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A Stunning Novel of Hope and Redemption Taking us from Afghanistan in the final days of the monarchy to the present, The Kite Runner is the unforgettable and beautifully told story of the friendship between two boys growing up in Kabul. Raised in the same household and sharing the same wet nurse, Amir and Hassan grow up in different worlds: Amir is the son of a prominent and wealthy man, while Hassan, the son of Amir's father's servant, is a Hazara — a shunned ethnic minority. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them. When Amir and his father flee the country for a new life in California, Amir thinks that he has escaped his past. And yet he cannot leave the memory of Hassan behind him. The Kite Runner is a novel about friendship and betrayal, and about the price of loyalty. It is about the bonds between fathers and sons, and the power of fathers over sons — their love, their sacrifices, and their lies. Written against a backdrop of history that has not been told in fiction before, The Kite Runner describes the rich culture and beauty of a land in the process of being destroyed. But through the devastation, Khaled Hosseini offers hope: through the novel's faith in the power of reading and storytelling, and in the possibilities he shows us for redemption.
A Stunning Novel of Hope and Redemption Taking us from Afghanistan in the final days of the monarchy to the present, The Kite Runner is the unforgettable and beautifully told story of the friendship between two boys growing up in Kabul. Raised in the same household and sharing the same wet nurse, Amir and Hassan grow up in different worlds: Amir is the son of a prominent and wealthy man, while Hassan, the son of Amir's father's servant, is a Hazara — a shunned ethnic minority. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them. When Amir and his father flee the country for a new life in California, Amir thinks that he has escaped his past. And yet he cannot leave the memory of Hassan behind him. The Kite Runner is a novel about friendship and betrayal, and about the price of loyalty. It is about the bonds between fathers and sons, and the power of fathers over sons — their love, their sacrifices, and their lies. Written against a backdrop of history that has not been told in fiction before, The Kite Runner describes the rich culture and beauty of a land in the process of being destroyed. But through the devastation, Khaled Hosseini offers hope: through the novel's faith in the power of reading and storytelling, and in the possibilities he shows us for redemption.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Khaled Hosseini was born in Kabul, Afghanistan, and moved to the United States in 1980. His first novel, The Kite Runner, was an international bestseller, published in forty countries. In 2006 he was named a U.S. envoy to UNHCR, The United Nations Refugee Agency. He lives in northern California.
Critiques-
Amir, a rich man's son, grows up in Kabul as playmate and master of Hassan, an ethnic Hazara, a despised Afghani minority. Amir, who tells the story, has ambivalent feelings about both his father and his ultra-loyal friend as the monarchy falls, the Soviets invade, and Afghanistan is thrown into turmoil. Westerners who engage this novel will learn much about Afghani society of the recent past if they can endure the author's narration. In his inexpert voice, the point of view seems insipid and saccharine. But at least the exotic words and names are pronounced correctly. Y.R. (c) AudioFile 2003, Portland, Maine
Starred review from May 12, 2003 Hosseini's stunning debut novel starts as an eloquent Afghan version of the American immigrant experience in the late 20th century, but betrayal and redemption come to the forefront when the narrator, a writer, returns to his ravaged homeland to rescue the son of his childhood friend after the boy's parents are shot during the Taliban takeover in the mid '90s. Amir, the son of a well-to-do Kabul merchant, is the first-person narrator, who marries, moves to California and becomes a successful novelist. But he remains haunted by a childhood incident in which he betrayed the trust of his best friend, a Hazara boy named Hassan, who receives a brutal beating from some local bullies. After establishing himself in America, Amir learns that the Taliban have murdered Hassan and his wife, raising questions about the fate of his son, Sohrab. Spurred on by childhood guilt, Amir makes the difficult journey to Kabul, only to learn the boy has been enslaved by a former childhood bully who has become a prominent Taliban official. The price Amir must pay to recover the boy is just one of several brilliant, startling plot twists that make this book memorable both as a political chronicle and a deeply personal tale about how childhood choices affect our adult lives. The character studies alone would make this a noteworthy debut, from the portrait of the sensitive, insecure Amir to the multilayered development of his father, Baba, whose sacrifices and scandalous behavior are fully revealed only when Amir returns to Afghanistan and learns the true nature of his relationship to Hassan. Add an incisive, perceptive examination of recent Afghan history and its ramifications in both America and the Middle East, and the result is a complete work of literature that succeeds in exploring the culture of a previously obscure nation that has become a pivot point in the global politics of the new millennium. (June 2)Forecast:It is rare that a book is at once so timely and of such high literary quality. Though Afghanistan is now on the media back burner, its fate is still of major interest and may become even more so as the U.S.'s nation-building efforts are scrutinized. 10-city author tour; foreign rights sold in Canada, Finland, France, Germany, Greece, Holland, Israel, Spain, Sweden and the U.K.
Like many nonprofessional narrators of their own work, Hosseini cannot be considered highly skilled in terms of nuance, characterization, or dramatic pacing. Nevertheless, there's much to appreciate in his performance, not the least of which--and this is hardly a surprise--is his authentic rendering of Afghan pronunciation. Of course, the exotic locale of Afghanistan is what Western readers are likely to find most compelling in this novel, rich in its evocation of the foreign, deeply anguished culture that has come, so tragically, to be familiar to Americans. An émigré himself, Hosseini tells the story of two Afghan boys, friends divided by class, who grow up in a Kabul buffeted by the misery of war and repression. M.O. (c) AudioFile 2005, Portland, Maine
September 26, 2011 Seven years after the novel’s publication and four years after the release of a motion picture, a faithful though streamlined graphic novel adaptation of Hosseini’s bestseller appears. Amir was raised in privilege in Afghanistan, with Hassan, a member of the Hazara minority whose father is a servant in Amir’s house, as his constant companion. Amir’s jealousy over his father’s affection for Hassan leads to a betrayal that breaks up the friendship. Hassan and his father move away, Amir and his father escape from Afghanistan during the Soviet war, and the tie seems broken forever. But 15 years later, Amir, now living in San Francisco, receives a call that sends him back to Afghanistan and straight into the heart of the darkest part of his history. The characters are strong-featured (though Hassan’s cleft pallet, significant in the story, is all but invisible) and expressive, though murky coloring sometimes threatens to obscure linework. The art during Amir’s recounting of his Afghan childhood is bathed in warm colors, contrasting well with the gray, muted colors of Afghanistan during Taliban rule. In a conflict that we now know has no easy solutions, a happy ending, while welcome, feels like nothing more than wishful thinking.
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Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen
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