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NEW YORK TIMES BESTSELLER • WINNER OF THE NAACP IMAGE AWARD • A “gripping, revelatory” (NPR) memoir of hard-won success, struggles with addiction, and a lifelong mission to give back—from the late iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country
“Williams’s cool rasp leaps off every page, his story told in the direct yet impassioned language that defined his greatest characters.”—Vulture ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, The Root When Michael K. Williams died on September 6, 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his life’s work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organizations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did—in his own voice, in his own words, as only he could.
NEW YORK TIMES BESTSELLER • WINNER OF THE NAACP IMAGE AWARD • A “gripping, revelatory” (NPR) memoir of hard-won success, struggles with addiction, and a lifelong mission to give back—from the late iconic actor beloved for his roles in The Wire, Boardwalk Empire, and Lovecraft Country
“Williams’s cool rasp leaps off every page, his story told in the direct yet impassioned language that defined his greatest characters.”—Vulture ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, The Root When Michael K. Williams died on September 6, 2021, he left behind a career as one of the most electrifying actors of his generation. From his star turn as Omar Little in The Wire to Chalky White in Boardwalk Empire to Emmy-nominated roles in HBO’s The Night Of and Lovecraft Country, Williams inhabited a slew of indelible roles that he portrayed with a rawness and vulnerability that leapt off the screen. Beyond the nominations and acclaim, Williams played characters who connected, whose humanity couldn’t be denied, whose stories were too often left out of the main narrative. At the time of his death, Williams had nearly finished a memoir that tells the story of his past while looking to the future, a book that merges his life and his life’s work. Mike, as his friends knew him, was so much more than an actor. In Scenes from My Life, he traces his life in whole, from his childhood in East Flatbush and his early years as a dancer to his battles with addiction and the bar fight that left his face with his distinguishing scar. He was a committed Brooklyn resident and activist who dedicated his life to working with social justice organizations and his community, especially in helping at-risk youth find their voice and carve out their future. Williams worked to keep the spotlight on those he fought for and with, whom he believed in with his whole heart. Imbued with poignance and raw honesty, Scenes from My Life is the story of a performer who gave his all to everything he did—in his own voice, in his own words, as only he could.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the coverChapter 1
The Cracks
Cleveland, Ohio November 2018
“Mr. Michael, could I ask you a question?”
His voice was still a child’s, but his tone had that grit, the kind that comes from experience. Daniel did not talk like someone with only sixteen years under his belt. But one thing I knew for sure: not everyone’s year on this Earth is created equal.
“Sure thing, my man,” I said. “Shoot.”
“Okay,” he said, leaning forward to be heard above the noise of the table. “Are you happy?”
My face likely betrayed me. Daniel was rangy and loose in the way of confident teenagers. And with one simple question, he had pulled my skin right off.
“Sorry, what?” I asked, tilting my ear forward. I’d heard him just fine, but I was thrown off. The smile across my face was for defense, honed over many years of self-protection. But Daniel saw right through it. Maybe that’s why he asked the question in the first place.
“Are you, like, happy?” he asked again, a little more hesitant, more like a teenager. Maybe he sensed my nervousness.
Daniel and I had known each other for only a few hours, but I was already struck by how this kid talked. When I met him, through members of the ACLU of Ohio, one of the first things he said was, “Yeah, I’ve been working to turn my life around.” Turn my life around? What kid talks like that? What does it say about America that the life of a sixteen-year-old boy was already so far in the wrong direction that he needed to turn it around?
Daniel was from a rough part of Cleveland, a city that often had one of the highest murder rates in the country. “Too much death,” he had said earlier, “a lot of friends dying. Or in jail.” He lived one block over from the projects, and that closeness wasn’t just about geography. He was teetering on the edge between two worlds, and turning his life around meant facing threats on both sides.
One threat were the gangs, and the violence that grew out of them. “Sometimes people in the streets are bullied and they need protection,” he told me. “They’re sick of being the one who’s the victim, getting guns pulled on them, and they turn into the person that starts doing stuff like that.”
“Yeah, I get it,” I said. I remembered gangs forming in the Brooklyn projects of my youth. It felt like overnight it went from a rivalry between buildings and courts—kid stuff—into violent gangs. Some of them came together because they wanted to and some because they felt they needed to. From what I could see, not much had changed, except each generation is starting a little earlier than the last.
