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NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. “Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado—a place that is as fierce as it is exquisite—these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Public Library • Kirkus Reviews • Library Journal “Sabrina & Corina isn’t just good, it’s masterful storytelling. Fajardo-Anstine is a fearless writer: her women are strong and scarred witnesses of the violations of their homelands, their culture, their bodies; her plots turn and surprise, unerring and organic in their comprehensiveness; her characters break your heart, but you keep on going because you know you are in the hands of a master. Her stories move through the heart of darkness and illuminate it with the soul of truth.”—Julia Alvarez, author of How the García Girls Lost Their Accents “[A] powerhouse debut . . . stylistically superb, with crisp dialogue and unforgettable characters, Sabrina & Corina introduces an impressive new talent to American letters.”—Rigoberto González, NBC News
NATIONAL BOOK AWARD FINALIST • Latinas of Indigenous descent living in the American West take center stage in this haunting debut story collection—a powerful meditation on friendship, mothers and daughters, and the deep-rooted truths of our homelands. “Here are stories that blaze like wildfires, with characters who made me laugh and broke my heart.”—Sandra Cisneros WINNER OF THE AMERICAN BOOK AWARD • FINALIST FOR THE STORY PRIZE • FINALIST FOR THE PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT SHORT STORY COLLECTION Kali Fajardo-Anstine’s magnetic story collection breathes life into her Latina characters of indigenous ancestry and the land they inhabit in the American West. Against the remarkable backdrop of Denver, Colorado—a place that is as fierce as it is exquisite—these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the earth but tend to rise during land disputes. “Any Further West” follows a sex worker and her daughter as they leave their ancestral home in southern Colorado only to find a foreign and hostile land in California. In “Tomi,” a woman leaves prison and finds herself in a gentrified city that is a shadow of the one she remembers from her childhood. And in the title story, “Sabrina & Corina,” a Denver family falls into a cycle of violence against women, coming together only through ritual. Sabrina & Corina is a moving narrative of unrelenting feminine power and an exploration of the universal experiences of abandonment, heritage, and an eternal sense of home. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Public Library • Kirkus Reviews • Library Journal “Sabrina & Corina isn’t just good, it’s masterful storytelling. Fajardo-Anstine is a fearless writer: her women are strong and scarred witnesses of the violations of their homelands, their culture, their bodies; her plots turn and surprise, unerring and organic in their comprehensiveness; her characters break your heart, but you keep on going because you know you are in the hands of a master. Her stories move through the heart of darkness and illuminate it with the soul of truth.”—Julia Alvarez, author of How the García Girls Lost Their Accents “[A] powerhouse debut . . . stylistically superb, with crisp dialogue and unforgettable characters, Sabrina & Corina introduces an impressive new talent to American letters.”—Rigoberto González, NBC News
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Though the southern Colorado soil was normally hard and cakey, it had snowed and then rained an unusual amount that spring. Some of the boys in my eighth-grade class decided it was the perfect ground for playing army. They borrowed shovels and picks from their fathers’ sheds, placing the tools on their bicycle handlebars and riding out to the western edge of our town, Saguarita, a place where the land with its silken fibers of swaying grass resembled a sleeping woman with her face pressed firmly to the pillow, a golden blonde by day, a raven-haired beauty by night.
The first boy to hit bone was Robbie Martinez. He did so with the blunt edge of a rusted shovel. Out of the recently drenched earth, he lifted a piece of brittle faded whiteness and tossed it downwind like nothing more than a scrap of paper. “Look,” he said, kneeling as if he was praying. “Everybody come look.”
The other boys gathered around. There in the ground lay broken pieces of bowls with black zigzagging designs. Next to those broken bowls were human teeth, scattered like dried kernels of yellow corn. Above them the sun had begun to fade behind the tallest peak of the Sangre de Cristo Mountains. The sky was pale and bleak, like the bloated belly of a lizard passing above.
“Don’t touch it,” Robbie said. “None of it. We need to tell somebody.”
And tell they did. The entire town. Everyone, it seemed, was a witness.
Days after their discovery, our final eighth-grade project was announced. We gathered in the gym for an assembly. The teachers brought together the boys from technical education class and the girls from home economics. We sat Indian style in ten rows beneath dangling ropes and resting basketball hoops. The room smelled like a tennis ball dipped in old socks and the cement walls were padded in purple vinyl—supposedly to minimize dodgeball injuries. I thought it looked like a loony bin.
Mrs. Sharply, a bug-eyed woman with a neck like a giraffe’s but a torso like a rhino’s, stood before us on a wooden box. “For the remaining two weeks of your junior high career,” she said, “you will care for another life.” She then reached behind her into a paper grocery bag, revealing a sack of C & H pure cane sugar. “Sugar babies. We will be raising our very own sugar babies.”
