October 6, 2014
The stories in Mantel's new collection reflect her interest in human frailty and assaults of all kinds, from the most intimate to those by or against the state. In fact, one title, "Offenses Against the Person," would work for many of the stories in the collection. And the selection here offers Mantel's deft blend of clinically precise observation and leavening humor—most notably in "The Heart Fails Without Warning," about anorexia's impact on a family, and "Sorry to Disturb," about an expat wife in Saudi Arabia stuck with an uncomfortable new friendship. But one of the things that makes Mantel's work so distinctively satisfying is the way she builds up detail—convincing readers that if Thomas Cromwell, the star of her two Man Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies, were suddenly transported from the 16th century to their office, they'd recognize him instantly. In contrast, the pieces here often feature characters about whom the reader knows little, particularly "Terminus," more musing than story, and "Winter Break," which relies on a shock ending, and they end up feeling slight. Even "The Assassination of Margaret Thatcher," the only previously unpublished story in the collection, despite a title that promises action, offers something closer to an interesting conversation than a compelling narrative. There are pleasures here, but Mantel lovers toughing out the wait for the final book in the Cromwell series might do better visiting or revisiting her earlier work like A Place of Greater Safety, Beyond Black, or Fludd.

February 2, 2015
Mantel’s clever, keenly observant prose is well rendered by reader Carr’s classy, British-accented delivery. The 10 short stories in this collection are a blend of ordinary people struggling emotionally and physically, and more-seriously flawed characters who are disturbed, exposing a dark side of human nature. The first story, “Sorry to Disturb,” is an incisive, cringeworthy look at unwanted friendships and the peril of being too nice. While in Saudi Arabia with her husband for work, a stranger inserts himself into a woman’s life in a persistent, uncomfortable fashion. As she struggles to be rid of him without being hurtful, it becomes obvious his intentions are romantic, and there are some humorous moments. Mantel throws a shock into the seemingly tame “Winter Break,” as an ordinary taxi ride becomes a murderous journey. A sudden stop, followed by the narrator’s repetition of a single word, remains with the listener long after the conclusion. “The Heart Fails Without Warning” is a harsh look at a heartbreaking illness. Anger, frustration, and sibling snark are expressed deftly. The provocative conclusion, “The Assassination of Margaret Thatcher,” is light on action, but heavy on dialogue between two strangers: a mild-mannered woman with a deceptive edge to her voice, and a gruff, accented IRA assassin who commandeers her apartment. Throughout, Carr provides lively, nuanced expression to Mantel’s complex characters. A Henry Holt hardcover.

"Mantel's stories have their own special tang and quidditas. Even as one appreciates the suave authorial style-light pared-down, technically scintillating, like the Olympic gymnast who nails her landing every time-one has the sense too that Mantel is working with some fairly edgy and complex private material in these contemporary fables.... One gets the feeling she wants both to frighten us (at times more than a little) and make us laugh. She's like an old-fashioned spirit -medium of sorts: a brusque, mischievous, Madame Arcati-like purveyor of uncanny moments. She transports us somewhere else. And she seems to be having great fun with it too.... Mantel is such a funny and intelligent and generously untethered writer that part of what one's praise must mean is that if you're intelligent and quirky enough to take the book up at all...she's got quirks enough of her own to match you, if not raise you 10."