“There’s people younger than me that carry guns now, it’s crazy,” he said. “Fourteen-year-olds walking around with guns you’d see on an officer. And they’re not little guns; they really got stuff.” Daniel told me a story about how one night he was walking to his friend’s building and looked down to see a bright-green beam, like from the sights of an automatic weapon, on his chest. Instantly, he froze. The beam lingered. He didn’t know whether to turn around and run or what. Paralyzed, he just stood there. And then, the beam disappeared. When his heart stopped rumbling, he took off running down the street. It’s moments like these—a fear that most can’t imagine, a stress that doesn’t just pass—that makes some people’s years weigh heavier than others.
The other...
Au sujet de l’auteur-
Michael K. Williams was an Emmy-nominated actor and producer. One of his generation's most respected and acclaimed talents, Williams was best known for his roles on The Wire and Boardwalk Empire. He died in his native Brooklyn, New York, on September 6, 2021.
Jon Sternfeld is a former editor, the author of Unprepared: America in the Time of Coronavirus, and the co-author of Crisis Point, with Sen. Tom Daschle and Sen. Trent Lott, A Stone of Hope, with Jim St. Germain, and A Forever Family with Rob Scheer, among other non-fiction books. He lives in New York.
Starred review from June 13, 2022 The late Emmy-nominated actor recounts his endeavor to overcome poverty, abuse, and addiction in this immensely inspiring and candid debut. Born in Brooklyn in 1966, Williams endured a difficult childhood marked by an absentee father, a suffocating and abusive mother, bullying friends, and molestation, before turning to drugs as a way of “letting me disappear from myself.” Employing the arts as a “form of rebellion,” Williams became a backup dancer and began appearing in music videos, where he started to unlearn “macho code” of suppressing his feelings: “If you push something down, it’ll find its way out,” he writes in one of the book’s many raw and moving scenes. “Jay-Z says we can’t heal what we never reveal. And it’s true.” A couple years later, Tupac Shakur spotted Williams’s headshot and launched his acting career in the mid 1990s, leading Williams to land his breakout role nearly a decade later as Omar on The Wire. While the intensity of his performances often reawakened Williams’s addiction struggles, he recounts how he used his hardships as inspiration “to bring others up” via organizations—such as his own nonprofit, Making Kids Win—that were dedicated to ending cycles of violence and poverty in marginalized communities. This bittersweet and poignant work will leave readers in awe.
December 1, 2022
Reading about Williams's insecurities and growing up the target of bullies makes it hard to believe he so fully embodied Omar on The Wire, one of TVs toughest iconic characters, who had no doubts about his life and choices. Williams's first break was as a backup dancer for musical acts and starring roles in music videos. From there, he modeled and began his acting career. He discusses his addiction at length and is clear that he would never be free of it. Raw and vulnerable, narrator Dion Graham helps listeners relate to the poverty, success, addiction, and struggles that led to Williams advocating for criminal justice reform, helping at-risk youth, and giving back to the community. The examination of his past and a direction for the future illuminates an unlikely journey. While Graham never disappoints, it would have been amazing to hear this in Williams's own voice. Unfortunately, this memoir was not finished when Williams died of an accidental overdose in September of 2021 at the age of 54. VERDICT This powerful audiobook reveals the humanity of a charismatic performer and is recommended for public libraries.--Christa Van Herreweghe
Copyright 2022 Library Journal, LLC Used with permission.
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Narrator Dion Graham's deep voice and emotionally fueled performance beautifully portray Michael K. Williams's journey from outsider to actor to activist. In this posthumously published memoir, Williams is open about many aspects of his life in the arts, including how finding success as Omar on "The Wire" couldn't help him escape addiction. Graham channels Williams, in part, by pitching his voice low and adding a bit of gravel and a slight New York accent. A tone of warmth appears in Graham's voice when Williams reflects on the friends and family who supported him through his roughest patches. His experiences eventually led him to become an advocate for at-risk youth. Graham's powerful performance pays tribute to William's impactful and tragic life. J.E.C. © AudioFile 2022, Portland, Maine