Older kids had gossiped about notorious school projects. We had heard stories of piglet dissections, the infamous “growing and changing” unit, rocket launches with carbon dioxide canisters, and a cow’s lung blackened and doused in cigarette smoke, but no one had warned us about this.
“Sugar babies are a lot of responsibility,” Mrs. Sharply said as she stepped down from her box and paced with the sugar sack. She explained we were to be graded on skills like feeding, bonding, budgeting, and more. She then passed around diaper directions.
“We do it all alone?” It was Solana Segura. She was behind me, her perpetual whimper causing every sentence to end like a little howl. “Like single moms and stuff?”
Somewhere, down the rows, a boy croaked, “But the DNA shows I am not the father.”
We chirped with laughter until Mrs. Sharply held up two fingers, signaling silence. “Of course not. You’ll be in committed partnerships. We’re drawing names.”
A teacher’s aide in Payless flats scurried like a magician’s assistant toward Mrs. Sharply. She carried two Folgers cans decorated in pink and blue glitter. Mrs. Sharply set down her...
Au sujet de l’auteur-
Kali Fajardo-Anstine is the author of Sabrina & Corina, a finalist for the National Book Award, the PEN/Bingham Prize, The Story Prize, and winner of an American Book Award. She is the 2021 recipient of the Metcalf Award from the American Academy of Arts and Letters. Her work has been honored with the Denver Mayor’s Award for Global Impact in the Arts and the Mountains and Plains Independent Booksellers Association Reading the West Award. She has written for The New York Times, Harper’s Bazaar, ELLE, The American Scholar, Boston Review, and elsewhere, and has received fellowships from MacDowell, Yaddo, Hedgebrook, and Tin House. Fajardo-Anstine earned her MFA from the University of Wyoming and has lived across the country, from Durango, Colorado, to Key West, Florida. She is the 2022/2023 Endowed Chair of Creative Writing at Texas State University. She is from Denver, Colorado.
Critiques-
April 1, 2019 Eleven achingly realistic stories set in Denver and southern Colorado bear witness to the lives of Latina women of Indigenous descent trying to survive generations of poverty, racism, addiction, and violence. "Ever feel like the land is swallowing you whole, Sierra?" the narrator's mother, Josie, asks her in "Sugar Babies," the first story of Fajardo-Anstine's debut collection. "That all this beauty is wrapped around you so tight it's like being in a rattlesnake's mouth?" Here, it's becoming a mother at 16 that threatens to swallow Josie, prompting her to abandon 10-year-old Sierra. In "Sabrina & Corina," which follows two cousins, women's lack of opportunities and their dependence on men undo Sabrina, a blue-eyed, dark-haired beauty. While Corina, the plainer of the two, goes to beauty school, Sabrina spirals into substance abuse and sleeps around. She's murdered at the story's start, and Corina has the horrible task of going to the mortuary to do her cousin's makeup, literally covering up the violence she suffered. In "Julian Plaza," gaping holes in our social safety net ensnare the characters. When Nayeli gets breast cancer, her family has no good choices: Her husband's health insurance won't cover effective treatments, and he can't care for her for fear of being canned. Fajardo-Anstine writes with a keen understanding of the power of love even when it's shot through with imperfections. Nayeli's young daughters try to carry their mother home from the neighbor's where she has been sent to die. And Sierra from the title story still fantasizes about her mother returning at some point, "joyously waving to me, her last stop." Fajardo-Anstine takes aim at our country's social injustices and ills without succumbing to pessimism. The result is a nearly perfect collection of stories that is emotionally wrenching but never without glimmers of resistance and hope.
COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.
July 15, 2019 In Fajardo-Anstine’s beautiful debut collection, set largely in Denver, Colo., she dexterously explores what it means to be Latina, indigenous, and female in ways both touching and powerful. In “Sugar Babies,” readers meet sixth grader Sierra, who grows uncomfortable in her home economics class when she is forced to partner with a male student and care for a infant bag of sugar—a “sugar baby.” With a mother who keeps leaving her and her father, Sierra emotionally breaks down when her sugar baby dies, exposing years of pent up anger and grief at her lost mother. In the title story, Corina struggles with the murder of her cousin at the hands of her latest abusive boyfriend, as she, a new cosmetology student, agrees to prepare the body for the family funeral. Fajardo-Anstine’s women also contend with racism, sexism, and loss of cultural identity. In “Sisters,” Doty wants more than just to become a white man’s “little Spanish girl” like her sister aspires to be, choosing instead to explore her attraction to women. In “Ghost Sickness,” a college student, Ana, struggles in a history course that has overwritten the original Navajo and Pueblo people’s history with the history of white, European conquest. These stories are stirring meditations on the lives of Latinas of indigenous ancestry; Fajardo-Anstine’s collection is vividly alive with the love and pain of its characters, while echoing with the spiritual power of their pasts.
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