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NEW YORK TIMES EDITORS’ CHOICE • A dazzling novel about the saving grace of language and human connection, from the “visionary” (New York Times Book Review) author of the International Booker Prize winner The Vegetarian “Both a disquieting journey about the loss of sense and a return to the sensorium of touch and intimacy, Greek Lessons soars with sensuous and revelatory insight.”—Cathy Park Hong, author of Minor Feelings A BEST BOOK OF THE YEAR: The New Yorker, Time, Chicago Public Library, Kirkus Reviews, Publishers Weekly, Library Journal
"Now and then, language would thrust its way into her sleep like a skewer through meat, startling her awake several times a night." In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon the two discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages, and the fear of losing his independence. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish—the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to each other. Slowly the two discover a profound sense of unity—their voices intersecting with startling beauty, as they move from darkness to light, from silence to breath and expression. Greek Lessons is the story of the unlikely bond between this pair and a tender love letter to human intimacy and connection—a novel to awaken the senses, one that vividly conjures the essence of what it means to be alive.
NEW YORK TIMES EDITORS’ CHOICE • A dazzling novel about the saving grace of language and human connection, from the “visionary” (New York Times Book Review) author of the International Booker Prize winner The Vegetarian “Both a disquieting journey about the loss of sense and a return to the sensorium of touch and intimacy, Greek Lessons soars with sensuous and revelatory insight.”—Cathy Park Hong, author of Minor Feelings A BEST BOOK OF THE YEAR: The New Yorker, Time, Chicago Public Library, Kirkus Reviews, Publishers Weekly, Library Journal
"Now and then, language would thrust its way into her sleep like a skewer through meat, startling her awake several times a night." In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon the two discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages, and the fear of losing his independence. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish—the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to each other. Slowly the two discover a profound sense of unity—their voices intersecting with startling beauty, as they move from darkness to light, from silence to breath and expression. Greek Lessons is the story of the unlikely bond between this pair and a tender love letter to human intimacy and connection—a novel to awaken the senses, one that vividly conjures the essence of what it means to be alive.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
En raison de restrictions imposées par l'éditeur, la bibliothèque n'est pas en mesure d'acheter des exemplaires supplémentaires de ce titre et nous vous présentons toutes nos excuses si la liste d'attente est longue. N'oubliez pas de regarder s'il existe d'autres exemplaires, car d'autres éditions sont peut-être disponibles.
Extraits-
From the cover
1
As his dying wish, Borges requested the epitaph “He took the sword and laid the naked metal between them.” He asked this of María Kodama, his beautiful, younger wife and literary secretary, who had married Borges two months before he died, at the age of eighty-seven. He chose Geneva as the place of his passing: it was the city where he had spent his youth and where he now wanted to be buried.
One researcher described that epitaph as “a blue-steel symbol.” For him, the image of the blade was the key that would unlock the significance of Borges’s writing—the knife that divides Borges’s style from conventional literary realism—whereas for me, it seemed an extremely quiet and private confession.
The line was a quotation from a Norse saga. On the first night a man and a woman spent together (which, in this saga, was also to be their last), a sword was placed between them and left there until dawn. If that “blue-steel” blade was not the blindness that lay between the aging Borges and the world, then what was it?
Though I’d traveled to Switzerland, I didn’t visit Geneva. I had no strong desire to see his grave first-hand. Instead, I looked around the library of Saint Gall, which he would have found endlessly enrapturing had he seen it (I recall the rough feeling of the felt slippers that visitors were given in order to protect the thousand-year-old library’s floor), caught a boat at the wharf in Lucerne and floated through the valleys of ice-covered Alps until dusk.
I didn’t take any photographs. The sights were recorded only in my eyes. The sounds, smells and tactile sensations that a camera cannot capture in any case were impressed on my ears, nose, face and hands. There was not yet a knife between me and the world, so at the time this was enough.
2
Silence
The woman brings her hands together in front of her chest. Frowns, and looks up at the blackboard.
“Okay, read it out,” the man with the thick-lensed, silver-rimmed spectacles says with a smile.
The woman’s lips twitch. She moistens her lower lip with the tip of her tongue. In front of her chest, her hands are quietly restless. She opens her mouth, and closes it again. She holds her breath, then inhales deeply. The man steps back toward the blackboard and patiently asks her again to read.
The woman’s eyelids tremble. Like insects’ wings rubbing briskly together. The woman closes her eyes, reopens them. As if she hopes in the moment of opening her eyes to find herself transported to some other location.
The man readjusts his glasses, his fingers thickly floured with white chalk.
“Come on now, out loud.”
The woman wears a high-necked black sweater and black trousers. The jacket she’s hung on her chair is black, and the scarf she’s put in her big, black cloth bag is knitted from black wool. Above that somber uniform, which makes it seem as if she’s just come from a funeral, her face is thin and drawn, like the elongated features of certain clay sculptures.
She is a woman neither young nor particularly beautiful. Her eyes have an intelligent look, but the constant spasming of her eyelids makes this hard to perceive. Her back and shoulders are permanently drawn in, as though she is seeking refuge inside her black clothes, and her fingernails are clipped back severely. Around her left wrist is a dark purple velvet hairband, the solitary point of color on an otherwise monochrome figure.
“Let’s all read it together.” The man cannot wait for the woman any...
Critiques-
Starred review from February 13, 2023 Booker winner Kang (The Vegetarian) explores the borders of the senses in this delicate love story. An unnamed Korean woman living in Seoul stops speaking after her mother dies and she loses custody of her eight-year-old son. An interest in language, though, continues to tug at her, and she enrolls in a Greek class. There, she begins writing poetry that catches the eye of her instructor who, unbeknownst to anyone else, is slowly losing his sight. Split between his dual homelands of Korea and Germany, the instructor picks up on the student’s search for a language beyond what can be expressed or seen with the naked eye, something the woman gestures at in her poetry: “a language as cold and hard as a pillar of ice.” In prose that merges memory, story, and poetry, Kang tracks how the two find in one another what is missing from the sensual world. This brilliant, shimmering work is never at a loss for words even when exploring the mind of a woman who won’t speak, and its pursuit of an authentic, exquisite new form is profound. Once again, Kang demonstrates great visionary power.
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