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Cynthia Voigt crafts a novel about discovery, perspective, and the meaning of home—all through the eyes of an affable and worried little mouse. Fredle is an earnest young fellow suddenly cast out of his cozy home behind the kitchen cabinets—into the outside. It's a new world of color and texture and grass and sky. But with all that comes snakes and rain and lawnmowers and raccoons and a different sort of mouse (field mice, they're called) not entirely trustworthy. Do the dangers outweigh the thrill of discovery? Fredle's quest to get back inside soon becomes a wild adventure of predators and allies, of color and sound, of discovery and nostalgia. And, as Fredle himself will come to understand, of freedom.
Cynthia Voigt crafts a novel about discovery, perspective, and the meaning of home—all through the eyes of an affable and worried little mouse. Fredle is an earnest young fellow suddenly cast out of his cozy home behind the kitchen cabinets—into the outside. It's a new world of color and texture and grass and sky. But with all that comes snakes and rain and lawnmowers and raccoons and a different sort of mouse (field mice, they're called) not entirely trustworthy. Do the dangers outweigh the thrill of discovery? Fredle's quest to get back inside soon becomes a wild adventure of predators and allies, of color and sound, of discovery and nostalgia. And, as Fredle himself will come to understand, of freedom.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
"I'm not finished foraging," Fredle protested. There was something on the floor behind the table leg. It didn't smell like food, but you could never be sure. Besides, if it wasn't food, Fredle wondered, what was it?
"That's metal," Axle said, adding, "Mice don't eat metal, Fredle," as if he didn't already know that.
"You're a poet and you don't know it," he snapped back, touching the round, thin disk with his nose. In the dim light of the nighttime kitchen, where all colors were dark, this thing gleamed as silver as the pipes in the cupboard under the sink. It smelled of humans. Fredle wondered what they might use it for, and why its edges were ridged. He wondered about the design on its surface. He'd never seen anything like it—was that a nose sticking out? An eye? And where was the body, if this was a head? He wondered, but he wasn't about to ask his cousin. Sometimes he got tired of knowing less and being bossed around. "Metal rhymes with Fredle," he explained, to irritate her.
"I'm not waiting around any longer," Axle announced, and she scurried off. Fredle planned to follow, just not right away. He tried licking the metal thing. Cool, and definitely not food. He raised his head and, ears cocked, peered into the darkness.
A mouse could never know what awaited him out in the kitchen. There might be crusts of bread or bits of cookies, chunks of crackers, forgotten carrot ends, or the tasteless thick brown lumps that sometimes rolled up against a wall, behind the stove, or under the humming refrigerator. There were brown things in the cat's bowl, too, if you were hungry enough, if you dared. On the pantry shelf there might be a smear of sweet honey on the side of a glass jar, or a cardboard box of oatmeal or cornflakes to be chewed through, and sometimes it was Cap'n Crunch, which was Fredle's personal favorite, although, as his mother often warned him, his sweet tooth was going to get him into trouble. In the kitchen there were drops of water clinging to the pipes in the cupboard under the sink, enough to satisfy everybody's thirst. In the kitchen, at night, you never knew what good surprises might be waiting.
However, any mouse out foraging in any kitchen knows to be afraid, and Fredle was no exception. He was out on the open floor under the kitchen table, with only one of its thick legs to hide behind, should the need arise. This flat, round metal thing was worthless, so Fredle moved on. He found a pea to nibble on and swallowed quickly, ears alert for any unmouselike sound, and wondered where Axle had gone off to. He knew better than to stop eating before he was entirely full. If you forage only at night, and always in great danger, you don't stop before you are full enough. Otherwise, you might have to wake early and wait a long, hungry time before the kitchen emptied and the mice could go out, foraging. Fredle would finish the pea before he ran off to find his cousin. He nibbled and chewed.
CRACK!
The dark silence snapped in half. The kitchen mice froze, and listened. Then they all dashed back to the small hole in one of the pantry doors, shoving and crowding one another to get to a place where the cat—alerted by the sound they all knew was a trap, closing—could not get at them. Only when he was safe on the pantry floor, behind the closed doors, did Fredle step aside and let the rest of the kitchen mice pass him by. He was waiting for Grandfather, who was old and slow. When Grandfather squeezed through the hole, the two of them climbed up between the walls together.
At their nest, the mice counted themselves—"Mother?" "Grandfather?" "Kortle?" "Kidle?" and on through all...
Au sujet de l’auteur-
Cynthia Voigt is the acclaimed author of many books, including Dicey's Song, winner of the Newbery Medal, and A Solitary Blue, winner of a Newbery Honor. For the body of her work, Cynthia Voigt was honored with the Margaret A. Edwards Award for Outstanding Literature for Young Adults. She lives with her husband in Maine.
Critiques-
When a young "house mouse" named Fredle gorges on a peppermint pattie, his adventures begin--adventures that bring him into a world of predators, unexpected friends, and expanding knowledge. Wendy Carter deftly brings Voigt's animal world to life. Her characters are distinctive; especially memorable are the unassuming but determined hero, who marvels at the wonders of nature; the stereotypical gang of rowdy raccoons; the slightly dull dog; and the ominous snake. Carter slows and lightens her voice to emphasize the story's special moments, such as Fredle's amazement at the many stars in the night canopy. A.R. (c) AudioFile 2011, Portland, Maine
November 29, 2010 "If you will only have one chance, you want to make it the best it can be," reflects the narrator of Newbery Medalist Voigt's (Dicey's Song) adventure centered around Fredle, a curious mouse whose family pushes him out of their kitchen nest after he ventures too far and becomes ill, a process of elimination called "went." "Went was the scariest thing any mouse could do, and the scariest word any mouse spoke or heard, and he had no idea what it was." Brought outside, Fredle begins a harrowing and transformative quest as he fends for himself, after he recovers, with help from a pair of field mice. Fredle's wonder at this new world proves compelling as he encounters the stars, moon, colors, flowers, and giant green stalks (grass), while confronting new predators including raccoons and snakes. Readers will identify with the universal conflict at the heart of Fredle's journey—even as he longs for home, he enjoys the newfound freedom and experiences that contrast with the restrictive regulations of his clan. Yates's expressive cartoon spot art counters the book's darker, sadder moments with cheeriness. Ages 8–12.
Kirkus (starred review)
"Move over, Stuart Little."
The Horn Book (starred review)
"The adventure is gripping . . . this is a writer at the top of her form, warm without sentimentality, wise without pretension."
Publishers Weekly
"Compelling . . . readers will identify with the universal conflict at the heart of Fredle's journey--even as he longs for home, he enjoys the newfound freedom."
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