropped out of high school and now spends her days reading philosophy and the writings of mystics such as Hildegarde of Bingen, which provide her with an escape from her bleak life. While Blandine's story is the central focus, each chapter illustrates how the lives of the residents entwine, and how their struggles are both personal and communal. Set against a changing community and world, the novel is hauntingly narrated by a full cast, including the author, who is joined by Scott Brick, Suzanne Toren, Kirby Heyborne, and Kyla Garcia. Their combined voices enhance the novel's dreamlike atmosphere, making listeners question what is real and what is not. VERDICT Both literary and magical, this book will appeal to listeners searching for a beautiful, yet unsettling story that tackles the ways in which systems oppress us. Highly recommended.--Elyssa Everling
Copyright 2024 Library Journal, LLC Used with permission.
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Author Tess Gunty and four acclaimed narrators present this unique debut novel set in the La Lapiniere Affordable Housing complex, which is generally called "The Rabbit Hutch." Narrator Suzanne Toren captures the personality of the young resident Blondine, who is obsessed with the writings of female Christian mystics. Scott Brick sounds gentle yet sinister as he portrays the teenage tenants who have just placed out of the foster care system in the chapter called "A Game of Clue." Also worth recognizing are the chapters presented by Kirby Heyborne and Kyla Garcia. All the characters in this striking novel are dysfunctional, yet listeners will care deeply about their fates as they live crammed together in this crumbling apartment building in an Indiana factory town long past its heyday. D.L.G. © AudioFile 2022, Portland, Maine
