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Fly away with Peter Pan to the enchanted island of Neverland! This first chapter book adaptation of the classic novel, originally published in 1911, tells the story of the boy who never grows up. And when they join Peter on his magical island, Wendy and her brothers are in for exciting encounters with mermaids, an Indian princess, and pirates! Let the amazing adventures begin!
Fly away with Peter Pan to the enchanted island of Neverland! This first chapter book adaptation of the classic novel, originally published in 1911, tells the story of the boy who never grows up. And when they join Peter on his magical island, Wendy and her brothers are in for exciting encounters with mermaids, an Indian princess, and pirates! Let the amazing adventures begin!
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the book
Chapter One
Peter Breaks Through
ALL CHILDREN, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, "Oh, why can't you remain like this for ever!" This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.
Of course they lived at 14, and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the righthand corner.
The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.
Mr. Darling used to boast to Wendy that her mother not only loved him but respected him. He was one of those deep ones who know about stocks and shares. Of course no one really knows, but he quite seemed to know, and he often said stocks were up and shares were down in a way that would have made any woman respect him.
Mrs. Darling was married in white, and at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces. She drew them when she should have been totting up. They were Mrs. Darling's guesses.
Wendy came first, then John, then Michael.
For a week or two after Wendy came it was doubtful whether they would be able to keep her, as she was another mouth to feed. Mr. Darling was frightfully proud of her, but he was very honourable, and he sat on the edge of Mrs. Darling's bed, holding her hand and calculating expenses, while she looked at him imploringly. She wanted to risk it, come what might, but that was not his way; his way was with a pencil and a piece of paper, and if she confused him with suggestions he had to begin at the beginning again.
"Now don't interrupt," he would beg of her. "I have one pound seventeen here, and two and six at the office; I can cut off my coffee at the office, say ten shillings, making two nine and six, with your eighteen and three makes three nine seven, with five naught naught in my cheque-book makes eight nine seven-who is that moving?-eight nine seven, dot and carry seven-don't speak, my own-and the pound you lent to that man who came to the door-quiet, child-dot and carry child-there, you've done it!-did I say nine nine seven? yes, I said nine nine seven; the question is, can we try it for a year on nine nine seven?"
"Of course we can, George," she cried. But she was prejudiced in Wendy's favour, and he was really the grander character of the two.
"Remember mumps," he warned her almost threateningly, and...
Au sujet de l’auteur-
J. M. Barrie, also known as Sir James Mathew Barrie, was born on May 9, 1860, at Kirriemuir in Scotland, the ninth of ten children of a weaver. When Barrie was six, his older brother David died in a skating accident. Barrie then became his mother’s chief comforter, while David remained in her memory a boy of 13 who would never grow up. Barrie received his MA degree from the University of Edinburgh in 1882 and began working as a journalist. In 1885 he moved to London, and his writings were collected in Auld Licht Idlls (1888) and A Window in Thurns (1889), which, together with a sentimental novel, The Little Minister (1891), made him a best-selling author. In 1894 he married an actress, Mary Ansell, but the marriage was profoundly unhappy, produced no children, and was dissolved in 1910. However, a favorite Saint Bernard dog of Mary’s later became the famous Nana of Peter Pan. In 1897, with the adaptation of The Little Minister, Barrie became a successful playwright, writing the plays The Admirable Crichton (1902), What Every Woman Knows (1903), and Peter Pan(1904), which was produced in 1904 and revived in London every Christmas season thereafter. While the figure of Peter Pan first appeared in Barrie’s book The Little White Bird (1902), the story and the concept began in the tales he told the sons of Mrs. Sylvia Llewelyn Davies, a woman Barrie loved. Barrie then published the story of Peter Pan in book form as Peter and Wendy (1911). The best of his later works is Dear Brutus (1917), a haunting play that again brought the supernatural and fantasy to the London stage. Barrie died in 1937, bequeathing the copyright of Peter Pan to the Great Ormond Street Hospital in London, a hospital for children.
Jim Dale has won a record ten Audie Awards, two Grammy Awards, and seven Grammy nominationsas a narrator. As an actor, he has received a British Academy Award nomination, a Tony Award, five Tony nominations, and four Drama Desk Awards. As a writer, he has received an Academy Award nomination for the song "Georgy Girl."
Dale is perhaps most famous for being the voice of all the Harry Potter audio books, in which he notably performs hundreds of distinct individual character's voices. He also voices the Harry Potter video games, as well as the interactive extra features on the Potter DVD releases.
Awarded an MBE by Queen Elizabeth II in 2003, chiefly for his work promoting the work of chldren's literature, Dale was also inducted into the American Theater Hall of Fame in 2009.
