"There is a universal appeal to [Narrator Ariel] Blake's performance as Edie, a protagonist who may be her own worst antagonist. Blake's delivery has an immensely human, relatable quality that makes the listener want the best for Edie as she struggles to make her way in the world." — AudioFile Magazine, Earphones Award winner
AN INSTANT NEW YORK TIMES BESTSELLER
A NEW YORK TIMES NOTABLE BOOK OF 2020
NATIONAL INDIE BESTSELLER
LOS ANGELES TIMES BESTSELLER
WASHINGTON POST BESTSELLER
No one wants what no one wants.
And how do we even know what we want? How do we know we're ready to take it?
Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules.
As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren't hard enough, Edie finds herself unemployed and invited into Eric's home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.
Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani's Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.
A Macmillan Audio production from Farrar, Straus and Giroux
"Ariel Blake narrates, expertly inhabiting Edie's knowing and analytical tone, and revelling in the writer's winding sentences and caustic one-liners." —The Guardian
"Exacting, hilarious, and deadly . . . A writer of exhilarating freedom and daring." —Zadie Smith, Harper's Bazaar
"So delicious that it feels illicit . . . Raven Leilani's first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." —Jazmine Hughes, The New York Times Book Review
"An irreverent intergenerational tale of race and class that's blisteringly smart and fan-yourself sexy." —Michelle Hart, O: The Oprah Magazine
"There is a universal appeal to [Narrator Ariel] Blake's performance as Edie, a protagonist who may be her own worst antagonist. Blake's delivery has an immensely human, relatable quality that makes the listener want the best for Edie as she struggles to make her way in the world." — AudioFile Magazine, Earphones Award winner
AN INSTANT NEW YORK TIMES BESTSELLER
A NEW YORK TIMES NOTABLE BOOK OF 2020
NATIONAL INDIE BESTSELLER
LOS ANGELES TIMES BESTSELLER
WASHINGTON POST BESTSELLER
No one wants what no one wants.
And how do we even know what we want? How do we know we're ready to take it?
Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules.
As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren't hard enough, Edie finds herself unemployed and invited into Eric's home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.
Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani's Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.
A Macmillan Audio production from Farrar, Straus and Giroux
"Ariel Blake narrates, expertly inhabiting Edie's knowing and analytical tone, and revelling in the writer's winding sentences and caustic one-liners." —The Guardian
"Exacting, hilarious, and deadly . . . A writer of exhilarating freedom and daring." —Zadie Smith, Harper's Bazaar
"So delicious that it feels illicit . . . Raven Leilani's first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." —Jazmine Hughes, The New York Times Book Review
"An irreverent intergenerational tale of race and class that's blisteringly smart and fan-yourself sexy." —Michelle Hart, O: The Oprah Magazine
Critiques-
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June 1, 2020
Leilani debuts with a moving examination of a young black woman’s economic desperation and her relationship to violence. Edie is a 20-something low-level employee at a New York city publishing house. She paints on the side, but not often or well enough to comfortably call herself an artist, and she’s infatuated with Eric Walker, a married white man twice her age she met online, with whom she explores his thirst for aggressive domination (“I think I’d like to hit you,” he says; she lets him) and is caught breaking the rules of Eric’s open marriage (no going to his house). After Edie loses her job, Eric’s wife, Rebecca, invites her to stay with them in New Jersey. The arrangement functions partly to vex Eric and partly to support Akila, the Walkers’ adopted black daughter. An inevitable betrayal cracks the household’s veneer of civility, and suddenly Edie must make new arrangements. She does so in earnest, but not before a horrific scene in which Edie and Akila are victims of police brutality. Edie’s ability to navigate the complicated relationships with the Walkers exhibits Leilani’s mastery of nuance, and the narration is perceptive, funny, and emotionally charged. Edie’s frank, self-possessed voice will keep a firm grip on readers all the way to the bitter end. -
This debut novel has been getting a lot of press, and Ariel Blake's narration of the audiobook could well add to the buzz. There is a universal appeal to Blake's performance as Edie, a protagonist who may be her own worst antagonist. Blake's delivery has an immensely human, relatable quality that makes the listener want the best for Edie as she struggles to make her way in the world. When Edie embarks on an illicit affair--the latest in a lengthy chain of inappropriate liaisons-- the listener follows along, uneasy the whole time as Blake carries us through Edie's na�ve choices, bad luck, and cold revelations. The plot has uneven moments, but Blake's agility keeps the pace and appeal well balanced. Her skill makes this an engrossing listen. L.B.F. Winner of AudioFile Earphones Award © AudioFile 2020, Portland, Maine
