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NOW A HIT STREAMING SERIES • A “bold, absorbing novel” (The New York Times Book Review) of the lost American dream, the acts of friendship, loyalty, and love that arise from its loss, and two young men, bound to their hometown, who crave an escape. “Powerful . . . gripping . . . in the tradition that stretches from Ernest Hemingway to Cormac McCarthy.”—The Washington Post A BEST BOOK OF THE YEAR: New York Times Book Review, The Washington Post, Economist, Pittsburgh Post-Gazette, Newsweek, Kansas City Star, Idaho Statesman
Left alone to care for his aging father after his mother dies by suicide and his sister escapes to Yale, Isaac English longs for a life beyond his hometown, a beautiful but economically devastated Pennsylvania steel town. But when he finally sets out to leave for good, accompanied by his temperamental best friend, former high school football star Billy Poe, they are caught up in a terrible act of violence that changes their lives forever. Evoking John Steinbeck’s novels of restless lives during the Great Depression, American Rust takes us into the contemporary American heartland at a moment of profound unrest and uncertainty about the future. It is a dark but lucid vision, a moving novel about the bleak realities that battle our desire for transcendence and the power of love and friendship to redeem us.
NOW A HIT STREAMING SERIES • A “bold, absorbing novel” (The New York Times Book Review) of the lost American dream, the acts of friendship, loyalty, and love that arise from its loss, and two young men, bound to their hometown, who crave an escape. “Powerful . . . gripping . . . in the tradition that stretches from Ernest Hemingway to Cormac McCarthy.”—The Washington Post A BEST BOOK OF THE YEAR: New York Times Book Review, The Washington Post, Economist, Pittsburgh Post-Gazette, Newsweek, Kansas City Star, Idaho Statesman
Left alone to care for his aging father after his mother dies by suicide and his sister escapes to Yale, Isaac English longs for a life beyond his hometown, a beautiful but economically devastated Pennsylvania steel town. But when he finally sets out to leave for good, accompanied by his temperamental best friend, former high school football star Billy Poe, they are caught up in a terrible act of violence that changes their lives forever. Evoking John Steinbeck’s novels of restless lives during the Great Depression, American Rust takes us into the contemporary American heartland at a moment of profound unrest and uncertainty about the future. It is a dark but lucid vision, a moving novel about the bleak realities that battle our desire for transcendence and the power of love and friendship to redeem us.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
Chapter One
Book One 1.
Isaac's mother was dead five years but he hadn't stopped thinking about her. He lived alone in the house with the old man, twenty, small for his age, easily mistaken for a boy. Late morning and he walked quickly through the woods toward town—a small thin figure with a backpack, trying hard to keep out of sight. He'd taken four thousand dollars from the old man's desk; Stolen, he corrected himself. The nuthouse prisonbreak. Anyone sees you and it's Silas get the dogs. Soon he reached the overlook: green rolling hills, a muddy winding river, an expanse of forest unbroken except for the town of Buell and its steelmill. The mill itself had been like a small city, but they had closed it in 1987, partially dismantled it ten years later; it now stood like an ancient ruin, its buildings grown over with bittersweet vine, devil's tear thumb, and tree of heaven. The footprints of deer and coyotes crisscrossed the grounds; there was only the occasional human squatter. Still, it was a quaint town: neat rows of white houses wrapping the hillside, church steeples and cobblestone streets, the tall silver domes of an Orthodox cathedral. A place that had recently been well-off, its downtown full of historic stone buildings, mostly boarded now. On certain blocks there was still a pretense of keeping the trash picked up, but others had been abandoned completely. Buell, Fayette County, Pennsylvania. Fayette-nam, as it was often called. Isaac walked the railroad tracks to avoid being seen, though there weren't many people out anyway. He could remember the streets at shiftchange, the traffic stopped, the flood of men emerging from the billet mill coated with steeldust and flickering in the sunlight; his father, tall and shimmering, reaching down to lift him. That was before the accident. Before he became the old man. It was forty miles to Pittsburgh and the best way was to follow the tracks along the river—it was easy to jump a coal train and ride as long as you wanted. Once he made the city, he'd jump another train to California. He'd been planning this for a month. A long time overdue. Think Poe will come along? Probably not.
