de Lisa See
In her most powerful novel yet, acclaimed author Lisa See returns to the story of sisters Pearl and May from Shanghai Girls, and Pearl’s strong-willed nineteen-year-old daughter, Joy. Reeling from newly uncovered family secrets, Joy runs away to Shanghai in early 1957 to find her birth father—the artist Z.G. Li, with whom both May and Pearl were once in love. Dazzled by him, and blinded by idealism and defiance, Joy throws herself into the New Society of Red China, heedless of the dangers in the Communist regime. Devastated by Joy’s flight and terrified for her safety, Pearl is determined to save her daughter, no matter the personal cost. From the crowded city to remote villages, Pearl confronts old demons and almost insurmountable challenges as she follows Joy, hoping for reconciliation. Yet even as Joy’s and Pearl’s separate journeys converge, one of the most tragic episodes in China’s history threatens their very lives.
BONUS: This edition contains a Dreams of Joy discussion guide.
Praise for Dreams of Joy
“[Lisa] See is a gifted historical novelist. . . . The real love story, the one that’s artfully shown, is between mother and daughter, and aunt and daughter, as both of the women who had a part in making Joy return to China come to her rescue. . . . [In Dreams of Joy,] there are no clear heroes or villains, just people who often take wrong turns to their own detriment but for the good of the story, leading to greater strength of character and more durable relationships.”—San Francisco Chronicle
“A heartwarming story of heroic love between a mother and daughter . . . No writer has better captured the voice and heart of Chinese culture.”—Bookreporter
“Once again, See’s research feels impeccable, and she has created an authentic, visually arresting world.”—The Washington Post
In her most powerful novel yet, acclaimed author Lisa See returns to the story of sisters Pearl and May from Shanghai Girls, and Pearl’s strong-willed nineteen-year-old daughter, Joy. Reeling from newly uncovered family secrets, Joy runs away to Shanghai in early 1957 to find her birth father—the artist Z.G. Li, with whom both May and Pearl were once in love. Dazzled by him, and blinded by idealism and defiance, Joy throws herself into the New Society of Red China, heedless of the dangers in the Communist regime. Devastated by Joy’s flight and terrified for her safety, Pearl is determined to save her daughter, no matter the personal cost. From the crowded city to remote villages, Pearl confronts old demons and almost insurmountable challenges as she follows Joy, hoping for reconciliation. Yet even as Joy’s and Pearl’s separate journeys converge, one of the most tragic episodes in China’s history threatens their very lives.
BONUS: This edition contains a Dreams of Joy discussion guide.
Praise for Dreams of Joy
“[Lisa] See is a gifted historical novelist. . . . The real love story, the one that’s artfully shown, is between mother and daughter, and aunt and daughter, as both of the women who had a part in making Joy return to China come to her rescue. . . . [In Dreams of Joy,] there are no clear heroes or villains, just people who often take wrong turns to their own detriment but for the good of the story, leading to greater strength of character and more durable relationships.”—San Francisco Chronicle
“A heartwarming story of heroic love between a mother and daughter . . . No writer has better captured the voice and heart of Chinese culture.”—Bookreporter
“Once again, See’s research feels impeccable, and she has created an authentic, visually arresting world.”—The Washington Post
Critiques-
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Starred review from April 4, 2011
See revisits Shanghai Girls sisters Pearl and May in this surefire story of life in Communist China. Joy, the daughter Pearl has raised as her own in L.A., learns the truth about her parentage and flees to China to seek out her father and throw herself into the Communist cause, giving See ample opportunity to explore the People's Republic from an unlikely perspective as Joy reconnects with her artist father, Z.G. Li, and the two leave sophisticated Shanghai to go to the countryside, where Z.G., whose ironic view of politics is lost on naïve Joy, has been sent to teach art to the peasants. Joy, full of political vigor, is slow to pick up on the harsh realities of communal life in late 1950s China, but the truth sinks in as Mao's drive to turn China into a major agriculture and manufacturing power backfires. Pearl, meanwhile, leaves L.A. on a perhaps perilous quest to find Joy. As always, See creates an immersive atmosphereâher rural China is far from postcard prettyâbut Joy's education is a stellar example of finding new life in a familiar setup, and See's many readers will be pleased to see the continued development of Pearl and May's relationship. Looks like another hit. -
May 15, 2011
In this sequel to See's bestselling Shanghai Girls (2009, etc.), a daughter's flight leads to further family upheavals against the backdrop of Mao Tse-Tung's Great Leap Forward.
Twenty years have passed since Pearl and May Chin left war-torn Shanghai for California, to fulfill the marriage contracts their bankrupt gambler father had arranged. Now, Pearl's daughter Joy has impulsively immigrated to China to seek her birth father Z.G., who once painted the youthful Pearl and May for "Beautiful Girl" advertisements. Z.G. is not hard to locate—he is now the New Society's highest-ranking propaganda artist. But he has fallen into disfavor and is being sent to a peasant commune, Green Dragon Village, to reform his bourgeois aesthetic. Joy accompanies him to Green Dragon, excited at the prospect of living the communist ideals that so enthralled her as a University of Chicago student. For a while, the system works: Women are liberated from household drudgery, childcare and cooking (meals are provided by a canteen), crops are plentiful and people are being encouraged to have large families to augment the workforce. Z.G. returns to Shanghai, but Joy, who has married local peasant Tao, remains behind (she'll regret her marriage immediately after a wedding night spent in a crowded, two-room shack). However, soon the Great Leap Forward, thanks to several wrongheaded strategies (among them, plowing broken glass into the fields, overplanting wheat and a war on sparrows which wreaks environmental havoc), leads to nationwide famine. The once tranquil commune is now riven by strife. Under the rule of a corrupt party official who keeps all the food for himself, starving villagers resort to mob violence and cannibalism. Meanwhile, Pearl has arrived in Shanghai and is living in uneasy community with her father's former tenants and working as a street sweeper while she plots to rescue Joy and her new granddaughter.
