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NEW YORK TIMES BESTSELLER • This sweeping novel from the author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century. “An immersive saga about a passion-filled life.”—People ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Real Simple, Reader’s Digest Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth. Through her father’s prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses everything and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. She tells her story in the form of a letter to someone she loves above all others, recounting times of devastating heartbreak and passionate affairs, poverty and wealth, terrible loss and immense joy. Her life is shaped by some of the most important events of history: the fight for women’s rights, the rise and fall of tyrants, and ultimately not one, but two pandemics. Through the eyes of a woman whose unforgettable passion, determination, and sense of humor carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.
NEW YORK TIMES BESTSELLER • This sweeping novel from the author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century. “An immersive saga about a passion-filled life.”—People ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Real Simple, Reader’s Digest Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth. Through her father’s prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses everything and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. She tells her story in the form of a letter to someone she loves above all others, recounting times of devastating heartbreak and passionate affairs, poverty and wealth, terrible loss and immense joy. Her life is shaped by some of the most important events of history: the fight for women’s rights, the rise and fall of tyrants, and ultimately not one, but two pandemics. Through the eyes of a woman whose unforgettable passion, determination, and sense of humor carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.
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En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover1
I came into the world one stormy Friday in 1920, the year of the scourge. The evening of my birth the electricity went out, something that often happened during storms, so they lit candles and kerosene lamps, which were always kept on hand for these types of emergencies. María Gracia, my mother, began to feel the contractions—a sensation she knew well since she’d already birthed five sons—and she surrendered to the pain, resigned to bringing another male into the world with the help of her sisters, who had assisted her through the difficult process several times. The family doctor had been working tirelessly for weeks in one of the field hospitals and she felt it imprudent to call him for something as prosaic as childbirth. On previous occasions they had used a midwife, always the same one, but the woman had been among the first to fall victim to the flu and they didn’t know of anyone else.
To my mother it seemed she’d spent the entirety of her adult life either pregnant, recovering from childbirth, or convalescing after a miscarriage. Her oldest son, José Antonio, had turned seventeen, she was sure of that, because he had been born the same year as one of our worst earthquakes, which knocked half the country to the ground and left thousands of deaths in its wake. But she could never precisely recall the ages of her other sons nor how many pregnancies she’d failed to carry to term. Each miscarriage had left her incapacitated for months and after each birth she’d felt exhausted and melancholic for a long while. Before getting married she had been the most beautiful debutante in the capital—slender, with an unforgettable face, green eyes, and translucent skin—but the extremes of motherhood had distorted her body and drained her spirit.
She loved her sons, in theory, but in practice she preferred to keep them at a comfortable distance. The exuberant band of boys was as disruptive as a battle in her peaceful feminine realm. She’d once admitted during confession that she felt doomed to bear only sons, like a curse from the Devil. In penitence she was ordered to recite a rosary every day for two years straight and to make a sizable donation to the church renovation fund. Her husband forbade her from returning to confession.
Under my aunt Pilar’s direction, Torito, the boy we employed for a wide range of chores, climbed a ladder to hang a labor sling from two steel hooks that he himself had installed in the ceiling. My mother, kneeling in her nightdress, each hand pulling at a strap, pushed for what felt like an eternity, cursing like a pirate, using words she’d never utter under normal circumstances. My aunt Pía, crouched between her legs, waited to receive the newborn baby before he could fall to the floor. She had already prepared the infusions of nettle, artemisia, and rue for after the birth. The clamor of the storm, which beat against the shutters and ripped tiles from the roof, drowned out the low moans and then the long final scream as I began to emerge, first a head, followed by a body covered in mucus and blood, slipping through my aunt’s fingers and crashing down onto the wood floor.
“You’re so clumsy, Pía!” Pilar shouted, holding me up by one foot. “It’s a girl!” she added, surprised.
“It can’t be, check him good,” my mother mumbled, exhausted.
“I’m telling you, sister, she doesn’t have a willy,” Pilar responded.
That night, my father returned home late, after dinner and several hands of cards at the club, and went directly to...
Critiques-
November 8, 2021 Chilean writer Allende (A Petal of the Sea) chronicles the lives of an upper-class South American family across various historical events of the 20th century. Violeta del Valle, 100, recounts the story of her life to her grandson, Camilo, beginning with her birth during the Spanish Flu pandemic. The del Valles—patriarch Arsenio and his invalid wife, five sons, and the youngest, daughter Violeta—survive by quarantining in their mansion in the capital city of their unnamed country, but the Great Depression soon shatters the family’s economic stability. Nine-year-old Violeta finds her father’s body with a self-inflicted gunshot wound, and they move to a farm. In whirlwind fashion, Allende conveys Violeta’s life: her lackluster first marriage, an adventure-filled affair with British RAF pilot Julian Bravo, Bravo’s underhanded dealings flying CIA operatives to South America, and the tragic story of her drug-addled daughter who dies while giving birth to Camilo. Allende frames Violeta’s life story with two global pandemics, and while Violeta’s reflections on Covid-19 feel a little forced, Allende seamlessly ties the rise and fall of Cold War–era military dictatorships throughout Latin America to Violeta’s autobiography. It’s a mixed bag, but Allende succeeds once again at making the historical feel personal.
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