On the river he watched barges and a towboat pass, engines droning. It was pushing coal. Once the boat was gone the air got quiet and the water was slow and muddy and the forests ran down to the edge and it could have been anywhere, the Amazon, a picture from National Geographic. A bluegill jumped in the shallows—you weren't supposed to eat the fish but everyone did. Mercury and PCB. He couldn't remember what the letters stood for but it was poison. In school he'd tutored Poe in math, though even now he wasn't sure why Poe was friends with him—Isaac English and his older sister were the two smartest kids in town, the whole Valley, probably; the sister had gone to Yale. A rising tide, Isaac had hoped, that might lift him as well. He'd looked up to his sister most of his life, but she had found a new place, had a husband in Connecticut that neither Isaac nor his father had met. You're doing fine alone, he thought. The kid needs to be less bitter. Soon he'll hit California—easy winters and the warmth of his own desert. A year to get residency and apply to school: astrophysics. Lawrence Livermore. Keck Observatory and the Very Large Array. Listen to yourself—does any of that still make sense? Outside the town it got rural again and he decided to walk the trails to Poe's house instead of taking the road. He climbed steadily along. He knew the woods as well as an old poacher, kept notebooks of drawings he'd made of birds and other animals, though mostly it was birds. Half the weight of his pack was notebooks. He liked being outside....
Au sujet de l’auteur-
Philipp Meyer grew up in Baltimore, dropped out of high school, and got his GED when he was sixteen. After spending several years volunteering at a trauma center in downtown Baltimore, he attended Cornell University, where he studied English. Since graduating, Meyer has worked as a derivatives trader at UBS, a construction worker, and an EMT, among other jobs. His writing has been published in McSweeney's, The Iowa Review, Salon.com, and New Stories from the South. From 2005 to 2008 Meyer was a fellow at the Michener Center for Writers in Austin, Texas. He splits his time between Texas and upstate New York.
Critiques-
September 15, 2008 In his unrelentingly downbeat debut, Meyer offers up a character-driven near-noir set in Buell, a dying Pennsylvania steel town, where aimless friends Billy Poe and Isaac English are trapped by economic and personal circumstance. Just before their halfhearted escape to California, Isaac accidentally kills a transient who tries to rob Poe. The boys return to the crime scene the next day with plans to cover up the crime, setting the plot in motion. Poe is soon under suspicion, and Isaac, distraught after discovering Poe has been carrying on a relationship with Isaac’s sister, Lee, sets off for California alone. Meanwhile, Poe’s mother, Grace, mourns her own lost opportunities, broods over her son and pines for her on-again-off-again love, the local sheriff. A fully realized tragic heroine, Grace is the poignant thrust of the novel, embodying enough rural tragedy to nearly atone for the novel’s weakness: a sense that some of the plot mechanics are arbitrary. Still, Meyer has a thrilling eye for failed dreams and writes uncommonly tense scenes of violence, and in the character of Grace creates a woeful heroine. Fans of Cormac McCarthy or Dennis Lehane will find in Meyer an author worth watching.
November 1, 2008 Part earnest Dreiserian tragedy, part Cormac McCarthy novel transplanted to the Steel Belt, Meyer 's debut in the end takes a gothic turn into blockbuster-movie bloodbath.
Gifted, 20-year-old Isaac has the double bad luck of being born in a dying Pennsylvania steel town and of having an equally smart sister who 's already escaped, to Yale and afterward to marriage, leaving him home to tend his disabled father. At the novel 's beginning, Isaac has stolen $4,000 from the old man 's desk and is lighting out with the quixotic idea that he 'll hop a freight and somehow reach the Shangri-La of Berkeley and an astrophysics degree. Isaac is accompanied for the first stretch by his friend Poe, an ex-football star on probation because of a brutal fight that could have earned him serious time except that the sheriff, his mother 's lover, intervened. When they seek refuge from the weather in an abandoned factory along the tracks, Isaac and Poe encounter other refugees, transients of longer standing and rougher mien. Hair-triggered Poe incites a fight, and Isaac kills a man with a stone thrown in defense of his friend. This death sets in motion a complex plot that centers on the impossibility of escape, be it from place, circumstance or character. Meyer does a terrific job capturing the tone and ethos of his setting, half postindustrial wasteland and half prelapsarian Eden (OK, four-fifths postindustrial wasteland and one-fifth prelapsarian Eden). Several of the alternating narrators are compellingly drawn, especially the sheriff and Isaac, whose flight is a hellishly compacted journey from innocence to experience. The self-styled "Kid " encounters misery and perfidy everywhere he goes —until he decides to face the music and turns homeward.
