de Rachel Joyce
Byron Hemmings wakes to a morning that looks like any other: his school uniform draped over his wooden desk chair, his sister arguing over the breakfast cereal, the click of his mother’s heels as she crosses the kitchen. But when the three of them leave home, driving into a dense summer fog, the morning takes an unmistakable turn. In one terrible moment, something happens, something completely unexpected and at odds with life as Byron understands it. While his mother seems not to have noticed, eleven-year-old Byron understands that from now on nothing can be the same.
What happened and who is to blame? Over the days and weeks that follow, Byron’s perfect world is shattered. Unable to trust his parents, he confides in his best friend, James, and together they concoct a plan. . . .
As she did in her debut, The Unlikely Pilgrimage of Harold Fry, Rachel Joyce has imagined bewitching characters who find their ordinary lives unexpectedly thrown into chaos, who learn that there are times when children must become parents to their parents, and who discover that in confronting the hard truths about their pasts, they will forge unexpected relationships that have profound and surprising impacts. Brimming with love, forgiveness, and redemption, Perfect will cement Rachel Joyce’s reputation as one of fiction’s brightest talents.
Praise for Perfect
“Touching, eccentric . . . Joyce does an inviting job of setting up these mysterious circumstances, and of drawing Byron’s magical closeness with Diana.”—Janet Maslin, The New York Times
“Haunting . . . compelling.”—Minneapolis Star Tribune
“[Joyce] triumphantly returns with Perfect. . . . As Joyce probes the souls of Diana, Byron and Jim, she reveals—slowly and deliberately, as if peeling back a delicate onion skin—the connection between the two stories, creating a poignant, searching tale.”—O: The Oprah Magazine
“Perfect touches on class, mental illness, and the ways a psyche is formed or broken. It has the tenor of a horror film, and yet at the end, in some kind of contortionist trick, the narrative unfolds into an unexpected burst of redemption. [Verdict:] Buy It.”—New York
“Joyce’s dark, quiet follow-up to her successful debut, The Unlikely Pilgrimage of Harold Fry, could easily become a book club favorite. . . . Perfect is the kind of book that blossoms under thoughtful examination, its slow tendencies redeemed by moments of loveliness and insight. However sad, Joyce’s messages—about the limitations of time and control, the failures of adults and the fears of children, and our responsibility for our own imprisonment and freedom—have a gentle ring of truth to them.”—The Washington Post
“There is a poignancy to Joyce’s narrative that makes for her most memorable writing.”—NPR’s All Things Considered
Byron Hemmings wakes to a morning that looks like any other: his school uniform draped over his wooden desk chair, his sister arguing over the breakfast cereal, the click of his mother’s heels as she crosses the kitchen. But when the three of them leave home, driving into a dense summer fog, the morning takes an unmistakable turn. In one terrible moment, something happens, something completely unexpected and at odds with life as Byron understands it. While his mother seems not to have noticed, eleven-year-old Byron understands that from now on nothing can be the same.
What happened and who is to blame? Over the days and weeks that follow, Byron’s perfect world is shattered. Unable to trust his parents, he confides in his best friend, James, and together they concoct a plan. . . .
As she did in her debut, The Unlikely Pilgrimage of Harold Fry, Rachel Joyce has imagined bewitching characters who find their ordinary lives unexpectedly thrown into chaos, who learn that there are times when children must become parents to their parents, and who discover that in confronting the hard truths about their pasts, they will forge unexpected relationships that have profound and surprising impacts. Brimming with love, forgiveness, and redemption, Perfect will cement Rachel Joyce’s reputation as one of fiction’s brightest talents.
