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From a Buick 8
Couverture de From a Buick 8
From a Buick 8
A Novel
The #1 New York Times bestseller from Stephen King—a novel about the fascination deadly things have for us and about our insistence on answers when there are none...
Since 1979, the state police of Troop D in rural Pennsylvania have kept a secret in the shed out behind the barracks. Ennis Rafferty and Curtis Wilcox had answered a strange call just down the road and came back with an abandoned 1953 Buick Roadmaster. Curt Wilcox knew old cars, and this one was...just wrong. As it turned out, the Buick 8 was worse than dangerous—and the members of Troop D decided that it would be better if the public never found out about it. Now, more than twenty years later, Curt's son Ned starts hanging around the barracks and is allowed into the Troop D family. And one day he discovers the family secret—a mystery that begins to stir once more, not only in the minds and hearts of these veteran troopers, but out in the shed as well, for there's more power under the hood than anyone can handle...
The #1 New York Times bestseller from Stephen King—a novel about the fascination deadly things have for us and about our insistence on answers when there are none...
Since 1979, the state police of Troop D in rural Pennsylvania have kept a secret in the shed out behind the barracks. Ennis Rafferty and Curtis Wilcox had answered a strange call just down the road and came back with an abandoned 1953 Buick Roadmaster. Curt Wilcox knew old cars, and this one was...just wrong. As it turned out, the Buick 8 was worse than dangerous—and the members of Troop D decided that it would be better if the public never found out about it. Now, more than twenty years later, Curt's son Ned starts hanging around the barracks and is allowed into the Troop D family. And one day he discovers the family secret—a mystery that begins to stir once more, not only in the minds and hearts of these veteran troopers, but out in the shed as well, for there's more power under the hood than anyone can handle...
Formats disponibles-
  • OverDrive Read
  • EPUB eBook
Sujets-
Langues:-
Copies-
  • Disponible:
    0
  • Copies de la bibliothèque:
    0
Niveaux-
  • Niveau ATOS:
    5.8
  • Lexile Measure:
  • Niveau d'intérêt:
    UG
  • Difficulté du texte:
    4


 
Prix remportés-
Extraits-
  • From the book

    from Now: Sandy

    Curt Wilcox's boy came around the barracks a lot the year after his father died, I mean a lot, but nobody ever told him get out the way or asked him what in hail he was doing there again. We understood what he was doing: trying to hold onto the memory of his father. Cops know a lot about the psychology of grief; most of us know more about it than we want to.

    That was Ned Wilcox's senior year at Statler High. He must have quit off the football team; when it came time for choosing, he picked D Troop instead. Hard to imagine a kid doing that, choosing unpaid choring over all those Friday night games and Saturday night parties, but that's what he did. I don't think any of us talked to him about that choice, but we respected him for it. He had decided the time had come to put the games away, that's all. Grown men are frequently incapable of making such decisions; Ned made his at an age when he still couldn't buy a legal drink. Or a legal pack of smokes, for that matter. I think his Dad would have been proud. Know it, actually.

    Given how much the boy was around, I suppose it was inevitable he'd see what was out in Shed B, and ask someone what it was and what it was doing there. I was the one he was most likely to ask, because I'd been his father's closest friend. Closest one that was still a Trooper, at least. I think maybe I wanted it to happen. Kill or cure, the oldtimers used to say. Give that curious cat a serious dose of satisfaction.

    What happened to Curtis Wilcox was simple. A veteran county drunk, one Curt himself knew well and had arrested six or eight times, took his life. The drunk, Bradley Roach, didn't mean to hurt anyone; drunks so rarely do. That doesn't keep you from wanting to kick their numb asses all the way to Rocksburg, of course.

    Toward the end of a hot July afternoon in the year oh-one, Curtis pulled over one of those big sixteen-wheelers, an interstate landcruiser that had left the fourlane because its driver was hoping for a home-cooked meal instead of just another dose of I-87 Burger King or Taco Bell. Curt was parked on the tarmac of the abandoned Jenny station at the intersection of Pennsylvania State Road 32 and the Humboldt Road -- the very place, in other words, where that damned old Buick Roadmaster showed up in our part of the known universe all those years ago. You can call that a coincidence if you want to, but I'm a cop and don't believe in coincidences, only chains of event which grow longer and ever more fragile until either bad luck or plain old human mean-heartedness breaks them.

