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Duma Key
Couverture de Duma Key
Duma Key
A Novel
Master storyteller Stephen King's classic, terrifying #1 New York Times bestseller of what happens when the barrier between our world and that of the supernatural is breached.
After a terrible construction site accident severs Edgar Freemantle's right arm, scrambles his mind, and implodes his marriage, the wealthy Minnesota builder faces the ordeal of rehabilitation, all alone and full of rage. Renting a house on Duma Key—a stunningly beautiful and eerily undeveloped splinter off the Florida coast—Edgar slowly emerges from his prison of pain to bond with Elizabeth Eastlake, a sick, elderly woman whose roots are tangled deep in this place. And as he heals, he paints—feverishly, compulsively, his exploding talent both a wonder and a weapon. For Edgar's creations are not just paintings, but portals for the ghosts of Elizabeth's past...and their power cannot be controlled...
Master storyteller Stephen King's classic, terrifying #1 New York Times bestseller of what happens when the barrier between our world and that of the supernatural is breached.
After a terrible construction site accident severs Edgar Freemantle's right arm, scrambles his mind, and implodes his marriage, the wealthy Minnesota builder faces the ordeal of rehabilitation, all alone and full of rage. Renting a house on Duma Key—a stunningly beautiful and eerily undeveloped splinter off the Florida coast—Edgar slowly emerges from his prison of pain to bond with Elizabeth Eastlake, a sick, elderly woman whose roots are tangled deep in this place. And as he heals, he paints—feverishly, compulsively, his exploding talent both a wonder and a weapon. For Edgar's creations are not just paintings, but portals for the ghosts of Elizabeth's past...and their power cannot be controlled...
Formats disponibles-
  • OverDrive Read
  • EPUB eBook
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Copies-
  • Disponible:
    0
  • Copies de la bibliothèque:
    0
Niveaux-
  • Niveau ATOS:
    5.0
  • Lexile Measure:
    770
  • Niveau d'intérêt:
    UG
  • Difficulté du texte:
    3 - 4


 
Prix remportés-
Extraits-
  • From the book

    1 -- My Other Life

    i

    My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but first let's get through the Minnesota part.

    Gotta say it: I was a genuine American-boy success there. Worked my way up in the company where I started, and when I couldn't work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I'd be broke in a year. I think that's what most bosses say when some hot young pocket-rocket goes off on his own.

    For me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her.

    I had an accident at a job site. It was pretty simple; when a pickup truck, even a Dodge Ram with all the bells and whistles, argues with a twelve-story crane, the pickup is going to lose every time. The right side of my skull only cracked. The left side was slammed so hard against the Ram's doorpost that it fractured in three places. Or maybe it was five. My memory is better than it used to be, but it's still a long way from what it once was.

    The doctors called what happened to my head a contracoup injury, and that kind of thing often does more damage than the original hit. My ribs were broken. My right hip was shattered. And although I retained seventy per cent of the sight in my right eye (more, on a good day), I lost my right arm.

    I was supposed to lose my life, but didn't. I was supposed to be mentally impaired thanks to the contracoup thing, and at first I was, but it passed. Sort of. By the time it did, my wife had gone, and not just sort of. We were married for twenty-five years, but you know what they say: shit happens. I guess it doesn't matter; gone is gone. And over is over. Sometimes that's a good thing.

    When I say I was mentally impaired, I mean that at first I didn't know who people were -- even my wife -- or what had happened. I couldn't understand why I was in such pain. I can't remember the quality of that pain now, four years later. I know that I suffered it, and that it was excruciating, but it's all pretty academic. It wasn't academic at the time. At the time it was like being in hell and not knowing why you were there.

    At first you were afraid you'd die, then you were afraid you wouldn't. That's what Wireman says, and he would have known; he had his own season in hell.

    Everything hurt all the time. I had a constant ringing headache; behind my forehead it was always midnight in the world's biggest clock-shop. Because my right eye was fucked up, I was seeing the world through a film of blood, and I hardly knew what the world was. Nothing had a name. I remember one day when Pam was in the room -- I was still in the hospital -- and she was standing by my bed. I was extremely pissed that she should be standing when there was a thing to sit on right over in the cornhole.

    "Bring the friend," I said. "Sit in the friend."

    "What do you mean, Edgar?" she asked.

    "The friend, the buddy!" I shouted. "Bring over the fucking pal, you dump bitch!" My head was killing me and she was starting to cry. I hated her for that. She had no business...

Au sujet de l’auteur-
  • Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes the short story collection You Like It Darker, Holly, Fairy Tale, Billy Summers, If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and a television series streaming on Peacock). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, Doctor Sleep, and Firestarter are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.
Critiques-
  • Publisher's Weekly

    December 10, 2007
    In bestseller King’s well-crafted tale of possession and redemption, Edgar Freemantle, a successful Minnesota contractor, barely survives after the Dodge Ram he’s driving collides with a 12-story crane on a job site. While Freemantle suffers the loss of an arm and a fractured skull, among other serious injuries, he makes impressive gains in rehabilitation. Personality changes that include uncontrollable rages, however, hasten the end of his 20-year-plus marriage. On his psychiatrist’s advice, Freemantle decides to start anew on a remote island in the Florida Keys. To his astonishment, he becomes consumed with making art—first pencil sketches, then paintings—that soon earns him a devoted following. Freemantle’s artwork has the power both to destroy life and to cure ailments, but soon the Lovecraftian menace that haunts Duma Key begins to assert itself and torment those dear to him. The transition from the initial psychological suspense to the supernatural may disappoint some, but even those few who haven’t read King (Lisey’s Story
    ) should appreciate his ability to create fully realized characters and conjure horrors that are purely manmade.

  • Publisher's Weekly

    Starred review from February 25, 2008
    King's latest novel is a fantastically eerie tale in line with his best psychological thrillers. John Slattery offers a triumphal performance—his firm, gripping tone perfectly suits this story of the darker side of human memory and creativity. The characters are each so different and complicated, creating a challenge for even the most seasoned narrator. But Slattery does the near-impossible and physically becomes Edgar Freemantle. In fact, the two become so inseparable the listener almost feels guilty listening to his heartfelt confessions. King's vision of Freemantle's fictional personal memoir demands a narrator so believable and solid in his delivery that it seems almost impossible. But Slattery creates a truly moving experience, commanding and truthful. Simultaneous release with the Scribner hardcover (Reviews, Dec., 10).

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