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The Herd
Couverture de The Herd
The Herd
A Novel
Why did the founder of a glamorous coworking space for women disappear? Her best friends will risk everything to uncover the truth in this “propulsive thriller” (Marie Claire) from the New York Times bestselling author of the Reese’s Book Club pick We Were Never Here.

“Perfect for fans of Big Little Lies.”—The Washington Post

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Real Simple Marie Claire Good Housekeeping CrimeReads

As CEO of the Herd, an elite women-only coworking space, Eleanor Walsh seems to have it all: close friends, a sweet husband, and the most glamorous and successful female-empowerment-based company in New York City. Then she vanishes on the night of a glitzy press conference—and the police suspect foul play.
 
For Hana, the head of PR for the Herd and Eleanor’s best friend, this is a nightmare. For Hana’s sister, Katie, a journalist, this is the story that will make her career. But when the sisters launch their own investigation and begin to learn what Eleanor was hiding, they must also face the secrets they’ve been keeping from each other—and confront just how dangerous it can be when women’s perfect veneers start to crack.
Why did the founder of a glamorous coworking space for women disappear? Her best friends will risk everything to uncover the truth in this “propulsive thriller” (Marie Claire) from the New York Times bestselling author of the Reese’s Book Club pick We Were Never Here.

“Perfect for fans of Big Little Lies.”—The Washington Post

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Real Simple Marie Claire Good Housekeeping CrimeReads

As CEO of the Herd, an elite women-only coworking space, Eleanor Walsh seems to have it all: close friends, a sweet husband, and the most glamorous and successful female-empowerment-based company in New York City. Then she vanishes on the night of a glitzy press conference—and the police suspect foul play.
 
For Hana, the head of PR for the Herd and Eleanor’s best friend, this is a nightmare. For Hana’s sister, Katie, a journalist, this is the story that will make her career. But when the sisters launch their own investigation and begin to learn what Eleanor was hiding, they must also face the secrets they’ve been keeping from each other—and confront just how dangerous it can be when women’s perfect veneers start to crack.
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Extraits-
  • From the book My body tensed before I knew what I was seeing: strobes of red and blue, the universal sign of an emergency. I paused and squinted at the squad car across the street, its lights flashing, eerier for the lack of a siren. I breathed deeply, commanded my chest to relax. Two weeks back in New York City, and despite everyone’s warnings, the sounds, the smells, the crush of people and hulking cliffs of steel and glass—­none of it bothered me, none of it took any reassimilation. But this was the first manic police light I’d seen, and like Pavlov’s bell it’d made every muscle tighten.

    I crossed the street and realized the two cops standing bored on the road weren’t just blocking my entrance—­they appeared to be at the Herd, speaking to a wisp of a woman in an impressively flattering parka. I leaned forward and flashed my widest smile.

    “Excuse me, I’m so sorry to interrupt.” They flicked their heads my way, annoyed. “It’s okay for me to go in?” I pointed at the door behind them.

    “Are you a member?” the woman asked.

    “I have an appointment with Eleanor.” She raised her eyebrows and I sighed. “I’m Hana’s sister.”

    She took a half step back. “Oh, go on up. The Gleam Room’s closed but everything else is, uh, business as usual.”

    I thanked her and hurried out of the cold to wait for the single elevator. The Gleam Room? What the hell is a Gleam Room?

    On the tenth floor, the doors slid open and I stepped out into a sunlit entryway. I paused, momentarily stunned. I’d seen the floor shortly after Eleanor had first rented it, had even donned a hard hat and closed-­toe shoes for a tour shortly before I’d left town, but that hive of dust and drywall and sweaty contractors had little in common with the space before me. It had the girly chicness of a magazine office, but without the clutter or bustle—­here everything was calm. Sunlight spilled in from the windows; it was warm but not stuffy, and the air smelled vaguely of plumeria. A woman with glossy French-­braid pigtails and molded spectacles smiled at me from behind a marble-­fronted desk. On the wall behind her was the now-­famous logo: the herd, the H-­E-­R a deep plum, the other letters gray.

    She checked me in, had me scribble my finger across an iPad in the wild snarl I counted as my signature, and then she gestured ­toward the nearest lounge. “Eleanor will get a notification that you’re here,” she said brightly, touching off a little chirrup in my chest. “Feel free to take a seat.”

    I thanked her and stepped inside the room, which was ringed with forest-­green booths and benches, a few sofas and armchairs clustered at the center. I peeled off my coat and sent a text: “You here?”

    I heard Hana before I saw her, her heels clacking along the parquet floor. Hana enters any room like Lily Tomlin in an ’80s office comedy. “Katie!” she cried, arms wide.

    “I take back everything I said,” I said into her shoulder. “This place is unreal, Hana. I feel like I’m inside Athena’s vagina.”

    She cracked up and let me go, then took a step back. Evaluating. “That’s the Katie I know,” she said, tapping my shoulder. “You’ve been off your game the last couple of weeks. I was beginning to worry Kalamazoo had permanently killed off your sense of humor.”

