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A NEW YORK TIMES BESTSELLER Named a Best Book of 2023 by The Washington Post, People, USA Today, NPR, Esquire, Good Housekeeping, Real Simple, The Boston Globe, CrimeReads and more
“A twisty, immersive whodunit perfect for fans of Donna Tartt’s The Secret History.” —People "Spellbinding." —The New York Times Book Review "[An] irresistible literary page-turner." —The Boston Globe The riveting new novel — "part true-crime page-turner, part campus coming-of-age" (San Francisco Chronicle) — from the author of the Pulitzer Prize and National Book Award finalist The Great Believers A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie. But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t as much of an outsider at Granby as she’d thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case. In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman’s reckoning with her past, with a transfixing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.
A NEW YORK TIMES BESTSELLER Named a Best Book of 2023 by The Washington Post, People, USA Today, NPR, Esquire, Good Housekeeping, Real Simple, The Boston Globe, CrimeReads and more
“A twisty, immersive whodunit perfect for fans of Donna Tartt’s The Secret History.” —People "Spellbinding." —The New York Times Book Review "[An] irresistible literary page-turner." —The Boston Globe The riveting new novel — "part true-crime page-turner, part campus coming-of-age" (San Francisco Chronicle) — from the author of the Pulitzer Prize and National Book Award finalist The Great Believers A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie. But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent flaws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t as much of an outsider at Granby as she’d thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case. In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman’s reckoning with her past, with a transfixing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
1.
I first watched the video in 2016. I was in bed on my laptop, with headphones, worried Jerome would wake up and I'd have to explain. Down the hall, my children were sleeping. I could have gone and checked on them, felt their warm cheeks and hot breath. I could have smelled my daughter's hair-and maybe the scent of damp lavender and a toddler's scalp would have been enough to send me to sleep.
But a friend I hadn't seen in twenty years had just sent me the link, and so I clicked.
Lerner and Loewe's Camelot. I was both stage manager and tech director. One fixed camera, too close to the orchestra, too far from the unmiked adolescent singers, 1995 VHS quality, some member of the AV club behind the lens. And my God, we knew we weren't great, but we weren't even as good as we thought we were. Whoever uploaded it two decades later, whoever added the notes below with the exact time markers for when Thalia Keith shows up, had also posted the list of cast and crew. Beth Docherty as a petite Guinevere, Sakina John glowing as Morgan le Fay with a crown of gold spikes atop her cornrows, Mike Stiles beautiful and embarrassed as King Arthur. My name is misspelled, but it's there, too.
The curtain call is the last shot where you clearly see Thalia, her dark curls distinguishing her from the washed-out mass. Then most everyone stays onstage to sing "Happy Birthday" to Mrs. Ross, our director, to pull her up from the front row where she sat every night jotting notes. She's so young, something I hadn't registered then.
A few kids exit, return in confusion. Orchestra members hop onstage to sing, Mrs. Ross's husband springs from the audience with flowers, the crew comes on in black shirts and black jeans. I don't appear; I assume I stayed up in the box. It would have been like me to sit it out.
Including the regrouping and singing, the birthday business lasts fifty-two seconds, during which you never see Thalia clearly. In the comments, someone had zoomed in on a bit of green dress at one side of the frame, posted side-by-side photos of that smear of color and the dress Thalia wore-first covered in gauze as Nimue, the enchantress, the Lady of the Lake, and then ungauzed, with a simple headdress, as Lady Anne. But there were several green dresses. My friend Carlotta's was one. There's a chance that, by then, Thalia was gone.
Most of the discussion below the video focused on timing. The show was set to begin at 7:00, but we likely started our mercifully abridged version five minutes late. Maybe more. The tape omitted intermission, and there was speculation on how long the intermission of a high school musical would last. Depending on what you believe about these two variables, the show ended sometime between 8:45 and 9:15. I should have known. Once, there would have been a binder with my meticulous notes. But no one ever asked for it.
The window the medical examiner allowed for Thalia's time of death was 8:00 p.m. to midnight, with the beginning of the slot curtailed by the musical-the reason the show's exact end time had become the subject of infinite fascination online.
I came here from YouTube, one commenter had written in 2015, linking to a separate video. Watch this. It PROVES they bungled the case. The timeline makes no sense.
Someone else wrote: Wrong guy in prison bc of racist cops in schools pocket.
And below that: Welcome to Tinfoil Hat Central! Focus your energies on an ACTUAL UNSOLVED CASE.
Watching the video twenty-one years after the fact, the memory that dislodged from my brain's dark corners was looking up lusty in the library dictionary with my friend Fran, who was in the chorus. To quiet our...
Critiques-
Starred review from November 7, 2022 Makkai returns after her Pulitzer-finalist The Great Believers with a clever and deeply thoughtful story involving a 1990s boarding school murder and its repercussions decades later. Bodie Kane, a successful 40-year-old podcaster, returns from Los Angeles to her alma mater in New Hampshire in 2018 to teach. After two of her students team up on a Serial-like podcast about the killing of Thalia Keith, whose murder was pinned on the school’s Black athletic trainer, Omar Evans, questions are raised about the state’s flimsy case against Omar and Thalia’s classmates’ racist assumptions about his guilt. Meanwhile, Bodie reexamines her own understanding of what happened, and comes to grips with the predatory behavior of her and Thalia’s beloved music teacher. Just as Makkai brought a keen perspective to the 1980s with her previous novel, she does a brilliant job here at showing how in the ’90s girls were conditioned to shrug off sexual assault. A steady stream of precise, cringe-inducing period details—Thalia’s manipulative jock boyfriend belts out “Come to My Window” while drunk—prove the reader’s in good hands. A final act, set in spring 2022, brings more of the classmates together for a deliciously complex reckoning. This is sure to be a hit. Agent: Nicole Aragi, Aragi Inc.
Makkai (The Great Believers) delivers an emotionally complex story about the costs and rewards of seeking the truth. Bodie Kane always felt like an outsider at Granby, the prestigious boarding school she attended in the mid-1990s. She both envied and disdained the lives of the privileged students who gathered around the magnetic Thalia Keith. When Bodie returns to Granby in 2018, those old feelings return as she grapples with the impact of the #MeToo movement and the questionable circumstances around Thalia's death. Julia Whelan masterfully embodies the messy realities of Bodie as a woman whose successful career and loving family project a portrait her self-image can't match. Bodie's practiced podcaster smoothness devolves into fear and shaking rage as she contemplates how she and her classmates were encouraged to put up with casual violations by the boys and men around them. Whelan is equally adept at voicing secondary characters, matching her tones and cadence to cocky athletes and sensitive theater kids alike. JD Jackson makes a brief but pivotal appearance as the man who was swiftly and perhaps wrongfully convicted of Thalia's murder. VERDICT Highly recommended for all audio collections; for lovers of contemporary literary fiction and true crime podcasts.--Natalie Marshall
Copyright 2024 Library Journal, LLC Used with permission.
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Julia Whelan's performance is so consistently gripping that listeners may attempt to finish this entire audiobook in a single sitting. Whelan deftly navigates the cast of characters, making the whole listening experience seamless. A successful true-crime podcaster, Bodie teaches a course on the subject at her alma mater. The school is the site of a murder years ago, a complicated event that her students pressure her to re-examine. As the research progresses, Bodie is forced to confront complicated relationships on campus and beyond. JD Jackson shines in a pivotal cameo that is essential to the story and a bonus for audiobook fans. Consider this the perfect "long drive" book--or one that will keep you in your driveway. S.P.C. Winner of AudioFile Earphones Award © AudioFile 2023, Portland, Maine
