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The Giver

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The Giver

de Lois Lowry

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Lois Lowry’s The Giver is the quintessential dystopian novel, followed by its remarkable companions, Gathering Blue, Messenger, and Son.
Jonas's world is perfect. Everything is under control. There is no war or fear of pain. There are no choices. Every person is assigned a role in the community. When Jonas turns 12 he is singled out to receive special training from The Giver. The Giver alone holds the memories of the true pain and pleasure of life. Now, it is time for Jonas to receive the truth. There is no turning back.

Formats disponibles-

OverDrive Listen
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Sujets-

Langues:-

English

Copies-

Disponible:

0
Copies de la bibliothèque:

1

Niveaux-

Niveau ATOS:

5.7
Lexile Measure:

760
Niveau d'intérêt:

MG
Difficulté du texte:

3 - 4

Prix remportés-

Best Fiction for Young Adults
Young Adult Library Services Association
Margaret A. Edwards Award
American Library Association
Newbery Medal
American Library Association

Extraits-

From the book
Chapter 1

It was almost December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane.

At first, he had been only fascinated. He had never seen aircraft so close, for it was against the rules for Pilots to fly over the community. Occasionally, when supplies were delivered by cargo planes to the landing field across the river, the children rode their bicycles to the river bank and watched, intrigued, the unloading and then the takeoff directed to the west, always away from the community.

But the aircraft a year ago had been different. It was not a squat, fat-bellied cargo plane but a needle-nosed single-pilot jet. Jonas, looking around anxiously, had seen others — adults as well as children — stop what they were doing and wait, confused, for an explanation of the frightening event.

Then all of the citizens had been ordered to go into the nearest building and stay there. IMMEDIATELY, the rasping voice through the speakers had said. LEAVE YOUR BICYCLES WHERE THEY ARE.

Instantly, obediently, Jonas had dropped his bike on its side on the path behind his family’s dwelling. He had run indoors and stayed there, alone. His parents were both at work, and his little sister, Lily, was at the Childcare Center where she spent her after-school hours.

Looking through the front window, he had seen no people: none of the busy afternoon crew of Street Cleaners, Landscape Workers, and Food Delivery people who usually populate the community at that time of day. He saw only the abandoned bikes here and there on their sides; an upturned wheel on one was still revolving slowly.

He had been frightened then. The sense of his own community silent, waiting, had made his stomach churn. He had trembled.

But it had been nothing. Within minutes the speakers had crackled again, and the voice, reassuring now and less urgent, had explained that a Pilot-in-Training had misread his navigational instructions and made a wrong turn. Desperately the Pilot had been trying to make his way back before his error was notice.

NEEDLESS TO SAY, HE WILL BE RELEASED, the voice had said, followed by silence. There was an ironic tone to that finally message, as if the Speaker found it amusing; and Jonas had smiled a little, though he knew what a grim statement it had been. For a contributing citizen to be released from the community was a final decision, a terrible punishment, an overwhelming statement of failure.

Even the children were scolded if they used the term lightly at play, jeering at a teammate who missed a catch or stumbled in a race. Jonas had done it once, had shouted at his best friend, “That’s it, Asher! You’re released!” when Asher’s clumsy error had lost a match for his team. He had been taken aside for a brief and serious talk by the coach, had hung his head with guilt and embarrassment, and apologized to Asher after the game.

Now, thinking about the feeling of fear as he pedaled home along the river path, he remembered that moment of palpable, stomach-sinking terror when the aircraft had streaked above. It was not what he was feeling now with December approaching. He searched for the right word to describe his own...

Au sujet de l’auteur-

Lois Lowry is a two-time recipient of the Newbery Medal. She lives in Massachusetts.

Critiques-

Praise and controversy precede this powerful story of a boy confronting the hidden truth about his futuristic society. Winner of the 1994 Newbery Award, Lowry's story sparks emotion and response from adults and children alike. This is a compelling prospect for family listening. Initially Rifkin's voice seems too regional to portray the characters of this utopian/dystopian world, but he convincingly conveys the anticipation of the coming-of-age ceremony of Jonas and his friends. As the meaning of Jonas' selection as "Receiver of Memory" unfolds, Rifkin's characterizations become more powerful. Although the story drives the presentation, Rifkin's juxtaposition of the young boy and the old Giver has tremendous effect. His voice for the Giver becomes increasingly weary and strained while Jonas' gains strength. Sharing this audiobook in a family or a classroom offers a valuable opportunity to respond to and discuss Lowry's moving novel. R.F.W. (c)AudioFile, Portland, Maine
April 26, 1993
In the ``ideal'' world into which Jonas was born, everybody has sensibly agreed that well-matched married couples will raise exactly two offspring, one boy and one girl. These children's adolescent sexual impulses will be stifled with specially prescribed drugs; at age 12 they will receive an appropriate career assignment, sensibly chosen by the community's Elders. This is a world in which the old live in group homes and are ``released''--to great celebration--at the proper time; the few infants who do not develop according to schedule are also ``released,'' but with no fanfare. Lowry's development of this civilization is so deft that her readers, like the community's citizens, will be easily seduced by the chimera of this ordered, pain-free society. Until the time that Jonah begins training for his job assignment--the rigorous and prestigious position of Receiver of Memory--he, too, is a complacent model citizen. But as his near-mystical training progresses, and he is weighed down and enriched with society's collective memories of a world as stimulating as it was flawed, Jonas grows increasingly aware of the hypocrisy that rules his world. With a storyline that hints at Christian allegory and an eerie futuristic setting, this intriguing novel calls to mind John Christopher's Tripods trilogy and Hans Christian Andersen's The Little Match Girl. Lowry is once again in top form--raising many questions while answering few, and unwinding a tale fit for the most adventurous readers. Ages 12-14.
August 1, 1994
Winner of the 1994 Newbery Medal, this thought-provoking novel centers on a 12-year-old boy's gradual disillusionment with an outwardly utopian futuristic society; in a starred review, PW said, ``Lowry is once again in top form... unwinding a tale fit for the most adventurous readers.'' Ages 10-up.
The New York Times "A powerful and provacative novel."

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Lois Lowry

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de Lois Lowry

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Ron Rifkin

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