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Cutting for Stone
Couverture de Cutting for Stone
Cutting for Stone
A Novel
Emprunter Emprunter
NATIONAL BESTSELLER • From the author of The Covenant of Water: A beautifully written, page-turning family saga of Ethiopia and America, doctors and patients, exile and home. “Filled with mystical scenes and deeply felt characters.... Verghese is something of a magician as a novelist.” —USA Today
Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution.
Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.
 
This sweeping, emotionally riveting novel that "shows how history and landscape and accidents of birth conspire to create the story of a single life" (Los Angeles Times).
NATIONAL BESTSELLER • From the author of The Covenant of Water: A beautifully written, page-turning family saga of Ethiopia and America, doctors and patients, exile and home. “Filled with mystical scenes and deeply felt characters.... Verghese is something of a magician as a novelist.” —USA Today
Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon. Orphaned by their mother’s death and their father’s disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution.
Moving from Addis Ababa to New York City and back again, Cutting for Stone is an unforgettable story of love and betrayal, medicine and ordinary miracles—and two brothers whose fates are forever intertwined.
 
This sweeping, emotionally riveting novel that "shows how history and landscape and accidents of birth conspire to create the story of a single life" (Los Angeles Times).
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Extraits-
  • From the book

    The ComingAfter eight months spent in the obscurity of our mother’s womb, my brother, Shiva, and I came into the world in the late afternoon of the twentieth of September in the year of grace 1954. We took our first breaths at an elevation of eight thousand feet in the thin air of Addis Ababa, capital city of Ethiopia. The miracle of our birth took place in Missing Hospital’s Operating Theater 3, the very room where our mother, Sister Mary Joseph Praise, spent most of her working hours, and in which she had been most fulfilled.When our mother, a nun of the Diocesan Carmelite Order of Madras, unexpectedly went into labor that September morning, the big rain in Ethiopia had ended, its rattle on the corrugated tin roofs of Missing ceasing abruptly like a chatterbox cut off in midsentence. Over night, in that hushed silence, the meskel flowers bloomed, turning the hillsides of Addis Ababa into gold. In the meadows around Missing the sedge won its battle over mud, and a brilliant carpet now swept right up to the paved threshold of the hospital, holding forth the promise of something more substantial than cricket, croquet, or shuttlecock.Missing sat on a verdant rise, the irregular cluster of whitewashed one- and two-story buildings looking as if they were pushed up from the ground in the same geologic rumble that created the Entoto Mountains. Troughlike flower beds, fed by the runoff from the roof gutters, surrounded the squat buildings like a moat. Matron Hirst’s roses overtook the walls, the crimson blooms framing every window and reaching to the roof. So fertile was that loamy soil that Matron—Missing Hospital’s wise and sensible leader—cautioned us against stepping into it barefoot lest we sprout new toes.Five trails flanked by shoulder-high bushes ran away from the main hospital buildings like spokes of a wheel, leading to five thatched-roof bungalows that were all but hidden by copse, by hedgerows, by wild eucalyptus and pine. It was Matron’s intent that Missing resemble an arboretum, or a corner of Kensington Gardens (where, before she came to Africa, she used to walk as a young nun), or Eden before the Fall.Missing was really Mission Hospital, a word that on the Ethiopian tongue came out with a hiss so it sounded like “Missing.” A clerk in the Ministry of Health who was a fresh high-school graduate had typed out the missing hospital on the license, a phonetically correct spelling as far as he was concerned. A reporter for the Ethiopian Herald perpetuated this misspelling. When Matron Hirst had approached the clerk in the ministry to correct this, he pulled out his original typescript. “See for yourself, madam. Quod erat demonstrandum it is Missing,” he said, as if he’d proved Pythagoras’s theorem, the sun’s central position in the solar system, the roundness of the earth, and Missing’s precise location at its imagined corner. And so Missing it was. Not a cry or a groan escaped from Sister Mary Joseph Praise while in the throes of her cataclysmic labor. But just beyond the swinging door in the room adjoining Operating Theater 3, the oversize autoclave (donated by the Lutheran church in Zurich) bellowed and wept for my mother while its scalding steam sterilized the surgical instruments and towels that would be used on her. After all, it was in the corner of the autoclave room, right next to that stainless-steel behemoth, that my mother kept a sanctuary for herself during the seven years she spent at Missing before our rude arrival. Her one-piece desk-and-chair, rescued from a defunct mission school, and bearing the gouged frustration of many a pupil, faced the wall. Her white cardigan,...
Au sujet de l’auteur-
  • Abraham Verghese is Professor and Vice Chair for the Theory and Practice of Medicine at the Stanford University School of Medicine. The founding director of the Center for Medical Humanities & Ethics at the University of Texas Health Science Center, San Antonio, he is the author of My Own Country, a 1994 National Book Critics Circle Award Finalist and a Time Best Book of the Year; The Tennis Partner, a New York Times Notable Book; and, most recently, the critically acclaimed novel Cutting for Stone, which was a national bestseller. A graduate of the Iowa Writers’ Workshop, his essays and short stories have appeared in The New Yorker, The New York Times, The Atlantic Monthly, Esquire, Granta, The Wall Street Journal, and elsewhere. In 2016 Verghese received a National Humanities Medal from President Obama. He lives in Palo Alto, California.

