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E is for Evidence
Couverture de E is for Evidence
E is for Evidence

No one writes a thriller like #1 New York Times bestselling author Sue Grafton. In E is for Evidence, PI Kinsey Millhone becomes the victim of a nasty frame-up...
E IS FOR EX
It was the silly season and a Monday at that, and Kinsey Millhone was bogged down in a preliminary report on a fire claim. Something was nagging at her, but she couldn't pin it. The last thing she needed in the morning mail was a letter from her bank recording an erroneous $5,000 deposit in her account. Kinsey had never believed in Santa Claus and she wasn't about to change her mind now. Resigning herself to a morning of frustration, she phoned the bank and, assaulted by canned carols, waited on hold for an officer to clear up the snafu.
It was with something less than Christmas cheer that Kinsey faced off only minutes later with California Fidelity's Mac Voorhies. Voorhies was smart, humorless, stingy with praise, and totally fair. He was frowning now.
"I got a phone call this morning." he said, his frown deepening. "Somebody says you're on the take."
Suddenly the $5,000 deposit clicked into place. It wasn't a mistake. It was a setup.
"E" is for evidence: evidence planted, evidence lost. "E" is for ex-lovers and evasions, enemies and endings. For Kinsey, "E" is for everything she stands to lose if she can't exonerate herself: her license, her livelihood, her good name. And so she takes on a new client: namely, Kinsey Millhone, thirty-two and twice-divorced, ex-cop and wisecracking loner, a California private investigator with a penchant for lost causes—one of which, it is to be hoped, is not herself.
As Kinsey begins to unravel the frame-up, she finds that her future is intimately tied to one family's past and to the explosive secret it has protected for almost twenty years. Digging deeper, she discovers that probing the past can have lethal consequences as she follows a trail of murder that leads to her own front door. And in what may well be her most challenging case, Kinsey comes up against the fact that sometimes, "E" is forever.
"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
"X"

No one writes a thriller like #1 New York Times bestselling author Sue Grafton. In E is for Evidence, PI Kinsey Millhone becomes the victim of a nasty frame-up...
E IS FOR EX
It was the silly season and a Monday at that, and Kinsey Millhone was bogged down in a preliminary report on a fire claim. Something was nagging at her, but she couldn't pin it. The last thing she needed in the morning mail was a letter from her bank recording an erroneous $5,000 deposit in her account. Kinsey had never believed in Santa Claus and she wasn't about to change her mind now. Resigning herself to a morning of frustration, she phoned the bank and, assaulted by canned carols, waited on hold for an officer to clear up the snafu.
It was with something less than Christmas cheer that Kinsey faced off only minutes later with California Fidelity's Mac Voorhies. Voorhies was smart, humorless, stingy with praise, and totally fair. He was frowning now.
"I got a phone call this morning." he said, his frown deepening. "Somebody says you're on the take."
Suddenly the $5,000 deposit clicked into place. It wasn't a mistake. It was a setup.
"E" is for evidence: evidence planted, evidence lost. "E" is for ex-lovers and evasions, enemies and endings. For Kinsey, "E" is for everything she stands to lose if she can't exonerate herself: her license, her livelihood, her good name. And so she takes on a new client: namely, Kinsey Millhone, thirty-two and twice-divorced, ex-cop and wisecracking loner, a California private investigator with a penchant for lost causes—one of which, it is to be hoped, is not herself.
As Kinsey begins to unravel the frame-up, she finds that her future is intimately tied to one family's past and to the explosive secret it has protected for almost twenty years. Digging deeper, she discovers that probing the past can have lethal consequences as she follows a trail of murder that leads to her own front door. And in what may well be her most challenging case, Kinsey comes up against the fact that sometimes, "E" is forever.
"A" Is for Alibi
"B" Is for Burglar
"C" Is for Corpse
"D" Is for Deadbeat
"E" Is for Evidence
"F" Is for Fugitive
"G" Is for Gumshoe
"H" Is for Homicide
"I" Is for Innocent
"J" Is for Judgment
"K" Is for Killer
"L" is for Lawless
"M" Is for Malice
"N" Is for Noose
"O" Is for Outlaw
"P" Is for Peril
"Q" Is for Quarry
"R" Is for Ricochet
"S" Is for Silence
"T" Is for Trespass
"U" Is for Undertow
"V" Is for Vengeance
"W" Is for Wasted
"X"

Formats disponibles-
  • OverDrive Read
  • EPUB eBook
Sujets-
Langues:-
Copies-
  • Disponible:
    0
  • Copies de la bibliothèque:
    0
Niveaux-
  • Niveau ATOS:
    5.4
  • Lexile Measure:
    780
  • Niveau d'intérêt:
    UG
  • Difficulté du texte:
    3 - 4


 
Prix remportés-
Extraits-
  • Copyright © 1988 by Sue Grafton.

    Published in December 2005 by St Martin's Press.

    All rights reserved. This work is protected under copyright laws and reproduction is...

    Chapter One

    It was Monday, December 27, and I was sitting in my office, trying to get a fix on the mood I was in, which was bad, bad, bad, comprised of equal parts irritation and uneasiness. The irritation was generated by a bank notice I'd just received, one of those windowed numbers with a yellow carbon showing through. At first, I assumed I was overdrawn, but what I pulled out was a slip, dated Friday, December 24, showing a five-thousand-dollar deposit to my checking account.

    "What the hell is this?" I said.