Although the ending betrays See's roots in genre fiction, this is a riveting, meticulously researched depiction of one of the world's worst human-engineered catastrophes.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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Starred review from May 15, 2011
This is the eagerly anticipated sequel to See's Shanghai Girls, and what a sequel it is! Continuing the story of Pearl and May Chin, who escaped the Japanese invasion of China during the 1930s, the novel centers on Joy, the daughter that both women have raised, one as aunt, one as mother. When 19-year-old Joy discovers the identity of her "real" mother, she returns to China in 1957. Readers will be drawn in as they experience Joy's life in Mao's Communist China: her life on a commune, starvation, love, oppression, and her fight to stay alive. It's this struggle for life that May and Pearl understand all too well, and it's what sends Pearl back to China. Pearl has the fierce mother love that allows her to disregard her own life to save her daughter. And that's the essential question: What makes a true mother? VERDICT Readers of historical fiction will appreciate the authentic details that See weaves into her novel. You don't have to read Shanghai Girls to love this book, but if you have, this sequel will make you want to reread its predecessor. [See Prepub Alert, 11/22/10; 14-city tour; library marketing; see the Q&A with See on p. 76.]--Marika Zemke, Commerce Twp. Community Lib., MI
Copyright 2011 Library Journal, LLC Used with permission.
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April 15, 2011
See continues the irresistible saga of May, Pearl, and Pearls daughter, Joy, in a novel set in the immediate aftermath of the emotional events that brought her immensely popular Shanghai Girls (2009) to a fevered conclusion. Reeling with the revelation of her mothers true identity and burdened with the belief that she alone caused her fathers suicide, Joy hastily flees Hollywood via a one-way ticket to the Peoples Republic of China. There she plans to search for her biological father and beautiful girl artist Li Zhi-ge, and immerse herself in the communist lifestyle, the rhetoric of which she embraced as a college student. Once she discovers what Joy has done, Pearl travels back to Shanghai at great personal risk to try and locate her daughter and convince her to return home. Both women find a nation in the throes of Chairman Maos Great Leap Forward campaign, and immediately are catapulted into lives of unspeakable deprivation and gut-wrenching horror. Through the sobering experiences of a naive young girl and the sacrificial actions of her mother, See paints a vivid, haunting, and often graphic portrait of a country, and family, in crisis. HIGH-DEMAND BACKSTORY: The eagerly awaited sequel to the reading-group favorite Shanghai Girls is supported by intensive marketing efforts.(Reprinted with permission of Booklist, copyright 2011, American Library Association.) -
May 15, 2011
In this sequel to See's bestselling Shanghai Girls (2009, etc.), a daughter's flight leads to further family upheavals against the backdrop of Mao Tse-Tung's Great Leap Forward.
Twenty years have passed since Pearl and May Chin left war-torn Shanghai for California, to fulfill the marriage contracts their bankrupt gambler father had arranged. Now, Pearl's daughter Joy has impulsively immigrated to China to seek her birth father Z.G., who once painted the youthful Pearl and May for "Beautiful Girl" advertisements. Z.G. is not hard to locate--he is now the New Society's highest-ranking propaganda artist. But he has fallen into disfavor and is being sent to a peasant commune, Green Dragon Village, to reform his bourgeois aesthetic. Joy accompanies him to Green Dragon, excited at the prospect of living the communist ideals that so enthralled her as a University of Chicago student. For a while, the system works: Women are liberated from household drudgery, childcare and cooking (meals are provided by a canteen), crops are plentiful and people are being encouraged to have large families to augment the workforce. Z.G. returns to Shanghai, but Joy, who has married local peasant Tao, remains behind (she'll regret her marriage immediately after a wedding night spent in a crowded, two-room shack). However, soon the Great Leap Forward, thanks to several wrongheaded strategies (among them, plowing broken glass into the fields, overplanting wheat and a war on sparrows which wreaks environmental havoc), leads to nationwide famine. The once tranquil commune is now riven by strife. Under the rule of a corrupt party official who keeps all the food for himself, starving villagers resort to mob violence and cannibalism. Meanwhile, Pearl has arrived in Shanghai and is living in uneasy community with her father's former tenants and working as a street sweeper while she plots to rescue Joy and her new granddaughter.
Although the ending betrays See's roots in genre fiction, this is a riveting, meticulously researched depiction of one of the world's worst human-engineered catastrophes.
(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)
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Los Angeles Times
"One of those hard-to-put down-until-four in-the-morning books . . . With each new novel, Lisa See gets better and better."
- The Washington Post "Once again, See's research feels impeccable, and she has created an authentic, visually arresting world."
- Los Angeles "A stunningly researched epic about revolutionary-era China."
- San Francisco Chronicle "See is a gifted historical novelist. She illuminates a turning point in Chinese history when people still remembered the inequities of the feudal caste system, and in some cases embodied them. . . . See is unflinching in her willingness to describe it all."
- The Oregonian "See's fans will be glad to read more about Pearl, May and Joy, and See's recurring themes of unbreakable family bonds and strong-willed women."