    Ah yes, Hana coming in hot with the thinly veiled criticism. “Don’t scapegoat...
Au sujet de l’auteur-
  • Andrea Bartz is a Brooklyn-based journalist and New York Times bestselling author of We Were Never Here, The Lost Night, and The Herd. Her work has appeared in The Wall Street Journal, Marie Claire, Vogue, Cosmopolitan, Women’s Health, Martha Stewart Living, Redbook, Elle, and many other outlets, and she’s held editorial positions at Glamour, Psychology Today, and Self, among other publications.
Critiques-
  • Publisher's Weekly

    January 20, 2020
    Bartz (The Lost Night) crafts a smart, twisty thriller about a women’s co-working space and the mysterious disappearance of its charismatic founder. Freelance journalist Katie returns to New York after a year of unsuccessful book research in Michigan. Back in the city, she accepts an invitation from her adopted older sister, Hana, a publicist, into a high-powered social network of Harvard alums including waspy, elegant Eleanor, founder of the Herd, an exclusive workspace and club for women. While Katie waits for her Herd membership application to be processed, she pitches a biography/oral history of Eleanor and the Herd to her nagging agent, who needs something to show Katie’s editor. Just as Katie begins probing into the life and psyche of the notoriously private Eleanor, her subject disappears. As the search for Eleanor escalates, the tension of the narrative, which bounces back and forth between Katie and Hana, ratchets up with the threat of long-buried secrets being revealed. Though too many last-minute twists muddle an otherwise satisfying ending, Bartz is especially astute at highlighting the hypocrisy of glamorous careerist feminism. Readers won’t want to put this down.

  • Kirkus

    January 15, 2020
    The enigmatic founder of an exclusive female-only co-working space suddenly disappears, stirring up a maelstrom of secrets in Bartz's (The Lost Night, 2019, etc.) new thriller. The Herd, emphasis on "her," is the hottest, most sought-after co-working space in New York City--there's even a waiting list. Founder Eleanor Walsh prides herself on her exclusive yet inclusive safe space for "women and marginalized genders" and seems genuinely dedicated to nurturing and inspiring creativity and joy. She's hired her most trusted friends to keep the wheels turning, including publicist Hana Bradley, whom Eleanor has known since their Harvard days. Now Hana's sister, Katie, a journalist, has come to New York after a failed book deal and a yearlong stint caring for their sick mother. Katie would love to score a spot at the Herd with Hana's help, but Eleanor won't hear of Katie jumping the waitlist, and meanwhile someone has been defacing the Herd offices with misogynistic (to say the least) graffiti. While Eleanor and Hana juggle that crisis, Katie sells her agent on a book about Eleanor, but everything blows up when Eleanor disappears. It turns out that Eleanor is hiding a closetful of skeletons which soon come tumbling out. But, of course, Eleanor isn't the only one with secrets. Katie, who is white, and Hana, who is adopted and is described as having dark skin, have a fraught history, which is revealed via alternating narratives. This tension fractures them at a time when they need each other the most, adding a heavy dose of angst to the central mystery. Bartz whips up a fast pace and adequate suspense, though character development suffers a bit in the process. However, once the dominoes begin to fall in the twisty finale, readers will likely be turning pages too quickly to mind. A soapy and fun woman-centric thriller.

    COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Library Journal

    March 1, 2020

    Bartz's second novel (after The Lost Night) focuses on four friends: a pair of sister protagonists, Hanna and Katie; and Hanna's two best friends from their Harvard days, Eleanor and Mikki. Eleanor is the star of the group, having first started a cosmetics company and then the Herd, an all-female coworking space in New York City. Mikki is an artist who does graphic design for Eleanor as a freelancer, and Hanna is a part-time publicist for the firm. Katie, Hanna's little sister, is a journalist who has just moved back to the city. When Eleanor goes missing on the day of a mysterious big announcement, the friends grieve and support one another. Each character has secrets she is keeping from everyone else until the whole thing unravels and the truth comes out. Bartz packs in plenty of twists, with a deliberate pace that picks up speed at the end. VERDICT Surprises and suspense married with themes on the nature of womanhood and sisterhood make this ideal for fans of Paula Hawkins's The Girl on the Train or Gillian Flynn's Sharp Objects. [See Prepub Alert, 8/25/19.]--Nancy H. Fontaine, Norwich P.L., VT

    Copyright 2020 Library Journal, LLC Used with permission.

  • Booklist

    February 1, 2020
    After nursing her mother through chemotherapy, Katie returns to her life in New York, hopeful that she can rebuild her journalism career without anyone discovering she's tanked the celebrated book deal she managed to snag during her Michigan exile. Despite building panic at the thought of facing her agent, she's thrilled to finally visit the Herd, the female-centered working community her friend Eleanor has built with the help of Katie's publicist sister, Hana, and their friend, Mikki, a talented artist. When Katie arrives, however, their reunion is dampened by crisis management: recent anti-Herd graffiti attacks threaten to distract the media from an upcoming Herd announcement. Sensing a juicy story, Katie pitches a secret insider expos� on Eleanor and the Herd to appease her agent. But when Eleanor's body is found on the Herd's roof, investigating the murder becomes Katie's only hope to make amends for her selfish deception. This fast-paced, irony-strewn blend of ruthless ambition, jealousy, and buried secrets is guaranteed armchair escapism.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

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