    Sunil Malhotra’s film and TV credits include Dude, Where’s the Party?Call Center24ERCold Case; and The West Wing. On stage, he’s performed on Broadway, in the Mark Taper Forum’s New Works Festival, and at EastWest Players. He is also a writer and director. His recording of Cutting for Stone by Abraham Verghese garnered numerous awards, including the AudioFile Earphones Award.
Critiques-
  • AudioFile Magazine Dr. Marion Stone, the Ethiopian-born, half-Indian protagonist and narrator of CUTTING FOR STONE, at one point refers to his adopted mother's voice as both lilting and singsong. The same can be said of Sunil Malhotra's expert reading of this audiobook, a moving story about twin brothers born of an Indian Catholic nun and an expatriate English doctor. Malhotra slips into the skin of Marion, a moody, bookish boy and later a talented surgeon, who, against a background of African poverty, war, and medical breakthroughs, is oddly detached but always compassionate. Malhotra's ease with the sometimes-complex medical terminology and the broad cast of Indian, African, English, and even some Bronx-accented characters makes for a fascinating listening experience. R.M. Winner of AudioFile Earphones Award (c) AudioFile 2009, Portland, Maine
  • Publisher's Weekly

    Starred review from October 27, 2008
    Lauded for his sensitive memoir (My Own Country
    ) about his time as a doctor in eastern Tennessee at the onset of the AIDS epidemic in the ’80s, Verghese turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. Sister Mary Joseph Praise, a devout young nun, leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the arduous sea voyage, she saves the life of an English doctor bound for Ethiopia, Thomas Stone, who becomes a key player in her destiny when they meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brother’s long, dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the life of the hospital compound in which they grow up and the love story of their adopted parents, both doctors at Missing. The boys become doctors as well and Verghese’s weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power and coincidences of the best 19th-century novel.

  • Publishers Weekly (starred, boxed review) "Lauded for his sensitive memoir My Own Country, Verghese [now] turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. During an arduous sea voyage, Sister Mary Joseph Praise, a devout young nun, saves the life of an English doctor bound for Ethiopia, Thomas Stone . . . Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brother's dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the hospital compound in which they grow up, and the love story of their adopted parents, both doctors. The boys become doctors as well, and Verghese's weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power of the best 19th-century novels."
  • Jim Coan, Library Journal "This epic first novel by well-known doctor/author Verghese follows a man on a mythic quest to find his father. It begins with the dramatic birth of twins, their father serving as surgeon and their mother dying on the table. Their horrorstruck father vanishes, and the now separated boys are raised by two Indian doctors living on the grounds of a mission hospital in early 1950s Ethiopia. The boys both gravitate toward medical practice . . . After Marion, [one of the twins,] is forced to flee the country for political reasons, he begins his medical residency at a poor hospital in New York City, and the past catches up with him. The medical background is fascinating as the author delves into fairly technical areas of human anatomy and surgical procedure. This novel succeeds on many levels and is recommended for all collections."
  • Tracy Kidder "Abraham Verghese has always written with grace, precision and feeling [but] he's topped himself with Cutting for Stone. . . . A vastly entertaining and enlightening book."
  • Mark Salzman
    "Absolutely fantastic! Holy cow, this book should be a huge success. It has everything: nuns, conjoined twins, civil war, and medicine--I was thinking that if Vikram Seth and Oliver Sacks were to collaborate on a four-hour episode of Grey's Anatomy set in Africa, they could only hope to come up with something this moving and entertaining. . . . A marvelous novel!"
  • Pauline W. Chen, author of Final Exam "A marvelous novel. To read the first page of Cutting for Stone is to fall hopelessly under the spell of a masterful storyteller; and to try to close the b
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