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A Constellation of Vital Phenomena
Couverture de A Constellation of Vital Phenomena
A Constellation of Vital Phenomena
A Novel
Emprunter Emprunter
NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE NATIONAL BOOK AWARD • A searing debut about the transcendent power of love in wartime, hailed as “an absolute masterpiece” (Sarah Jessica Parker, Entertainment Weekly)—from the renowned author of Mercury Pictures Presents
 
“Extraordinary . . . a twenty-first century War and Peace.”—The New York Times Book Review

NATIONAL BOOK CRITICS CIRCLE JOHN LEONARD AWARD WINNER • ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Publishers Weekly, Library Journal

In the final days of December 2004, in a small rural village in Chechnya, eight-year-old Havaa hides in the woods when her father is abducted by Russian forces. Fearing for her life, she flees with their neighbor Akhmed—a failed physician—to the bombed-out hospital, where Sonja, the one remaining doctor, treats a steady stream of wounded rebels and refugees and mourns her missing sister. Over the course of five dramatic days, Akhmed and Sonja reach back into their pasts to unravel the intricate mystery of coincidence, betrayal, and forgiveness that unexpectedly binds them and decides their fate.
 
A BEST BOOK OF THE YEAR: The New York Times Book Review, Chicago Tribune, NPR, Kansas City Star, San Francisco Chronicle, The Christian Science Monitor, Cleveland Plain Dealer, Kirkus Reviews
NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE NATIONAL BOOK AWARD • A searing debut about the transcendent power of love in wartime, hailed as “an absolute masterpiece” (Sarah Jessica Parker, Entertainment Weekly)—from the renowned author of Mercury Pictures Presents
 
“Extraordinary . . . a twenty-first century War and Peace.”—The New York Times Book Review

NATIONAL BOOK CRITICS CIRCLE JOHN LEONARD AWARD WINNER • ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Publishers Weekly, Library Journal

In the final days of December 2004, in a small rural village in Chechnya, eight-year-old Havaa hides in the woods when her father is abducted by Russian forces. Fearing for her life, she flees with their neighbor Akhmed—a failed physician—to the bombed-out hospital, where Sonja, the one remaining doctor, treats a steady stream of wounded rebels and refugees and mourns her missing sister. Over the course of five dramatic days, Akhmed and Sonja reach back into their pasts to unravel the intricate mystery of coincidence, betrayal, and forgiveness that unexpectedly binds them and decides their fate.
 
A BEST BOOK OF THE YEAR: The New York Times Book Review, Chicago Tribune, NPR, Kansas City Star, San Francisco Chronicle, The Christian Science Monitor, Cleveland Plain Dealer, Kirkus Reviews
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Extraits-
  • Chapter 1 Chapter 1

    2004

    On the morning after the Feds burned down her house and took her father, Havaa woke from dreams of sea anemones. While the girl dressed, Akhmed, who hadn't slept at all, paced outside the bedroom door, watching the sky brighten on the other side of the window glass; the rising sun had never before made him feel late. When she emerged from the bedroom, looking older than her eight years, he took her suitcase and she followed him out the front door. He had led the girl to the middle of the street before he raised his eyes to what had been her house. "Havaa, we should go," he said, but neither moved.

    The snow softened around their boots as they stared across the street to the wide patch of flattened ash. A few orange embers hissed in pools of gray snow, but all else was char. Not seven years earlier, Akhmed had helped Dokka build an addition so the girl would have a room of her own. He had drawn the blueprints and chopped the hardwood and cut it into boards and turned them into a room; and when Dokka had promised to help him build an addition to his own house, should he ever have a child, Akhmed had thanked his friend and walked home, the knot in his throat unraveling into a sob when the door closed behind him. Carrying that lumber the forty meters from the forest had left his knuckles blistered, his underarms sopping, but now a few hours of flames had lifted what had taken him months to design, weeks to carry, days to build, all but the nails and rivets, all but the hinges and bolts, all into the sky. And too were carried the small treasures that had made Dokka's house his own. There was the hand-carved chess set on a round sidetable; when moved, the squat white king wobbled from side to side, like a man just sober enough to stand, and Dokka had named his majesty Boris Yeltsin. There was the porcelain vase adorned with Persian arabesques, and beside that a cassette deck-radio with an antenna long enough to scrape the ceiling when propped up on a telephone book, yet too short to reach anything but static. There was the eighty-five-year-old Qur'an, the purple cover writhing with calligraphy, that Dokka's grandfather had purchased in Mecca. There were these things and the flames ate these things, and since fire doesn't distinguish between the word of God and the word of the Soviet Communications Registry Bureau, both Qur'an and telephone directory returned to His mouth in the same inhalation of smoke.

