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Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, fourteen times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood. As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music.
In Broken Horses, Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans. Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back. Carlile recorded new stripped-down, solo renditions of more than 30 of the songs featured in the book, including her own and songs from artists who’ve inspired her, from Dolly Parton to Elton John, Leonard Cohen and more, available exclusively on the audiobook:
“I Don’t Hurt Anymore” by Hank Snow “Coat of Many Colors” by Dolly Parton “Ride on Out” by Brandi Carlile “Honky Cat” by Elton John and Bernie Taupin “Philadelphia” by Neil Young “Happy” by Brandi Carlile “That Year” by Brandi Carlile “Hallelujah” by Leonard Cohen “Eye of the Needle” by Brandi Carlile “Turpentine” by Brandi Carlile “Wasted” by Brandi Carlile “The Story” by Brandi Carlile “Closer to You” by Brandi Carlile “Caroline” by Brandi Carlile “Josephine” by Brandi Carlile “Sugartooth” by Brandi Carlile “Looking Out” by Brandi Carlile “Beginning to Feel the Years” by Brandi Carlile “Love Songs” by Brandi Carlile “I Will” by Brandi Carlile “I Belong to You” by Brandi Carlile “That Wasn’t Me” by Brandi Carlile “The Mother” by Brandi Carlile “The Stranger at My Door” by Brandi Carlile “Heroes and Songs” by Brandi Carlile “Murder in the City” by The Avett Brothers “Party of One” by Brandi Carlile “The Joke” by Brandi Carlile “Hold You Dear” by The Secret...
Brandi Carlile was born into a musically gifted, impoverished family on the outskirts of Seattle and grew up in a constant state of change, moving from house to house, trailer to trailer, fourteen times in as many years. Though imperfect in every way, her dysfunctional childhood was as beautiful as it was strange, and as nurturing as it was difficult. At the age of five, Brandi contracted bacterial meningitis, which almost took her life, leaving an indelible mark on her formative years and altering her journey into young adulthood. As an openly gay teenager, Brandi grappled with the tension between her sexuality and her faith when her pastor publicly refused to baptize her on the day of the ceremony. Shockingly, her small town rallied around Brandi in support and set her on a path to salvation where the rest of the misfits and rejects find it: through twisted, joyful, weird, and wonderful music.
In Broken Horses, Brandi Carlile takes readers through the events of her life that shaped her very raw art—from her start at a local singing competition where she performed Elton John’s “Honky Cat” in a bedazzled white polyester suit, to her first break opening for Dave Matthews Band, to many sleepless tours over fifteen years and six studio albums, all while raising two children with her wife, Catherine Shepherd. This hard-won success led her to collaborations with personal heroes like Elton John, Dolly Parton, Mavis Staples, Pearl Jam, Tanya Tucker, and Joni Mitchell, as well as her peers in the supergroup The Highwomen, and ultimately to the Grammy stage, where she converted millions of viewers into instant fans. Evocative and piercingly honest, Broken Horses is at once an examination of faith through the eyes of a person rejected by the church’s basic tenets and a meditation on the moments and lyrics that have shaped the life of a creative mind, a brilliant artist, and a genuine empath on a mission to give back. Carlile recorded new stripped-down, solo renditions of more than 30 of the songs featured in the book, including her own and songs from artists who’ve inspired her, from Dolly Parton to Elton John, Leonard Cohen and more, available exclusively on the audiobook:
“I Don’t Hurt Anymore” by Hank Snow “Coat of Many Colors” by Dolly Parton “Ride on Out” by Brandi Carlile “Honky Cat” by Elton John and Bernie Taupin “Philadelphia” by Neil Young “Happy” by Brandi Carlile “That Year” by Brandi Carlile “Hallelujah” by Leonard Cohen “Eye of the Needle” by Brandi Carlile “Turpentine” by Brandi Carlile “Wasted” by Brandi Carlile “The Story” by Brandi Carlile “Closer to You” by Brandi Carlile “Caroline” by Brandi Carlile “Josephine” by Brandi Carlile “Sugartooth” by Brandi Carlile “Looking Out” by Brandi Carlile “Beginning to Feel the Years” by Brandi Carlile “Love Songs” by Brandi Carlile “I Will” by Brandi Carlile “I Belong to You” by Brandi Carlile “That Wasn’t Me” by Brandi Carlile “The Mother” by Brandi Carlile “The Stranger at My Door” by Brandi Carlile “Heroes and Songs” by Brandi Carlile “Murder in the City” by The Avett Brothers “Party of One” by Brandi Carlile “The Joke” by Brandi Carlile “Hold You Dear” by The Secret...
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover1.
Meningitis and the Early Education of an Empath
The Carliles are nail-biters. I started biting my nails at three years old. Everyone told me that if I didn’t keep my hands out of my mouth, I’d get sick.