    The account number was correct, but the deposit wasn't mine. In my experience, banks are the least helpful institutions on earth, and the notion of having to stop what I was doing to straighten out an error was nearly more than I could bear. I tossed the notice aside, trying to reclaim my concentration. I was getting ready to write up the preliminary report on an insurance case I'd been asked to look into, and Darcy, the secretary at California Fidelity, had just buzzed to say that Mac wanted the file on his desk right away. Mentally, I'd come up with a tart suggestion about what she could do with herself, but I'd kept my mouth shut, showing (I thought) admirable restraint.

    I turned back to my portable Smith-Corona, inserting the proper form for a property-insurance-loss register. My nimble fingers were poised to type while I reviewed my notes. That's where I was stuck. Something was off and I couldn't figure out what it was. I glanced at the bank notice again.

    Almost with an eye toward the comic relief, I called the bank, hoping the diversion would help me focus on what was bothering me about the situation at Wood/Warren, a local company manufacturing hydrogen furnaces for industrial use. They'd had a fire out there on December 19 that had destroyed a warehouse.

    "Mrs. Brunswick, Customer Service. May I help you?"

    "Well, I hope so," I said. "I just received a notice saying I put five thousand dollars in my checking account last Friday and I didn't do that. Is there any way you can straighten it out?"

    "May I have your name and account number, please?"

    "Kinsey Millhone," I said, supplying my account number in slow, measured tones.

    She put me on hold briefly while she called up the records on her computer terminal. Meanwhile, I listened to the bank's rendition of "Good King Wenceslas," which I've personally never understood. What's the Feast of Stephen?

    Mrs. Brunswick clicked back in. "Miss Millhone, I'm not certain what the problem is, but we do show a cash deposit to this account number. Apparently, it was left in the night-deposit slot and posted over the weekend."

    "You still have one of those night-deposit slots?" I asked with amazement.

    "At our downtown branch, yes," she said.

    "Well, there's some kind of mistake here. I've never even seen the night-deposit slot. I use my twenty-four-hour instant teller card if I need to transact bank business after hours. What do we do now?"

    "I can track down a copy of the deposit slip," she said skeptically.

    "Would you do that, please? Because I didn't make a deposit of any kind last Friday and certainly not five thousand dollars' worth. Maybe somebody transposed some numbers on the deposit slip or something, but the money sure doesn't belong to me."

    She took my telephone number and said she'd get back to me. I could tell I was in for countless phone calls before the correction could be made. Suppose somebody was merrily writing...

Au sujet de l’auteur-
  • #1 New York Times bestselling author Sue Grafton (1940-2017) entered the mystery field in 1982 with the publication of 'A' Is for Alibi, which introduced female hard-boiled private investigator, Kinsey Millhone, operating out of the fictional town of Santa Teresa, (aka Santa Barbara) California, and launched the bestselling Kinsey Millhone Alphabet Mysteries. In addition to her books, she published several Kinsey Millhone short stories, and with her husband, Steven Humphrey, wrote numerous movies for television, including "A Killer in the Family" (starring Robert Mitchum), "Love on the Run" (starring Alec Baldwin and Stephanie Zimbalist) and two Agatha Christie adaptations, "Sparkling Cyanide" and "Caribbean Mystery," which starred Helen Hayes. Grafton is published in 28 countries and in 26 languages.
Critiques-
  • Publisher's Weekly

    May 12, 1988
    While private detective and former cop Kinsey Millhone ("D'' Is for Deadbeat) is investigating a possible case of industrial arson involving a company owned by the family of a former schoolmate, someone tries to make it look as if she's on the take. A mysterious $5000 appears in her bank account. She sets out to clear herself, while two or possibly more cases of murder occur, including one by bombing. A Christmas spent alone and the reappearance of her second ex-husband, Daniel, who had deserted her, add to Kinsey's depression. Grafton has an accurate, wicked eye for California lifestyle and wise-cracking Kinsey is an appealing, nonhackneyed female detective. Particularly illuminating are the descriptions of document searches, which make up much of real detective work today. This fifth entry in the series, however, is not quite up to the standards of its predecessors because the motivation for the crimes seems weak. That caveat notwithstanding, readers will be glad that further letters of the alphabet await Grafton's imagination.

  • San Francisco Chronicle

    "Exceptionally entertaining...an offbeat sense of humor and a feisty sense of justice."

  • The Buffalo News "Millhone is an engaging detective-for-hire...P.I. Kinsey Millhone and her creator...are arguably the best of [the] distaff invaders of the hitherto sacrosanct turf of gumshoes."
  • Los Angeles Herald Examiner "Once a fan reads one of Grafton's alphabetically titled detective novels, he or she will not rest until all the others are found."
  • Library Journal "Millhone is a refreshingly strong and resourceful female private eye."
  • Best Sellers "Tough but compassionate...There is no one better than Kinsey Millhone."
  • Newsweek "A woman we feel we know, a tough cookie with a soft center, a gregarious loner."
  • The New York Times Book Review "Lord, how I like this Kinsey Millhone...The best detective fiction I have read in years."
  • The Bloomsbury Review "Smart, tough, and thorough...Kinsey Millhone is a pleasure."
  • Boston Herald "Kinsey is one of the most persuasive of the new female operatives...She's refreshingly free of gender clichés. Grafton, who is a very witty writer, has also given her sleuth a nice sense of humor--and a set of Wonder Woman sheets to prove it."
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