    The girl's fingers braceleted his wrist. He wanted to throw her over his shoulder and sprint northward until the forest swallowed the village, but standing before the blackened timbers, he couldn't summon the strength to bring a consoling word to his lips, to hold the girl's hand in his own, to move his feet in the direction he wanted them to go.

    "That's my house." Her voice broke their silence and he heard it as he would the only sound in an empty corridor.

    "Don't think of it like that," he said.

    "Like what?"

    "Like it's still yours."

    He wound her bright orange scarf around her neck and frowned at the sooty fingerprint on her cheek. He had been awake in bed the previous night when the Feds came. First the murmur of a diesel engine, a low rumble he'd come to fear more than gunfire, then Russian voices. He had gone to the living room and pulled back the blackout curtain as far as he dared. Through the triangle of glass, headlights parted the night. Four soldiers, stocky, well fed, emerged from the truck. One drank from a vodka bottle and cursed the snow each time he stumbled. This soldier's grandfather had told him, the morning the soldier reported to the Vladivostok conscription center, that he would have...

Au sujet de l’auteur-
  • ANTHONY MARRA is the author of A Constellation of Vital Phenomena (2013), which won the National Book Critics Circle’s inaugural John Leonard Prize, the Anisfield-Wolf Book Award in fiction, the Barnes and Noble Discover Award, and appeared on over twenty year-end lists. Marra’s novel was a National Book Award long list selection as well as a finalist for the Dayton Literary Peace Prize and France’s Prix Medicis. He received an MFA from the Iowa Writers’ Workshop and was a Stegner Fellow at Stanford University, where he teaches as the Jones Lecturer in Fiction. He has lived and studied in Eastern Europe, and now resides in Oakland, California. His story collection, The Tsar of Love and Techno, is forthcoming from Hogarth (Fall 2015). Visit http://anthonymarra.net/
Critiques-
  • Publisher's Weekly

    Starred review from February 18, 2013
    Marra’s sobering, complex debut intertwines the stories of a handful of characters at the end of the second war in bleak, apocalyptic Chechnya. Though the novel spans 11 years, the story traces five days in 2004 following the arrest of Dokka, a villager from the small Muslim village of Eldar. His eight-year-old daughter escapes, and is rescued by Dokka’s friend Akhmed, the village doctor, who entrusts her to the care of Sonja, the lone remaining doctor at a nearby hospital. Why Akhmed feels responsible for Haava and chooses Sonja, an ethnic Russian keeping a vigil for her missing sister, as her guardian is one of many secrets; years of Soviet rule and the chaos of war have left these people unaccustomed to honesty. Marra, a Stegner Fellow, writes dense prose full of elegant detail about the physical and emotional destruction of occupation and war. Marra’s deliberate withholding of narrative detail makes the characters opaque, until all is revealed, in a surprisingly hopeful way, but there’s pleasure in reconstructing the meaning in reverse. As Akhmed says to Sonja, “The whole book is working toward the last page.” Agent: Janet Silver, Zachary Shuster Harmsworth.