Praise for Perfect
“Touching, eccentric . . . Joyce does an inviting job of setting up these mysterious circumstances, and of drawing Byron’s magical closeness with Diana.”—Janet Maslin, The New York Times
“Haunting . . . compelling.”—Minneapolis Star Tribune
“[Joyce] triumphantly returns with Perfect. . . . As Joyce probes the souls of Diana, Byron and Jim, she reveals—slowly and deliberately, as if peeling back a delicate onion skin—the connection between the two stories, creating a poignant, searching tale.”—O: The Oprah Magazine
“Perfect touches on class, mental illness, and the ways a psyche is formed or broken. It has the tenor of a horror film, and yet at the end, in some kind of contortionist trick, the narrative unfolds into an unexpected burst of redemption. [Verdict:] Buy It.”—New York
“Joyce’s dark, quiet follow-up to her successful debut, The Unlikely Pilgrimage of Harold Fry, could easily become a book club favorite. . . . Perfect is the kind of book that blossoms under thoughtful examination, its slow tendencies redeemed by moments of loveliness and insight. However sad, Joyce’s messages—about the limitations of time and control, the failures of adults and the fears of children, and our responsibility for our own imprisonment and freedom—have a gentle ring of truth to them.”—The Washington Post
“There is a poignancy to Joyce’s narrative that makes for her most memorable writing.”—NPR’s All Things Considered
Critiques-
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Paul Rhys draws the listener in with his measured, detached narration of Rachel Joyce's latest novel. Moving smoothly between time, he slowly exposes the layers connecting past and present. In the past, James Lowe and Byron Hemmings were classmates drawn into friendship by their mutual quirkiness. In the present, Jim is a loner, struggling to readjust to a world he has to re-enter when the sanatorium that has been his home for years closes. Rhys keeps his narration impersonal, relating events and describing characters without emotion. The listener is kept engaged by curiosity, wondering what connects JAMES, BYRON AND JIM and how that connection will be revealed. An intriguing tale that makes one wonder at the subtle ways we are connected to our world. N.E.M. © AudioFile 2014, Portland, Maine
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Paul Rhys draws the listener in with his measured, detached narration of Rachel Joyce's latest novel. Moving smoothly between time frames, he slowly exposes the layers connecting the past and present. In the past, James Lowe and Byron Hemmings were classmates, drawn into friendship by their mutual quirkiness. In the present, Jim (a third character) is a loner who struggles to readjust to the world he has to re-enter when the sanatorium that has been his home for years closes. Rhys keeps his narration impersonal, recounting events and describing characters without emotion. Curiosity about what connects James, Byron, and Jim and how that connection will be revealed keeps the listener engaged. An intriguing story that makes one wonder at the subtle ways we are connected to our world. N.E.M. © AudioFile 2014, Portland, Maine
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September 16, 2013
An 11-year-old boy makes an error that brings tragedy to several lives, including his own, in Joyce’s intriguing and suspenseful novel. One summer day in a small English village in 1972, Byron Hemmings’s mother, Diana, is driving him and his younger sister to school when their Jaguar hits a little girl on a red bicycle. Diana drives on, unaware, with only Byron having seen the accident. Byron doesn’t know whether or not the girl was killed, however, and concocts a plan called “Operation Perfect” to shield his mother from what happened. Previously, she has always presented the picture of domestic perfection in trying to please her martinet banker husband, Seymour, and overcome her lower-class origins. After Byron decides to tell her the truth about the accident, she feverishly attempts to make amends by befriending the injured girl’s mother, but her “perfect” facade begins to splinter. Joyce sometimes strains credibility in describing Diana’s psychological deterioration, but the novel’s fast pacing keeps things tense. Meanwhile, in alternate chapters, Jim, a psychologically fragile man in his 50s, endures a menial cafe job. Joyce, showing the same talent for adroit plot development seen in the bestselling The Unlikely Pilgrimage of Harold Fry, brings both narrative strands together in a shocking, redemptive (albeit weepily sentimental) denouement. The novel is already a bestseller in England. -
The A.V. Club
"Touching, eccentric . . . Joyce does an inviting job of setting up these mysterious circumstances, and of drawing Byron's magical closeness with Diana."--Janet Maslin, The New York Tiimes
"Haunting . . . compelling."--Minneapolis Star Tribune
"[Joyce] triumphantly returns with Perfect. . . . As Joyce probes the souls of Diana, Byron and Jim, she reveals--slowly and deliberately, as if peeling back a delicate onion skin--the connection between the two stories, creating a poignant, searching tale."--O: The Oprah Magazine
"Perfect touches on class, mental illness, and the ways a psyche is formed or broken. It has the tenor of a horror film, and yet at the end, in some kind of contortionist trick, the narrative unfolds into an unexpected burst of redemption. [Verdict:] Buy It."--New York
"Joyce's dark, quiet follow-up to her successful debut, The Unlikely Pilgrimage of Harold Fry, could easily become a book club favorite. . . . Perfect is the kind of book that blossoms under thoughtful examination, its slow tendencies redeemed by moments of loveliness and insight. However sad, Joyce's messages--about the limitations of time and control, the failures of adults and the fears of children, and our responsibility for our own imprisonment and freedom--have a gentle ring of truth to them."--The Washington Post
"There is a poignancy to Joyce's narrative that makes for her most memorable writing."--NPR's All Things Considered
"Beautifully written . . . Joyce showed an incredible sensitivity and understanding when she wrote about the impact of mental illness in Harold Fry, and that talent shines even brighter now that she's devoting more space to the subject. . . . Joyce is great at building tension, with her prose managing to give huge weight to a menacing comment or a small mistake." -
Publishers Weekly
"Perfect is a poignant and powerful book, rich with empathy and charged with beautiful, atmospheric writing."--Tana French, author of In the Woods and Broken Harbor
"[Rachel] Joyce, showing the same talent for adroit plot development seen in the bestselling The Unlikely Pilgrimage of Harold Fry, brings both narrative strands together in a shocking, redemptive denouement." - London Evening Standard "[Perfect's] unputdownable factor . . . lies in its exploration of so many multilayered emotions. There is the unbreakable bond between mother and son, the fear of not belonging . . . and how love can offer redemption."