Critiques-
If your knowledge of Peter Pan comes from Disney, prepare for a treat. Master storyteller Jim Dale transports listeners into Barrie's world. Dale pulls us into the imaginative web Barrie weaves with this tale of adventure, suspense, and eternal childhood. Each character enters the story with a unique voice and personality, and Dale breathes life into every character--the cocky, bossy innocence of Peter; the maternal bossiness of Wendy; the malevolent sneering of Captain Hook; and exuberance of all the lost boys, pirates, and Indians. Turn off the TV, gather around the CD player, turn "second to the right, and straight on 'til morning" to fly off for an enchanted evening in Neverland. You'll return again and again. N.E.M. (c) AudioFile 2006, Portland, Maine
Patrick Treadway does an excellent job of bringing J.M. Barrie's classic tale to audio. His narration is faithful to the original text and evokes the British upper class of the period with his deadpan attitude about such things as the fact that the Darling's nanny is a dog. Treadway knows just the right intonation to bring to each of the many marvelous characters: from the evil Captain Hook to the flighty Tinker Bell. Children of all ages will delight in this wonderful telling of Peter's antics. S.B.M. (c)AudioFile, Portland, Maine
Listening to the original story that has inspired so many storybooks and cartoons is a delightful treat. And this performance by Samuel West is superb. From the opening passages West's charismatic voice draws listeners to immediate attention. He delivers deliciously imaginative character voices--Wendy, Hook, Smee, Peter and each of the boys and pirates. West's brilliant storytelling brings out the more subtle side of Barrie's enduring classic, not just the characters, but also the strong sense of fair play and personal virtue. The usual superb selections of music and a smooth abridgment make this family listening not to be missed. R.F.W. Winner of AUDIOFILE Earphones Award (c)AudioFile, Portland, Maine
The ghost of Mary Martin's Peter Pan is here in the nasal coyness the narrator gives to Peter. The other characters are gently characterized, and the overall effect is soft and professional. Noone's voice is calming; she sounds as if she has a dozen children sitting at her knees listening intently, and she speaks her story with slow relish. The end of each side is signaled by soft music, a nice touch; there are no other enhancements. This is a good rendition of a familiar classic. D.W. (c)AudioFile, Portland, Maine
For children raised on Disney videos and not quite ready to tackle the original novel, this version of Peter Pan is a welcome alternative. It is well dramatized for a full cast and includes some excellent voices. The lines of the all-British cast are woven together with narrated segments, and the production uses music and sound effects effectively. Most notable is Michael Jayston as Captain Hook, who manages to sound as diabolical as his character calls for. The only caveat is that there is little attempt to soften the novel's treatment of Native Americans, some of which now sounds dated and insensitive. D.B. (c)AudioFile, Portland, Maine
For many of us, PETER PAN is one of those stories we know from popular culture but have never actually read. Now is the time to learn what a wonderful (and often adult) story it is. Tim Curry provides the perfect introduction with his rich voice, British accent, and tongue lodged firmly in cheek. He creates a magical world of pirates, fairies, dog-as-nanny, lost children, and the boy who never grows up. Curry develops distinctive voices for all the characters--Captain Hook is a particular delight--and employs an appropriately slow pace, making it feel as if he is reading us a bedtime story. A.B. (c) AudioFile 2007, Portland, Maine
With exceptional performances by British actors Toyah Willcox, June Whitfield, Ron Moody, and Roy Hood, this audio dramatization from BBC Radio 4 will keep the attention of youngsters who are only familiar with the Disney version and will delight older listeners who have read the 1904 classic. Toyah Willcox is exuberant as Peter Pan, and Ron Moody performs the evil Captain Hook with menacing snarls. Also adding to the dramatization is a continuous array of sound effects--from the bark of Nanny to the crashing waves. Listeners will feel like they are also on the journey to Neverland. K.M.D. (c) AudioFile 2007, Portland, Maine
Christopher Cazenove brings the world of Peter Pan, the eternal youth, and his sidekick, Tinker Bell, to life. From the moment Peter flies in through the open nursery window, Cazenove delivers the story of Peter and the Darling children with a sense of adventure. In a distinctive British voice Cazenove gives a definitive personality to each character. As blustery Captain Hook, he stretches out or speeds up phrases to depict Hook's fluctuating moods. When Peter is boasting in a guessing game with Hook, Cazenove uses a prideful voice. But his voice is anxious when Peter becomes aware of Tink's grave sacrifice for his sake. Cazenove's Wendy sounds dramatic as she delivers her "gentleman" speech to the boys before they walk the plank, and his Smee is appropriately swaggering. Families will enjoy this audio treat. A.R. (c) AudioFile 2010, Portland, Maine
J. B. PRIESTLEY
"Barrie wrote his fantasy of childhood, added another figure to our enduring literature, and thereby undoubtedly made one of the boldest bids for immortality of any writer. . . . It is a masterpiece."
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If your knowledge of Peter Pan comes from Disney, prepare for a treat. Master storyteller Jim Dale transports listeners into Barrie's world. Dale pulls us into the imaginative web Barrie weaves with this tale of adventure, suspense, and eternal childhood. Each character enters the story with a unique voice and personality, and Dale breathes life into every character--the cocky, bossy innocence of Peter; the maternal bossiness of Wendy; the malevolent sneering of Captain Hook; and exuberance of all the lost boys, pirates, and Indians. Turn off the TV, gather around the CD player, turn "second to the right, and straight on 'til morning" to fly off for an enchanted evening in Neverland. You'll return again and again. N.E.M. (c) AudioFile 2006, Portland, Maine