    Ned's father took out after that semi because it had a flapper. When it went by he saw rubber spinning out from one of the rear tires like a big black pinwheel. A lot of independents run on recaps, with the price of diesel so high they just about have to, and sometimes the tread peels loose. You see curls and hunks of it on the interstate all the time, lying on the highway or pushed off into the breakdown lane like the shed skins of giant blacksnakes. It's dangerous to be behind a flapper, especially on a twolane like SR 32, a pretty but neglected stretch of state highway running between Rocksburg and Statler. A big enough chunk might break some unlucky follow-driver's windshield. Even if it didn't, it could startle the operator into the ditch, or a tree, or over the embankment and into Redfern Stream, which matches 32 twist for twist over a distance of nearly six miles.

    Curt lit his bar lights, and the trucker pulled over like a good boy. Curt pulled over right behind him, first calling in his 20 and the nature of his stop and waiting for Shirley to acknowledge. With that done, he got out...

Au sujet de l’auteur-
  • Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes the short story collection You Like It Darker, Holly, Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Critiques-
  • Publisher's Weekly

    December 2, 2002
    An assembly of readers performs King's latest, which is told from several different perspectives. This subdued, vaguely creepy tale is about an extraordinary force that infiltrates the lives of the people who work at a police barracks in rural Pennsylvania. King displays his masterful knack for building tension, but this work is more about the effect of events on the central characters' psyches than it is about the events themselves. In that vein, the portrayals of the characters, their inner monologues and their interactions are vital to the success of this audio, and the entire cast does a fine job. Rebhorn serves as an able narrator and provides a brief, chilling portrait of the sallow, mysterious man who brings an otherworldly '54 Buick into the life of Troop D before vanishing. Davidson handles the inner turmoil of Sgt. Sandy Dearborn and the youthful stubbornness of troubled Ned Wilcox. Among the other highlights is Tobolowsky's perfectly inflected Swedish accent for Arky, the troop's janitor. With only a few, appropriately wistful notes of guitar at the beginning and end, the production is kept to a minimum. The approach works well for a quieter book that relies less on shock than much of King's previous work. Simultaneous release with the Scribner hardcover (Forecasts, June 3).

  • Publisher's Weekly

    Starred review from June 3, 2002
    A tinted review in adult Forecasts indicates a book that's of exceptional importance to our readers, but hasn't received a starred or boxed review. FROM A BUICK 8 Stephen King. Scribner, $28 (368p) ISBN 0-7432-1137-5 King, we learn in an author's note, hashed out the plot of this gripper while driving from western Pennsylvania to New York. The first draft took two months to write. That's quick work, and it's reflected in the book's simplicity of plot and theme; unlike King's chewy last novel, Dreamcatcher, this one goes down like a shot of moonshine, hot and clean, much like Cujo, say, or Gerald's Game. In 1979, an odd man drives what at first glance looks like a 1954 mint-quality Buick Roadmaster up to a service station in rural Pennsylvania, then vanishes, leaving behind the car. The state police of Troop D deposit the vehicle in a shed near their barracks, where, up to the present, it remains a secret from all but cop colleagues—for the car isn't exactly a car; it may be alive, and it certainly serves as a doorway between our world and... what? Another dimension? Another galaxy? The troopers never find out, despite their amateurish scientific investigations of it and of the weird beings that occasionally emerge from the vehicle's trunk: freaky fish, creepy flowers and more. Moreover, the "car" is dangerous: the day it appears, a state trooper disappears, and experiments over the years with cockroaches, etc., indicate that just as the car can spew things out, it will ingest them. While the book's relative brevity and simplicity does lend comparison to earlier King, and King has relied on a nasty car before (Christine), the author's stylistic maturity manifests in his sophisticated handling of the round robin of narrators (both first and third-person), the sharp portrayal of police ways and mores and the novel's compelling subthemes (loyalty, generational bondings) and primary theme: that life is filled with Buick 8s, phenomena that blindside us and that we can never understand. This novel isn't major King, but it's nearly flawless—and one terrific entertainment.

  • Publishers Weekly Terrific entertainment...Goes down like a shot of moonshine, hot and clean.
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