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Everything Is Illuminated
Couverture de Everything Is Illuminated
Everything Is Illuminated
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"Imagine a novel as verbally cunning as A Clockwork Orange, as harrowing as The Painted Bird, as exuberant and twee as Candide, and you have Everything Is Illuminated . . . Read it, and you'll feel altered, chastened — seared in the fire of something new." — Washington Post
With only a yellowing photograph in hand, a young man — also named Jonathan Safran Foer — sets out to find the woman who might or might not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war, an amorous dog named Sammy Davis, Junior, Junior, and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past.

As their adventure unfolds, Jonathan imagines the history of his grandfather's village, conjuring a magical fable of startling symmetries that unite generations across time. As his search moves back in time, the fantastical history moves forward, until reality collides with fiction in a heart-stopping scene of extraordinary power.
"A rambunctious tour de force of inventive and intelligent storytelling . . . Foer can place his reader's hand on the heart of human experience, the transcendent beauty of human connections. Read, you can feel the life beating." — Philadelphia Inquirer
Robert Petkoff has appeared on film and TV in Woody Allen's Irrational Man, Madam Secretary, Elementary, The Good Wife, Chappelle's Show, and Law & Order.
His Broadway credits include All The Way with Bryan Cranston, Anything Goes, Ragtime, Spamalot and Fiddler on the Roof. Mr. Petkoff is an Audie and Earphones award winner.

"Imagine a novel as verbally cunning as A Clockwork Orange, as harrowing as The Painted Bird, as exuberant and twee as Candide, and you have Everything Is Illuminated . . . Read it, and you'll feel altered, chastened — seared in the fire of something new." — Washington Post
With only a yellowing photograph in hand, a young man — also named Jonathan Safran Foer — sets out to find the woman who might or might not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war, an amorous dog named Sammy Davis, Junior, Junior, and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past.

As their adventure unfolds, Jonathan imagines the history of his grandfather's village, conjuring a magical fable of startling symmetries that unite generations across time. As his search moves back in time, the fantastical history moves forward, until reality collides with fiction in a heart-stopping scene of extraordinary power.
"A rambunctious tour de force of inventive and intelligent storytelling . . . Foer can place his reader's hand on the heart of human experience, the transcendent beauty of human connections. Read, you can feel the life beating." — Philadelphia Inquirer
Robert Petkoff has appeared on film and TV in Woody Allen's Irrational Man, Madam Secretary, Elementary, The Good Wife, Chappelle's Show, and Law & Order.
His Broadway credits include All The Way with Bryan Cranston, Anything Goes, Ragtime, Spamalot and Fiddler on the Roof. Mr. Petkoff is an Audie and Earphones award winner.

Formats disponibles-
  • OverDrive Listen
  • OverDrive MP3 Audiobook
Langues:-
Copies-
  • Disponible:
    1
  • Copies de la bibliothèque:
    1
Niveaux-
  • Niveau ATOS:
  • Lexile Measure:
    880
  • Niveau d'intérêt:
  • Difficulté du texte:
    4 - 5


 
Prix remportés-
Extraits-
  • From the cover

    1 An Overture to the Commencement of a Very Rigid Journey

    My legal name is Alexander Perchov. But all of my many friends dub me Alex, because that is a more flaccid-to-utter version of my legal name. Mother dubs me Alexi-stop-spleening-me!, because I am always spleening her. If you want to know why I am always spleening her, it is because I am always elsewhere with friends, and disseminating so much currency, and performing so many things that can spleen a mother. Father used to dub me Shapka, for the fur hat I would don even in the summer month. He ceased dubbing me that because I ordered him to cease dubbing me that. It sounded boyish to me, and I have always thought of myself as very potent and generative. I have many many girls, believe me, and they all have a different name for me. One dubs me Baby, not because I am a baby, but because she attends to me. Another dubs me All Night. Do you want to know why? I have a girl who dubs me Currency, because I disseminate so much currency around her. She licks my chops for it. I have a miniature brother who dubs me Alli. I do not dig this name very much, but I dig him very much, so OK, I permit him to dub me Alli. As for his name, it is Little Igor, but Father dubs him Clumsy One, because he is always promenading into things. It was only four days previous that he made his eye blue from a mismanagement with a brick wall. If you're wondering what my bitch's name is, it is Sammy Davis, Junior, Junior. She has this name because Sammy Davis, Junior was Grandfather's beloved singer, and the bitch is his, not mine, because I am not the one who thinks he is blind.

    As for me, I was sired in 1977, the same year as the hero of this story. In truth, my life has been very ordinary. As I mentioned before, I do many good things with myself and others, but they are ordinary things. I dig American movies. I dig Negroes, particularly Michael Jackson. I dig to disseminate very much currency at famous nightclubs in Odessa. Lamborghini Countaches are excellent, and so are cappuccinos. Many girls want to be carnal with me in many good arrangements, notwithstanding the Inebriated Kangaroo, the Gorky Tickle, and the Unyielding Zookeeper. If you want to know why so many girls want to be with me, it is because I am a very premium person to be with. I am homely, and also severely funny, and these are winning things. But nonetheless, I know many people who dig rapid cars and famous discotheques. There are so many who perform the Sputnik Bosom Dalliance—which is always terminated with a slimy underface—that I cannot tally them on all of my hands. There are even many people named Alex. (Three in my house alone!) That is why I was so effervescent to go to Lutsk and translate for Jonathan Safran Foer. It would be unordinary.