I contracted meningococcal meningitis at age four.
We were living in Burien, Washington, in a single-wide trailer near the Sea-Tac Airport.
It was our third house since I was born. I’m the first born into my family and the first grandchild on both sides, contributing to my inflated sense of self-importance and burden of perceived responsibility. My life really starts here.
Before all that, though, my parents met at the Red Lion Hotel. My mother was a hostess and my father was a breakfast prep cook. My dad is very intelligent and intense, with a sick sense of humor. He’s one of six siblings raised dirt-poor on a dirt floor by a single mom in south Seattle. He’s got a father, too, but he and my grandmother divorced very young, and like many of the men on the Carlile side very rarely speaks a word. There are some quiet men in my family but none as quiet as Grandpa Jerry . . . you can feel how much he loves you, but he probably won’t ever say it. It almost seems like a genetic trait, this strange brand of anxiety and quiet intensity. He had a daughter later in life, bringing the number of Dad’s siblings to seven.
My mother had a more comfortable childhood. She’s one of three girls and like her mother has always been very charming and mischievous. She can read a room like no one else. She’s vain. She loves music and art. If she’s sunny and happy, then everyone she meets is too. Her enthusiasm can’t be resisted. If she’s not in a good space though, you’re not going to be either.
To put it mildly, they’re special . . . and sparkly and complicated. When they met, my mom was twenty and my dad was twenty-one. Mom’s family had temporarily relocated to Colorado, so she moved straight in with the crazy Carlile family. When my mother got pregnant with me, she and my father decided to get married. Like so many people who married this young, they are still married . . . and in many ways, are still very young.
For this and many other reasons, we moved around a lot after I was born. Fourteen houses actually. And lots of different schools. It’s deceiving because sometimes they were all in the same district. Beverly Park Elementary for kindergarten and then to Hill Top Elementary, from there to Cascade View to North Hill Elementary to Olympic Elementary and then back to Hill Top, then there was Rock Creek Elementary, Tahoma Junior High, Glacier Park. And that was all before high school.
I don’t think there was ever a housing transition I didn’t want to make. There was always an exciting and dramatic buildup to the moving. Sometimes we moved because of evictions and job changes, sometimes for good reasons, like a better housing opportunity or a step up in comfort thanks to some connection that my charismatic parents had made. Either way, due to my frequently changing scenery and the undercurrent of chaos that poverty often creates, I developed somewhat of a photographic memory. It appears in all of its vivid detail right around the age of two.
Bedrooms change, the color of the wallpaper, the smell of a hand-me-down couch, the hum of a rental unit’s avocado-colored refrigerator. There’s a washing machine that is frequently mistaken for an earthquake, or a friendly neighbor with a horse called Pepper, or someone who lets you hop their fence to retrieve your Frisbee. Different houses...
Au sujet de l’auteur-
Brandi Carlile is a six-time Grammy Award–winning singer, songwriter, performer, and producer. Since her debut in 2004, she has released six studio albums and was the most nominated female artist at the 2019 Grammy Awards, with six nominations, including Album, Record, and Song of the Year.
Founded in 2008 by Carlile, the Looking Out Foundation amplifies the impact of music by empowering those without a voice, with campaigns focused on children living in war zones, prevention and reduction in incarceration and recidivism, racial justice, violence prevention, food insecurity, and more. To date, the foundation has raised over $2 million for grassroots causes.
Beloved by fans, peers, and critics alike, Carlile and her band have performed sold-out concerts across the world. Brandi Carlile lives in rural Washington State on a compound with her bandmates and their families, as well as her wife, Catherine, and their two daughters, Evangeline and Elijah.
Starred review from April 12, 2021 Carlile, a multiple Grammy Award–winning musician, recalls the pivotal events that shaped her music and identity in this captivating memoir. Growing up in a small town outside Seattle in the ’80s, she sought the limelight early, entering singing competitions and teaching herself piano and guitar. Though her family struggled to keep food on the table, her mother’s support gave her a quiet, stable confidence. “She’d helped me try to win... and she helped me truly express myself in front of my peers.” After moving several times before high school, Carlile dropped out to focus on music. She’s candid about her sexuality and how she reconciled her faith after being turned away by her hometown church when she came out. “There was grace in the outrage my public rejection incited in my family and in that tiny town,” Carlile writes. She also offers a behind-the-scenes look at the music business, acknowledging how fortunate she was to garner respect from Joni Mitchell, Bonnie Raitt, and others she performed with. She doesn’t sugarcoat the disappointments that came her way—such as being booted off a rock tour because she was a “female-fronted opener”—instead recalling them with a self-awareness that allows balance for her marriage, motherhood, and national tours. While the author’s rise to fame was impressive, it is her raw emotion that resonates after the book’s end. Agent: David Vigliano, AGI Vigliano Literary.
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