Despite some contrived plot developments, a grimly powerful hybrid: provocative literary fiction crossed with a propulsive thriller.
(COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
October 15, 2008 The dying steel towns of southwestern Pennsylvania are the somber canvas upon which Meyer paints this tale of class, crime, and circumscribed choices. Lifelong buddies Isaac and Billy find themselves in the wrong place at the wrong time. Now Isaac's on the run, Billy's taking the fall for a murder he didn't commit, and their respective families struggle to make sense of what's happened. Meyer's slow, eloquent pacing and lofty vocabulary occasionally seem at odds with the grim realities of Isaac and Billy's adventures, which include prison scenes and tales of life on the road. However, the elegant phrasing provides an ironic contrast between life as it really is and life as the characters wish it could be. Meyer's greatest strength as a novelist lies in his poignantly well-rounded characters, particularly Billy's long-suffering mother, Grace, who repeatedly sacrifices her own prospects for those of her child. A Pandora's box of debate for book clubs, this novel is an essential purchase for libraries in Pennsylvania and surrounding states and strongly recommended for all other fiction collections.Leigh Anne Vrabel, Carnegie Lib. of Pittsburgh
Copyright 2008 Library Journal, LLC Used with permission.
November 1, 2008 Part earnest Dreiserian tragedy, part Cormac McCarthy novel transplanted to the Steel Belt, Meyer's debut in the end takes a gothic turn into blockbuster-movie bloodbath.
Gifted, 20-year-old Isaac has the double bad luck of being born in a dying Pennsylvania steel town and of having an equally smart sister who's already escaped, to Yale and afterward to marriage, leaving him home to tend his disabled father. At the novel's beginning, Isaac has stolen $4,000 from the old man's desk and is lighting out with the quixotic idea that he ' ll hop a freight and somehow reach the Shangri-La of Berkeley and an astrophysics degree. Isaac is accompanied for the first stretch by his friend Poe, an ex-football star on probation because of a brutal fight that could have earned him serious time except that the sheriff, his mother's lover, intervened. When they seek refuge from the weather in an abandoned factory along the tracks, Isaac and Poe encounter other refugees, transients of longer standing and rougher mien. Hair-triggered Poe incites a fight, and Isaac kills a man with a stone thrown in defense of his friend. This death sets in motion a complex plot that centers on the impossibility of escape, be it from place, circumstance or character. Meyer does a terrific job capturing the tone and ethos of his setting, half postindustrial wasteland and half prelapsarian Eden (OK, four-fifths postindustrial wasteland and one-fifth prelapsarian Eden). Several of the alternating narrators are compellingly drawn, especially the sheriff and Isaac, whose flight is a hellishly compacted journey from innocence to experience. The self-styled "Kid " encounters misery and perfidy everywhere he goes —until he decides to face the music and turns homeward.
Despite some contrived plot developments, a grimly powerful hybrid: provocative literary fiction crossed with a propulsive thriller.
(COPYRIGHT (2008) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
Patricia Cornwell, author of Scarpetta
"A novel as splendidly crafted and original as any written in recent decades, American Rust is both darkly disturbing and richly compelling. Philipp Meyer's first novel signals the arrival of a new voice in American letters."
George Pelecanos, author of The Turnaround
"With its strong narrative engine and understated social insight, American Rust is reminiscent of the best of Robert Stone and Russell Banks. Author Philipp Meyer locates the heart of his working class characters without false sentiment or condescension, and their world is artfully described. An extraordinary, compelling novel from a major talent."
Pete Dexter, author of Paper Trails
"This is strong, clean stuff. Philipp Meyer deserves to be taken seriously."
Colm Tóibín, author of The Master
"Philipp Meyer's American Rust is written with considerable dramatic intensity and pace. It manages an emotional accuracy, a deep and detailed conviction in its depiction of character. It also captures a sense of a menacing society, a wider world in the throes of decay and self-destruction."
Publishers Weekly
"Meyer has a thrilling eye for failed dreams and writes uncommonly tense scenes of violence . . . Fans of Cormac McCarthy or Dennis Lehane will find in Meyer an author worth watching."
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