    I had performed recklessly well in my second year of English at university. This was a very majestic thing I did because my instructor was having shit between his brains. Mother was so proud of me, she said, "Alexi-stop-spleening-me! You have made me so proud of you." I inquired her to purchase me leather pants, but she said no. "Shorts?" "No." Father was also so proud. He said, "Shapka," and I said, "Do not dub me that," and he said, "Alex, you have made Mother so proud."

    Mother is a humble woman. Very, very humble. She toils at a small café one hour distance from our home. She presents food and drink to customers there, and says to me, "I mount the autobus for an hour to work all day doing things I hate. You want to know why? It is for you, Alexi-stop-spleening-me! One day you will do things for me that you hate. That is what it...

Au sujet de l’auteur-
  • JONATHAN SAFRAN FOER is the author of the novels Everything is Illuminated and Extremely Loud and Incredibly Close, and a work of nonfiction, Eating Animals. His books have won numerous awards and have been translated into 36 languages. He lives in Brooklyn, New York.
Critiques-
  • AudioFile Magazine The young American Jonathan Safran Foer has written a novel about a young American named Jonathan Safran Foer, who travels back to Europe to find the woman who may or may not have saved his grandmother from the Nazis. Confused yet? Fear not. There's humor here and a strong narrative. The book is written in two voices. Jeff Woodman is entirely convincing as Alex, the Ukrainian translator whose "fluid" English is touchingly enacted. "Grand-father toiled for 50 years . . . but now he is retarded." Scott Shina reads Safran Foer's magical fable about the shtetl in which everything but the horror seems slightly absurd. Imagine A HUNDRED YEARS OF SOLITUDE crossed with FIDDLER ON THE ROOF. This is a fine production of a challenging but gratifying book. B.H.C. (c) AudioFile 2002, Portland, Maine
  • Publisher's Weekly

    Starred review from February 4, 2002
    What would it sound like if a foreigner wrote a novel in broken English? Foer answers this question to marvelous effect in his inspired though uneven first novel. Much of the book is narrated by Ukrainian student Alex Perchov, whose hilarious—and, in their own way, pitch-perfect—malapropisms flourish under the influence of a thesaurus. Alex works for his family's travel agency, which caters to Jews who want to explore their ancestral shtetls. Jonathan Safran Foer, the novel's other hero, is such a Jew—an American college student looking for the Ukrainian woman who hid his grandfather from the Nazis. He, Alex, Alex's depressive grandfather and his grandfather's "seeing-eye bitch" set out to find the elusive woman. Alex's descriptions of this "very rigid search" and his accompanying letters to Jonathan are interspersed with Jonathan's own mythical history of his grandfather's shtetl. Jonathan's great-great-great-great-great-grandmother Brod is the central figure in this history, which focuses mostly on the 18th and 19th centuries. Though there are some moments of demented genius here, on the whole the historical sections are less assured. There's a whiff of kitsch in Foer's jolly cast of pompous rabbis, cuckolded usurers and sharp-tongued widows, and the tone wavers between cozy ethnic humor, heady pontification and sentimental magic-realist whimsy. Nonetheless, Foer deftly handles the intricate story-within-a-story plot, and the layers of suspense build as the shtetl hurtles toward the devastation of the 20th century while Alex and Jonathan and Grandfather close in on the object of their search. An impressive, original debut. (Apr. 16)Forecast:Eagerly awaited since an excerpt was featured in the
    New Yorker's 2001 "Debut Fiction" issue,
    Everything Is Illuminated comes reasonably close to living up to the hype. Rights have so far been sold in 12 countries, the novel is a selection of the Book-of-the-Month Club and a main selection of Traditions Book Club, and Foer will embark on an author tour—expect lively sales.

  • AudioFile Magazine Narrator Robert Petkoff captures the wit and humor of this award-winning novel, which sheds light on a forgotten piece of Jewish history--and which became a movie. Petkoff easily switches between different accents and distinct voices as he portrays a fictional Jonathan Safran Foer, the work's author and main character, and his friend Alex Perchov, who butchers the English language with his malapropisms. Both journey to Ukraine to find the woman named Augustine who saved fictionalized Foer's grandfather when the Nazis tried to eradicate his small Jewish town. With several narratives at play, listeners may find the audiobook perplexing. Nonetheless, those who love a combination of humor, tragedy, history, and nonlinear storytelling will be rewarded. A.C. © AudioFile 2019, Portland, Maine
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Bahreïn, Égypte, Hong Kong, Iraq, Israël, Jordanie, Koweït, Liban, Mauritanie, Maroc, Oman, Palestine, Qatar, Arabie saoudite, Soudan, République arabe syrienne, Tunisie, Turquie, Émirats arabes unis, et le Yémen

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