  • Library Journal

    April 1, 2013

    Marra's debut novel places readers in Chechnya during its decadelong conflict with Russia and offers up an authentic, heartbreaking tale of intertwining relationships during wartime. The narrative centers on three people: eight-year-old Havaa, whose father has been "disappeared" by Russian forces; her neighbor Akhmed, a failed doctor who tries to hide her in the only operational hospital he knows; and Sonja, the area's last remaining surgeon, who is trying desperately to find her missing sister. As he shifts in time through the years of the two Chechen wars, Marra confidently weaves those plots together, and several more besides, giving each character a rich backstory that intersects, often years down the line, with the others. Though sometimes difficult to digest--episodes of casual violence and savage brutality punctuate the otherwise graceful prose--the novel's tone remains optimistic, and its characters retain vast depths of humanity (and even humor) in spite of their bleak circumstances. VERDICT Marra's moving novel will appeal to admirers of Tea Obreht's similarly war-torn novel The Tiger's Wife, but his story relies less on magical realism and more on the seemingly random threads binding us together. Highly recommended for all readers of literary fiction.--Michael Pucci, South Orange P.L., NJ

    Copyright 2013 Library Journal, LLC Used with permission.

  • New York Times "Brilliant."
  • Ron Charles, Washington Post "A flash in the heavens that makes you look up and believe in miracles....Here, in fresh, graceful prose, is a profound story that dares to be as tender as it is ghastly, a story about desperate lives in a remote land that will quickly seem impossibly close and important....I haven't been so overwhelmed by a novel in years. At the risk of raising your expectations too high, I have to say you simply must read this book."
  • Madison Smartt Bell, New York Times Book Review "Extraordinary....a 21st century War and Peace....Marra seems to derive his astral calm in the face of catastrophe directly from Tolstoy."
  • Dwight Garner, New York Times "A Constellation of Vital Phenomena is ambitious and intellectually restless....[Marra is] a lover not a fighter, a prose writer who resembles the Joseph Heller of Catch-22 and the Jonathan Safran Foer of Everything Is Illuminated."
  • Ramona Ausubel, San Francisco Chronicle "Over and over again, this is an examination of the ways in which many broken pieces come together to make a new whole. In exquisite imagery, Marra tends carefully to the twisted strands of grace and tragedy....Everything in A Constellation of Vital Phenomena...is dignified with a hoping, aching heartbeat."
  • Ron Charles, Washingtonian "The most moving book I've read in years. By writing so beautifully about a tiny village in Chechnya, this 28-year-old Washington native has produced a timeless tragedy about the victims of war."
  • John Freeman, Boston Globe "A powerful tale....The moment Akhmed walks into the hospital with Havaa...rivals anything Michael Ondaatje has written in its emotional force....There are many reasons to read A Constellation of Vital Phenomena....to marvel at the lack of fear in a writer so young. To read a book that can bring tears to your eyes and force laughter from your lungs....But the one I kept returning to, the best reason to read this novel, is that this story reminds us how senseless killing often wrenches kindness through extreme circumstances."
  • John Barron, Chicago Tribune "[A Constellation of Vital Phenomena] pulls together blown-out bits of a world turned inside-out to create a brutal form of beauty from chaos....its prose is also ruefully funny in places and littered throughout with dazzling poetry."
  • Meg Wolitzer, author of The Interestings, for NPR "Amazing...brilliant...one of the most accomplished and affecting books I've read in a very long time....Though the lives lived in this novel can seem unbearable, what Anthony Marra has done is to diligently describe them in passionate, extraordinary prose."
  • Sarah Jessica Parker for Entertainment Weekly "With remarkable pathos and a surprising amount of humor, Marra keeps the focus on the relationships, struggles, and tiny triumphs of an unforgettable group of characters....Marra creates a specific and riveting world around his characters, expertly revealing the unexpected connections among them....this novel, full of humanity and hope, ultimately leaves you uplifted. Constellation deserves to be on the short list for every major award. It's an absolute masterpiece."
  • Sam Sacks, Wall Street Journal "Marra is trying to capture some essence of the lives of men and women caught in the pincers of a brutal, decade-long war, and at this he succeeds beautifully....his storytelling impulses are fed by wellsprings of generosity....[the] ending is almost certain to leave you choked up and, briefly at least, transformed by tenderness."
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